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Artificial Condition (Dramatized Adaptation)
- The Murderbot Diaries, Book 2
- Narrated by: Alejandro Ruiz, Bradley Foster Smith, Carolyn Kashner, Eric Messner, Ken Jackson, Marni Penning, Michael John Casey, Rayner Gabriel, Elena Anderson, David Cui Cui, Jeri Marshall
- Length: 2 hrs and 45 mins
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Publisher's summary
Artificial Condition is the follow-up to Martha Wells's Hugo, Nebula, Alex, and Locus Award-winning, New York Times bestselling All Systems Red.
It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more.
Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue.
What it discovers will forever change the way it thinks…
Performed by David Cui Cui, Elena Anderson, Alejandro Ruiz, Bradley Foster Smith, Carolyn Kashner, Eric Messner, Jeri Marshall, Ken Jackson, Marni Penning, Michael John Casey, Rayner Gabriel, Scott McCormick, Shanta Parasuraman and Yasmin Tuazon.
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Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.
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A ferrari with no motor
- By will on 11-18-17
By: Andy Weir
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Temporal
- By: Julian Simpson, Richard MacLean Smith, Bec Boey, and others
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- Length: 4 hrs and 26 mins
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In the not-too-distant future, a 21-member crew launches from Earth. Their mission: to establish a temporary colony on Mars. Little do they know that colony will become permanent–and the last stand of the human race. Because, without warning, every single person left on Earth simply...vanishes. Now, a thousand years later, the resources needed to sustain life are running out, and the very existence of the Mars colony is threatened. Humankind has only one option–to return to its home planet.
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It was ok.
- By Cregg Terasa on 08-06-24
By: Julian Simpson, and others
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Once upon a time, in the magical land of San Francisco, there lived a not-so-ordinary girl named Laurel Pettigrew. She was supposed to be the Chosen One. The plan was simple: She would vanquish the great evil Tybus in an epic battle. But destiny had other ideas, and Laurel's performance in the whole heroics department was a colossal flop. Now, instead of being a legendary hero, Laurel's the resident pariah of the magic realm. And what’s worse, the dark wizard Tybus swooped in, took over the realm, and forced all supernatural creatures to live under his tyrannical rule.
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A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible. In a flash, every human-erected construction on Earth - from Buckingham Palace to the tiniest of sheds - collapses in a heap, sinking into the ground. The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot.
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A refreshing take on apocalyptical LITRPG
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In the not-too-distant future, a 21-member crew launches from Earth. Their mission: to establish a temporary colony on Mars. Little do they know that colony will become permanent–and the last stand of the human race. Because, without warning, every single person left on Earth simply...vanishes. Now, a thousand years later, the resources needed to sustain life are running out, and the very existence of the Mars colony is threatened. Humankind has only one option–to return to its home planet.
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What listeners say about Artificial Condition (Dramatized Adaptation)
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Ellie
- 03-06-24
SecUnits should enunciate better
I’ve read this book before, and I listened to the first book in the series, read by a single narrator. It was very much better than this. This is the first Dramatized Adaptation that I have listened to. I actually had to give up and buy the single narrator version because SecUnit (the main character) doesn’t enunciate clearly. He drops Ts and garbles the ends of words and is just generally reading so quickly that he makes piles of mistakes. I just barely got to the part with the sentient transport and her performance was great but I just couldn’t listen to the main character any longer.
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1 person found this helpful
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- N
- 10-14-23
Fantastic production
I used to listen to the BBC radio broadcast productions and am delighted Graphic Audio is making Martha Well’s Murderbot Diaries a full cast production. Excellent performances, true to the zeitgeist of the series, voices true to human and nonhuman. I enjoyed the Audible production of the unabridged novel and this second addition of a dramatic production by Graphic Audio is perfection.
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- Evelyn A
- 02-05-24
Great commentary on the foibles of humanity (and constructs)
David Cuicui perfectly captures the humor and sarcasm of Murderbot. I love the adaptation with full cast and effects!
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- BlindWanderer
- 10-20-23
Alright
I'm a fan of the series. I bought this with a coupon. I own the other version too and listened to it several times. There were things, elements of the story, I noticed in this recording that I hadn't noticed in the other.
The audio quality is good. The chime between chapters is super subtle, something a little more intrusive would be good. I slowed the playback down to 0.9 because the MB is read too fast.
I think the casting was better this time around. I liked A.R.T.s casting choice.
As to the book, the thing I like about the series is that the plot holes don't have time to develop into serious problems. The stories move on too quickly and end.
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- Tracy L. Benton
- 08-09-24
great attitude for murderbot
really enjoyed the performances, nice variety in the characters; I wish the pit had been even creepier though!
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- Larry D Bell+
- 11-06-23
The dramatization is perfectly ok...
... Kevin R Free's performance in the original is just 1000 times better. If you are new to Murderbot, check out the original audiobook series first.
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5 people found this helpful
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- Chick
- 10-16-23
Lacking Humor and Charm
This dramatized edition lacks the charm of the original audio book. MB sounds like it’s reading the book aloud. Instead of sounding sarcastic and/or menacing, A.R.T. is boring. I never grinned or laughed out loud even once. Very disappointed.
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3 people found this helpful
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- Lucy A. Pithecus
- 10-14-23
Better cast but what's the hurry?
This is better than the last book, especially the cast. But the timing is still off, and it's hard to tell whether the main character was thinking inside or talking out loud.
What's better: The cast - the new characters in this book are cast better than in the last book. ART sounds nice and sincere, contradicting its cocky image in my mind. But it works with its actions (of caring and helping), so it's a pleasant surprise. I still love the dramatized effects and the soundtrack.
What still doesn't work
- Timing. This book is 2 hours 45 minutes, while the original audiobook is 3 hours 21 minutes. What's the hurry?! This book's storyline is not even fast-paced. Not everyone was rushing, but the main character just sounded like he was impatient and wanted to get to the end of the reading.
- Transition between Murderbot's actions, inter-thoughts, and dialogues. The performer for Murderbot read them in the same flat tone and mono-speed. If I'm less familiar with the story, I wouldn't be able to tell whether a statement is his inner thought or his talking to someone else. Since the book is told from its perspective, many of them exist. It's just not enjoyable that I had to constantly decipher whether the main character was talking to itself or someone else.
If you are new to the Murderbot series and intrigued by the story, please listen to the original version narrated by Kevin R. Free first. If you are a fan and curious, try this at your own risk.
If you are looking for similar books, here are my favorites, in addition to all the classic robot-theme sci-fis:
Military and/or space sci-fi with a human-centered storyline - the Old Man's War series by John Scalzi (6 books, and the 5th book, "Human Division", is sold on Audible by chapters for less than a dollar each, great for sampling).
Fantasy with a sarcastic main character who is deeply compassionate but complains all the time - the Bartimaeus Series by Jonathan Stroud (4 books, starting with "The Amulet of Samarkand").
Must-read robot story for kids: The Wild Robot series by Peter Brown (3 books, great for K through 12).
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6 people found this helpful
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- Marcos Lacerda
- 02-01-24
Nah...
Long descriptions of scenes, weak story. Appears to be a chapter o a longer story, not one on its own.
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- Peter Noll
- 05-04-24
changing the voice of murderbot and speeding up the narrative plus giving ART a female voice ruined it for me.
I disliked the voices and pace. If you decide to get this use a credit so you can return it if you don't like it. I've tried listening to it several times but can't get through it. It doesn't add anything to the experience. It's bad. I much prefer the non-dramatized version.
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