The SyncLodge Podcast Series Exploring Music Trailer, to give you a bit of a taste of what is to come when we launch Series 1 on November 4th at 5am UK Time.

SyncLodge podcast Exploring Music, where we explore the obscure, where we delve in deep, into the vast vaults of great, but maybe, not so known, music.

For each episode we will bring together two music industry professionals, to discuss in depth an area of music they are passionate about and have an intimate knowledge of.

My name is Lionel Lodge and I will be your reluctant moderator, preferring to let my guests do most of the talking.

Support the show

In this conversation Mark Garfield and Jonathan Watts discuss the obscure gems they find more and more called for in sync licensing.

Click to listen to a Spotify playlist with all the music mentioned in the 3 parts of this conversation, all listed in order of mention.

Mark Garfield of Pop-Up Music and Jonathan Watts of Adelphoi Music discuss the rare finds, the lost gems, the unusual music that they have unearthed for use in visual media sync licensing.

Mark Garfield is the founder and co-director of Pop-Up Music, a global music library and publisher that provides music for sync licensing. Pop-Up has placed music with global advertising agencies such as McCann Erickson and Saatchi and Saatchi, in ad campaigns for Estee Lauder and NAB, in films such as Once Upon A Time In Hollywood, Vox Lux (the Natalie Portman movie) and Prospect, in video games like Far Cry 5, in TV series for Netflix, CBS, BBC, Starz and The History Channel among many others. Pop-Up has built a very interesting catalogue that covers a lot of quite unusual music. Mark is also a professional musician who has toured and recorded as a drummer for over twenty years, plus he has a long history of music production and song writing.

And joining Mark is Jonathan Watts. Jonathan is music producer and music supervisor at the multi award winning Adelphoi Music, which is a team of musicians, composers, producers, DJs and passionate music fans and whose extensive client list includes Nike, Lacoste, Qatar Airways, BMW, Ralph Lauren, Virgin, Amazon, Google, among many other world leading companies. Before his close to 5 years at Adelphoi, Jonathan held positions of Head of Production at Tsunami Music, Music Supervisor and Partnerships Manager at Square Enix specifically working on the game Sleeping Dogs, Business Development Manager plus Radio Presenter at the Ministry of Sound.

Click to listen to a Spotify playlist with all the music mentioned in the 3 parts of this conversation, all listed in order of mention.

We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan.

This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services.

If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.

If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.

Support the show

In this conversation Mark Garfield and Jonathan Watts discuss the obscure gems they find more and more called for in sync licensing.

Click to listen to a Spotify playlist with all the music mentioned in the 3 parts of this conversation, all listed in order of mention.

Mark Garfield of Pop-Up Music and Jonathan Watts of Adelphoi Music discuss the rare finds, the lost gems, the unusual music that they have unearthed for use in visual media sync licensing.

Mark Garfield is the founder and co-director of Pop-Up Music, a global music library and publisher that provides music for sync licensing. Pop-Up has placed music with global advertising agencies such as McCann Erickson and Saatchi and Saatchi, in ad campaigns for Estee Lauder and NAB, in films such as Once Upon A Time In Hollywood, Vox Lux (the Natalie Portman movie) and Prospect, in video games like Far Cry 5, in TV series for Netflix, CBS, BBC, Starz and The History Channel among many others. Pop-Up has built a very interesting catalogue that covers a lot of quite unusual music. Mark is also a professional musician who has toured and recorded as a drummer for over twenty years, plus he has a long history of music production and song writing.

And joining Mark is Jonathan Watts. Jonathan is music producer and music supervisor at the multi award winning Adelphoi Music, which is a team of musicians, composers, producers, DJs and passionate music fans and whose extensive client list includes Nike, Lacoste, Qatar Airways, BMW, Ralph Lauren, Virgin, Amazon, Google, among many other world leading companies. Before his close to 5 years at Adelphoi, Jonathan held positions of Head of Production at Tsunami Music, Music Supervisor and Partnerships Manager at Square Enix specifically working on the game Sleeping Dogs, Business Development Manager plus Radio Presenter at the Ministry of Sound.

We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan.

This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services.

If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.

If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.

Support the show

In this conversation Mark Garfield and Jonathan Watts discuss the obscure gems they find more and more called for in sync licensing.

Click to listen to a Spotify playlist with all the music mentioned in the 3 parts of this conversation, all listed in order of mention.

