Showing results by narrator "John Burlinson" in All Categories

“He was born with a gift of laughter and a sense that the world was mad … “So begins this historical tale of romantic adventure. Andre-Louis Moreau is an orphan and cousin of the beloved Aline. He is raised by his godfather, the Lord of Gavrillac, and matures into an educated lawyer—while Aline sets her mind on marrying the rich but dishonorable Marquis de la Tour d’Azyr. But when Moreau’s closest friend is killed by the Marquis in a duel, Moreau vows vengeance. After publicly denouncing the aristocracy and stirring up the crowds, Moreau is forced to go into hiding.

Carlo Collodi's whimsical recasting of the myth of Pygmalion and Galatea was first published in 1883 and has since become an established classic of children's literature. Geppetto, a poor wood carver, receives a piece of wood from which he carves a marionette. Much to his surprise, the puppet springs to life and embarks on a wild series of adventures.

Six months ago, Ellie was a newlywed, working the dry land in 1880s Texas. Then the desperados came. They raped her and killed her husband, leaving her for dead. But she hunted them down and, along the way, found an inner strength and relentless determination that no man can match. Ellie thought the killing was over, that she'd put her guns away for good to run a ranch that she'd inherited from a legendary Texas Ranger. She was wrong.

R.U.R. (Rossum's Universal Robots) is a science-fiction drama that was first presented in Czech in 1921. It introduced the term "robot", which is derived from a Czech word meaning "worker," to international vocabulary. The action opens in a factory that has successfully produced thousands of robots, who are essentially mindless drones. An idealistic humanitarian activist launches a plan to imbue some of the robots with human traits. The robots which have been humanized then assume leadership over the other robots and seek to organize them in a revolution to take over the world.

Oedipus the King is the story of a man whose life is destroyed by his own good intentions. When a terrible secret from his past is brought to the light of day, the consequences are chilling - and ineluctable.

In this volume we meet the novelist, Felix Kennaston, who lives in parallel worlds. One of these is with his wife in their suburban Virginia home and genteel society. The other is with the beautiful Lady Ettarre, who shares his travels through space and time to meet, among many others, Oliver Cromwell, Napoleon, and the Emperor Tiberius. Lusty and magical, romantic and rueful, subtly erotic and laced with sardonic humor, this absorbing book is highly regarded as a masterwork of Fantasy literature.

The Wild Duck (Vilanden) is a tragedy with comic episodes. Ibsen himself characterized the play as a tragicomedy. It depicts ordinary life realistically instead of romantically and sentimentally, a revolutionary concept in Ibsen's time. The play is now generally acknowledged as one of Ibsen's supreme accomplishments.

On a bloody day in 1887, death came to Blanco, Texas. Before the sun went down, the livery stable was torched, an outlaw gang robbed the bank, two men were killed, and young newlywed Ellie Taine was raped. One of the dead was the man who planned the robbery - the son of dying, legendary Texas Ranger Jonathan Crossland - the other was Ellie's husband, an innocent bystander.

In the early 1900s, two families in Scurry and Kent counties in West Texas united in a marriage of 14-year-old Gladys Johnson to 21-year-old Ed Sims. Billy Johnson, the father, set up Gladys and Ed on a ranch, and the young couple had two daughters. But Gladys was headstrong and willful, and Ed drank too much, and both sought affection outside their marriage.

This book examines the hearings that followed Mormon apostle Reed Smoot’s 1903 election to the US Senate and the subsequent protests and petitioning efforts from mainstream Christian ministries disputing Smoot’s right to serve as a senator. Exploring how religious and political institutions adapted and shapeshifted in response to larger societal and ecclesiastical trends, The Reed Smoot Hearings offers a broader exploration of secularism during the Progressive Era and puts the Smoot hearings in context with the ongoing debate about the constitutional definition of marriage.

This collection contains a mixture of stories about ghosts and contacts from spirits, some by celebrated authors, together with essays on psychical research. As Joseph French notes in the preface, even for the skeptic, tales of ghostly activity retain a distinct fascination. The widespread interest in psychic phenomena in the early twentieth century proved to be a significant stimulus to literary production.

Bernard Shaw based his "religious pantomime" Androcles and the Lion on the ancient fable of the runaway slave who pulls a painful thorn from a lion's paw, thereby making a lifelong friend. This tale of a puny Greek tailor triumphing over the Roman emperor is, as always with Shaw, a commentary on the politics of his time, with the emperor standing in for the British government and, indeed, all repressive regimes.

The Swedish playwright August Strindberg was one of the founding fathers of naturalistic theater. A feature of many of his plays is the minute dissection of attitude and motivation by individuals within tightly bound groups. As in the present drama, such relentless inspection of behavior often has drastic consequences. Thekla, married to the needy Adolf, has a surprise encounter with her former husband, the lordly Gustav. Or is it really a surprise?

In Dying to Learn, Michael Hunzeker develops a novel theory to explain how wartime militaries learn. He focuses on the Western Front, which witnessed three great-power armies struggle to cope with deadlock throughout the First World War. Through careful study of the British, French, and German experiences, the book provides a model that shows how a resolute focus on analysis, command, and training can help prepare modern militaries for adapting amidst high-intensity warfare in an age of revolutionary technological change.

Today we have ghosts that haunted our ancestors, as well as our own modern revenants, and there appears to be no earthly use trying to banish or exorcise them by such a simple strategy as refusing to believe in them. Since man knows that whether or not he has seen a ghost, presently he will become one, and thus he has become fascinated with the subject. Therefore he creates ghosts, not merely in his own image, but according to his dreams of power.

This translation, by an unknown hand, of D'Aurevilly's salacious miscellany, which consists of six novellas, was published in 1900 under the title Weird Women and is in the public domain. When the collection was first published in France in 1874, it caused up an uproar; it was declared a danger to public morality and the prosecutor issued orders for its seizure on the grounds of blasphemy and obscenity.

While exploring the beach, four adventurous children make the acquaintance of a very odd creature: a sand fairy. When they have adapted to the brusque and forthright demeanor of the fairy, they discover that he has unusual powers, which he can be persuaded to demonstrate. As a result, the children enjoy many bizarre adventures, some of which are dangerous, but all of which are entertaining. Five Children and It is the first volume of a trilogy.

Much Ado About Nothing appears to have been written about 1599, shortly before As You Like It and Twelfth Night. The action combines two narrative threads: the spirited comedy of the courtship of Benedick and Beatrice, and the somber tale of confused love between Hero and Claudio. The first is a creation by Shakespeare and the second appears to have been drawn from an Italian source, either by Bandello or Ariosto. The action takes place in Messina. Eponymous lovers Hero and Claudio seem to be ideally matched and nearly everyone is looking forward to their impending marriage.

The Ring and the Book is a verse novel of sex, lies, and murder, authored by Robert Browning, and it is widely considered to be one of the greatest literary works of the 19th century. It’s a “true crime” story based on the proceedings of a Roman murder trial held in 1698. Each of the 12 books consists of a dramatic monologue in the voice of a different character involved in the tale.

This collection of 10 classic tales is very representative of Wharton's approach to story-telling - in the narrative, the venue becomes a character almost as much as do the people. Situations are presented in an elegantly understated way, and the overall effect is disturbing rather than blatantly horrific.