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In November 1999, Joan Didion began seeing a psychiatrist because, as she wrote to a friend, her family had had “a rough few years.” She described the sessions in a journal she created for her husband, John Gregory Dunne. For several months, Didion recorded conversations with the psychiatrist in meticulous detail. The initial sessions focused on alcoholism, adoption, depression, anxiety, guilt, and the heartbreaking complexities of her relationship with her daughter, Quintana. The subjects evolved to include her work, which she was finding difficult to maintain for sustained periods.

Annie Jones always assumed adulthood would mean adventure: a high-powered career; life in a big, bustling city; and travels to far-flung places she’d longed to see. But her reality turned out differently. As the years passed, Annie was still in the same small town running an independent bookstore—the kind of life Nora Ephron dreamed.

The ultrarich hold more of America’s wealth than they did in the heyday of the Carnegies and Rockefellers. Here, Evan Osnos’s incisive reportage yields an unforgettable portrait of the tactics and obsessions driving this new Gilded Age, in which superyachts, luxury bunkers, elite tax dodges, and a torrent of political donations bespeak staggering disparities of wealth and power. With deft storytelling and meticulous reporting, this is a book about the indulgences, incentives, and psychological distortions that define our economic age.

Since her canonical 2017 essay “On Liking Women,” the Pulitzer Prize-winning critic Andrea Long Chu has established herself as a public intellectual straight out of the 1960s. With devastating wit and polemical clarity, she defies the imperative to leave politics out of art, instead modeling how the left might brave the culture wars without throwing in with the cynics and doomsayers. Authority brings together Chu’s critical work across a wide range of media—novels, television, theater, video games—as well as an acclaimed tetralogy of literary essays first published in n+1.

In this poignant, funny, and illuminating essay collection from the hosts of the Podcrushed podcast, Penn Badgley, Sophie Ansari, and Nava Kavelin tackle stories from adolescence and beyond, exploring what it means to come of age at every stage of our lives. In their debut essay collection, Penn Badgley, Sophie Ansari, and Nava Kavelin flip the script on their hit Podcrushed podcast--which features guests' stories about their formative teenage experiences--to share their own stories of heartbreak, anxiety, and self-discovery for the first time.

History Matters brings together selected essays by beloved historian David McCullough, some published here for the first time, written at different points over the course of his long career but all focused on the subject of his lifelong passion: the importance of history in understanding our present and future. Edited by McCullough’s daughter, Dorie McCullough Lawson, and his longtime researcher, Michael Hill, History Matters is a tribute to a master historian and offers fresh insights into McCullough’s enduring interests and writing life. The book also features a foreword by Jon Meacham.

In the past two decades, few writers have mastered the craft and art of the essay in the way that Zadie Smith has. Her writing, at once an occasion for personal reckoning and communal reflection, studies the fault lines that divide us and consistently finds grounds for solidarity and compassion. This eagerly awaited new collection brings Smith’s dexterity as an essayist to bear on a range of subjects that have captured her attention in recent years.

From her mooring in Macclesfield in the north-west of England to the storied Bristol Channel, Jo invites listeners to join her on a 30-day odyssey, beginning with the end of a tempestuous relationship and echoing a journey previously taken by LTC Rolt, a legendary engineer and advocate of the waterways.

An ode to one man's enduring love affair with hunting, The Fragrance of Grass stands as a testament to Guy de la Valdène's deep affection for and abiding respect of the natural work and all its inhabitants. Set in places as far afield as France and Montana, Saskatchewan and Florida, this beautifully written memoir is a treatise on dogs, birds, and wildlife; food, wine, and women.

Surfer Storiesis an unrivaled collection of unique, revealing, and intimate stories about twelve of the world’s greatest surfers. From the monstrous walls of water at Teahupoo, to the reef-scraping barrels of Pipeline, to the endless peeling break of Jeffreys Bay, legendary surfers have made their mark on surf history, distinguished by the fearlessness, grace, and artistry displayed while riding the most exalted waves. Each surfer’s story is told by a different writer—fellow surfers, famed authors, celebrities, musicians, and surf journalists—who shares a passion for surfing

Everyone knows the parlor game question asked of every chef and food personality in countless interviews: What is the last meal you'd want to eat before you die? But what does it look like when you pose the question to bartenders? In Last Call, James Beard Award-winning author Brad Thomas Parsons gathers the intriguing responses from a diverse range of bartenders around the country.

Spanning more than thirty five years of Lawrence Wright’s reporting for The New Yorker, Texas Monthly, Rolling Stone and other magazines, these pieces remind us what a brilliant observer Wright has been of institutions, of political maneuverings, and of people—dangerous, eccentric, or beloved.

What My Mother and I Don’t Talk About has become a rare gem in the literary world. Both a viral sensation online and chosen by Oprah Daily as one of the best nonfiction books of the past two decades, it is an essential collection that dives into the personal and poignant topics we often struggle to discuss with those who are meant to know and love us best. This captivating follow-up, edited by Michele Filgate, tackles the intricate and challenging relationships we have with our dads, breaking the silence around these vital connections.

This is my book and I'll start talking about it soon!

A debut essay collection by the inimitable cultural critic Maris Kreizman—an introspective, searing account of the life experiences that have pushed this former “good Democrat” even further to the political left.

The Charles Dickens Non-Fiction Collection contains all of Charles Dickens' major published works of non-fiction. Although lesser known than the novels for which he is remembered, Dickens' eye for detail and character observation is seen just as clearly in his travelogues, essays, and letters, giving us an insight into Dickens and 1800s London, America, and Europe.

In The Future of Truth, a great artist essays an answer to one of humanity's deepest, most eternal questions. At a moment when deepfake AI videos are proliferating, and most people have simply thrown up their hands in despair at the ubiquity of what we now know as fake news—not to mention the constant lying and propagandizing from certain public figures—Herzog seeks a remedy.

Le Guin’s sharp and witty voice is on full display in this collection of twenty-four essays, revised by the author a decade after its initial publication in 1979. The collection covers a wide range of topics and Le Guin’s origins as a writer, her advocacy for science fiction and fantasy as mediums for true literary exploration, the writing of her own major works such as A Wizard of Earthsea and The Left Hand of Darkness, and her role as a public intellectual and educator.

Life and Art—these are the twin subjects considered in Richard Russo’s twelve masterful new essays—how they inform each other and how the stories we tell ourselves about both shape our understanding of the world around us. In “The Lives of Others,” he reflects on the implacable fact that writers use people, insisting that what matters, in the end, is how and for what purpose. How do you bridge the gap between what you know and what you don’t, and sometimes can’t, know?

From a young age Kerouac was a spiritual thinker and questioner, and he always considered himself a spiritual writer. Buddhism gave more meaning to Jack’s work as a writer: he was working not for personal accomplishment and glory but for human betterment. And Buddhism justified his lifestyle: with its vision of the material world as empty and illusory, he was free to do what he wanted.