Malcolm Washington knows a thing or two about legacy. As the youngest son of Denzel and Pauletta Washington, he grew up in a movie-making family of actors, directors and producers. Now, Malcolm is entering the family business with his debut feature film, “The Piano Lesson,” which is an adaptation of the revered August Wilson play of the same name. It’s about what we pass on from one generation to another and the legacy we leave. Malcolm sits down with Tom Power to discuss his directorial debut, how he personally connected with the story’s themes of legacy, and what it’s like to carve out your own path when your father is a truly legendary actor.

Whether you call it naan, roti, lavash or tortilla, flatbread represents our cultures and traditions, showing us how food can unite us across borders. It's for that reason that the Canadian artist Sameer Farooq believes that flatbread belongs in a museum. His latest project, “Flatbread Library,” is a large-scale sculpture that indexes flatbread from different regions, sourced from bakeries around Toronto. Sameer sits down with Tom Power to tell us how a trip to Pakistan sparked the idea for the project, why bakers are the best sculptors, and how “Flatbread Library” challenges what we typically see in museums.

As a cinematographer, director and producer, Barry Sonnenfeld (Men in Black, The Addams Family, Get Shorty) has done a lot in the world of film and TV. Last month, he released his second memoir, “Best Possible Place, Worst Possible Time,” which is full of candid stories from his blockbuster career. Barry joins Tom Power to share some of those Hollywood stories, including the unique challenges of directing Michael Jackson on “Men In Black II” and the time he fired Donald Trump off of a Macy’s commercial. Plus, he tells us why he became a Canadian permanent resident in 2016.