Malcolm Washington knows a thing or two about legacy. As the youngest son of Denzel and Pauletta Washington, he grew up in a movie-making family of actors, directors and producers. Now, Malcolm is entering the family business with his debut feature film, “The Piano Lesson,” which is an adaptation of the revered August Wilson play of the same name. It’s about what we pass on from one generation to another and the legacy we leave. Malcolm sits down with Tom Power to discuss his directorial debut, how he personally connected with the story’s themes of legacy, and what it’s like to carve out your own path when your father is a truly legendary actor.

Whether you call it naan, roti, lavash or tortilla, flatbread represents our cultures and traditions, showing us how food can unite us across borders. It's for that reason that the Canadian artist Sameer Farooq believes that flatbread belongs in a museum. His latest project, “Flatbread Library,” is a large-scale sculpture that indexes flatbread from different regions, sourced from bakeries around Toronto. Sameer sits down with Tom Power to tell us how a trip to Pakistan sparked the idea for the project, why bakers are the best sculptors, and how “Flatbread Library” challenges what we typically see in museums.

As a cinematographer, director and producer, Barry Sonnenfeld (Men in Black, The Addams Family, Get Shorty) has done a lot in the world of film and TV. Last month, he released his second memoir, “Best Possible Place, Worst Possible Time,” which is full of candid stories from his blockbuster career. Barry joins Tom Power to share some of those Hollywood stories, including the unique challenges of directing Michael Jackson on “Men In Black II” and the time he fired Donald Trump off of a Macy’s commercial. Plus, he tells us why he became a Canadian permanent resident in 2016.

Michael Nicoll Yahgulanaas is a Haida artist who’s considered the father of Haida manga — a distinct style that combines the traditional art of his culture with contemporary Japanese comic book storytelling. His work explores themes of cultural identity, environmentalism and colonialism, while making it accessible in the graphic novel form. Michael sits down with guest host Talia Schlanger to discuss Haida manga and his new exhibit, “Diaries After a Flood,” which is on now at the Museum of Contemporary Art in Toronto.

People don’t think Graham Isador is losing his sight. They think he’s an asshole.

Short Sighted is an attempt to explain what vision loss feels like by exploring how it sounds.

Written and hosted by master storyteller Graham Isador, the show’s mini episodes are an intimate and irreverent look at accessibility and its personal impacts.

Get lost in someone else’s life. From a mysterious childhood spent on the run, to a courageous escape from domestic violence, each season of Personally invites you to explore the human experience in all its complexity, one story — or season — at a time. This is what it sounds like to be human.

More episodes of Personally are available at: https://link.chtbl.com/6dEWdP7z

Leon Bridges is back with his fourth studio album, “Leon.” It’s a moving collection of 13 songs that take a look at the place that shaped him as a person and as an artist: his home of Fort Worth, Texas. Leon joins Tom Power to reflect on his supersonic rise to fame after the release of his debut album, his evolving relationship with his faith and how that shows up in his music, and why Fort Worth is such a meaningful place to him.

Graham Isador is a Canadian writer and playwright who’s living with a degenerative eye disease called keratoconus, which means he’s losing his sight. But since there’s no obvious sign of it, people don’t always believe him. His new project, “Short Sighted,” started as a one-man play and is now a five-part podcast series that explains what it’s really like for him to lose his vision. Graham joins guest host Talia Schlanger to talk about the project and what he’s learned about himself along the way.

It's not uncommon for big musical artists to take a break in between albums, but it is uncommon for them to use that break to go to Harvard Divinity School. That's exactly what Maggie Rogers did a few years ago at the height of her success. She sits down with Tom Power to talk about that decision, how she applied her theological studies to her work as a singer-songwriter, and how trusting her instincts and prioritizing fun on her latest album, “Don’t Forget Me,” changed her approach to songwriting.