Mostrando resultados por narrador "Linda Barrans" en Todas las categorías

Exiles is the only play written by James Joyce. It draws material from "The Dead", the final story in his famous short stories collection, Dubliners. It centers around four individuals - Richard, Robert, Bertha, and Beatrice - and the complex romantic entanglements between them as tensions rise and relationships are tested.

In Jane Austen's unfinished novel, young Emma Watson returns to her father's house after being raised by her wealthy and refined uncle. As she gets to know her family, she finds that her father is reclusive and sickly, her sisters are crude and shallow, and her eldest brother has a petulance that is matched only by his wife's.

The Seagull is Anton Chekhov's first major play, originally produced in 1896. It dramatizes the romantic and artistic conflicts between four characters: the famous middlebrow story writer Boris Trigorin, the ingenue Nina, the fading actress Irina Arcadina, and her son, the symbolist playwright Constantine Treplef.

Passion and intrigue among the upper classes form the basis of Lady Windermere's Fan, Oscar Wilde's first successful play, which displays his trademark wit and wisdom. Beautiful and innocent Lady Windermere finds out that her husband has been keeping company with the scandalous and mysterious Mrs. Erlynne. Her discovery unleashes a host of tensions at her 21st birthday party, where London's elite have gathered to gossip.

Sense and Sensibility follows the fortunes of sensible Elinor and her volatile younger sister, Marianne, as each searches for a spouse—a quest made urgent by the family’s financial embarrassment. While Elinor pursues the heart of clergyman, Edward Ferrars, Marianne impulsively falls in love with a glamorous but unscrupulous adventurer, Willoughby. Elinor sees trouble brewing but the enraptured Marianne does not. The sisters question each other’s choices in love.

In As You Like It, a wicked Duke expels his virtuous brother, the lawful ruler, from his domains. The banished Duke takes refuge with his followers in the Forest of Arden, where they live as free a life as did Robin Hood and his merry men.

As the generating force of its plot, Twelfth Night uses a device which has since become a staple in comedy: gender confusion. Viola and her twin brother Sebastian, are shipwrecked on the coast of Illyria, a country ruled by the melancholy Duke Orsino. The twins are separated and Viola is led to believe that her brother has perished. She disguises herself as a male under the name of Cesario and makes her way to the ducal court, where Orsino employs her as a messenger, to communicate his love to the reclusive lady, Olivia—who is not willing to return his affection.

This collection of 35 short poems was first published in 1927, and is a sequel to When We Were Very Young, which was the first anthology of verse dealing with the domestic adventures of Christopher Robin and Winnie the Pooh.

This play is a dramatization of Boccaccio’s story of Gillette of Narbonne. Only the comic parts were of Shakespeare’s invention; he added the characters of the pusillanimous Parolles, the lofty courtier Lafew, the Clown Lavatch, and the long suffering Countess. He gave new depth and vitality to the leading characters, who are mere outlines in Boccaccio’s tale.

"In the first place, Cranford is in possession of the Amazons; all the holders of houses above a certain rent are women." This is how our guide and narrator, Mary Smith, introduces us to the small English country town of Cranford. Young, modern Mary gives us her Austen-like view of small-town customs, Victorian values, decorum, and etiquette. Mary gives us a charming, sometimes gently mocking comedy of manners.

The unlikely heroine of this novel is the bashful and unadventurous Fanny Price, who occupies a Cinderella-like position in the residence of her wealthy cousins, the Bertrams, at Mansfield Park. Fanny is the butt of ridicule for the young Bertram sisters (Maria and Julia), and is relentlessly bullied by her manipulative and penny-pinching aunt, the widowed Mrs Norris.

The Witch of Atlas is a poetic narrative, written in 1820 and published posthumously in 1824. The witch is the daughter of the Pleiades, the seven daughters of Atlas and Pleione. The plot is built around her adventures, during which she creates an androgynous creature, Hermaphroditus, who is both the companion of and the servant to the witch. She plays a series of pranks upon mankind, with the ultimate aim of revealing the essential foolishness of oppression and conflict and enabling the realization of a final Utopia.

In Celebrated Crimes [eight volumes: this version, 1895], Dumas the elder, recognised master of historical fiction (The Count of Monte Cristo, The Three Musketeers) turns to historical fact. In this volume: Joan of Naples. The much-married queen does what she must to survive ‘the violence and treachery of this barbarous age’. ‘An angel soiled by crime, she lied like Satan himself .’ The Man in The Iron Mask (an essay). How much of the well-known story is fact, and how much fiction?

Listeners are invited to sit back and enjoy this collection of classic Yuletide tales....

Despite its patina of humor, the work is a merciless exposé of the commercial middle class dishonesty, and the convenient immorality hiding behind social conventions, which are characteristic of a developing urban society. The most noble character, Serafima, is a compelling mixture of naïveté, whimsicality, sentimentality, and obstinate practicality - one of the finest character portraits in Russian drama.

At the center of each of the four great Shakespearean tragedies - Hamlet, Macbeth, King Lear, and Othello - is a powerful figure who is led to destruction by a fatal character flaw. In the case of Macbeth it is ambition. Initially a valiant warrior, and staunch servant of his regal overlord Duncan, Macbeth succumbs to the lure of absolute political domination, which leads to murder, revolt, and comprehensive defeat.

Shakespeare’s history plays fall into two categories: political dramas and propagandistic pageants. The second category is comprised of the two plays in this presentation, Henry V and Henry VIII.

Franz Kafka was one of the first and greatest masters of dystopian literature. In his bleak world view, man is presented as helpless and ineffectual, his destiny determined by distant, obscure and essentially unfriendly agencies. In none of his works is this savage and unreasoning enslavement presented more vividly than in Metamorphosis, a novella in which Gregor Samsa, a respectable employee and dutiful son, wakes to find himself transformed into a gigantic insect.

The Green Cockatoo is a short play set in a busy tavern on the night of the storming of the Bastille. Rich Parisian nobles come to watch some actors play at being rogues, thieves, and other criminals, but they quickly find reality and fantasy blending together in the most alarming of ways.

This play is a fictionalized account of the life of William Shakespeare, beginning from his humble origins in Stratford-upon-Avon with his wife, Anne Hathaway, to his life as a successful playwright in London. This play uses several biographical speculations about Shakespeare's life to tell a fascinating tale, such as his relationship with his wife (to whom he famously left his "second-best bed" in his will), his friendship with fellow playwright and competitor Christopher Marlowe, his interactions with Queen Elizabeth I, and an extramarital dalliance with the queen's maid of honor.