Mark Garfield of Pop-Up Music and Jonathan Watts of Adelphoi Music discuss the rare finds, the lost gems, the unusual music that they have unearthed for use in visual media sync licensing.

Mark Garfield is the founder and co-director of Pop-Up Music, a global music library and publisher that provides music for sync licensing. Pop-Up has placed music with global advertising agencies such as McCann Erickson and Saatchi and Saatchi, in ad campaigns for Estee Lauder and NAB, in films such as Once Upon A Time In Hollywood, Vox Lux (the Natalie Portman movie) and Prospect, in video games like Far Cry 5, in TV series for Netflix, CBS, BBC, Starz and The History Channel among many others. Pop-Up has built a very interesting catalogue that covers a lot of quite unusual music. Mark is also a professional musician who has toured and recorded as a drummer for over twenty years, plus he has a long history of music production and song writing.

And joining Mark is Jonathan Watts. Jonathan is music producer and music supervisor at the multi award winning Adelphoi Music, which is a team of musicians, composers, producers, DJs and passionate music fans and whose extensive client list includes Nike, Lacoste, Qatar Airways, BMW, Ralph Lauren, Virgin, Amazon, Google, among many other world leading companies. Before his close to 5 years at Adelphoi, Jonathan held positions of Head of Production at Tsunami Music, Music Supervisor and Partnerships Manager at Square Enix specifically working on the game Sleeping Dogs, Business Development Manager plus Radio Presenter at the Ministry of Sound.

We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan.

This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services.

If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.

If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.

Support the show

In this conversation Greg Brimson and Bob Brimson discuss the origins, influences and continued influence of the 1960's British acoustic music explosion from first hand experience.

Click to listen to a Spotify playlist with all the music mentioned in the 2 parts of this conversation, all listed in order of mention. Spotify has no Derek Brimstone (what?!?) so here is a video of him live in 1994.

Greg Brimson, a multi award winning Producer, Remixer, Studio Engineer, Musician and composer who has achieved international chart success working with artists as diverse as Eminem, The Levellers, Gary Numan, Bush, Natalie Imbruglia and on and on. He is founder of Defacto Records and Tuune TV plus he continues to be active in A&R consulting.

And joining Greg is his brother Bob Brimson who spent the last 20 odd years fronting up Universals live operation and video departments. Starting out as guitar tech and tour manager for the likes of Terence Trent D’Arby, Alison Moyet and Kirsty McColl, then co-manager of Britpop outfit Echobelly and a short stint with his heroes XTC he took the company shilling as Head of A&R for Arista Records but soon moved to Universal – he semi-retired after being in charge of the spending for the opening and closing ceremonies of the Olympic Games in London in 2012.

We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan.

This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services.

If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.

If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.

Support the show

In this conversation Greg Brimson and Bob Brimson discuss the origins, influences and continued influence of the 1960's British acoustic music explosion from first hand experience.

Click to listen to a Spotify playlist with all the music mentioned in the 2 parts of this conversation, all listed in order of mention. Spotify has no Derek Brimstone (what?!?) so here is a video of him live in 1994.

Greg Brimson, a multi award winning Producer, Remixer, Studio Engineer, Musician and composer who has achieved international chart success working with artists as diverse as Eminem, The Levellers, Gary Numan, Bush, Natalie Imbruglia and on and on. He is founder of Defacto Records and Tuune TV plus he continues to be active in A&R consulting.

And joining Greg is his brother Bob Brimson who spent the last 20 odd years fronting up Universals live operation and video departments. Starting out as guitar tech and tour manager for the likes of Terence Trent D’Arby, Alison Moyet and Kirsty McColl, then co-manager of Britpop outfit Echobelly and a short stint with his heroes XTC he took the company shilling as Head of A&R for Arista Records but soon moved to Universal – he semi-retired after being in charge of the spending for the opening and closing ceremonies of the Olympic Games in London in 2012.

We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan.

This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services.

If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.

If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.

Support the show

In this conversation Adam Bushell and Adam Lieber discuss the original artists of the electronic music known as Left Field and the long lasting effects they have had on popular music.

Click to listen to a Spotify playlist with all the music mentioned in the 2 parts of this conversation, all listed in order of mention.

Adam Bushell, is a freelance music supervisor who has experienced many sides of the sync licensing industry. Starting out as a music supervisor at Soundtree Music, then working in the synchronisation department at publisher Spirit Music Group. And most recently as founder and Creative Director of Tin Drum Music, where he oversaw the music for the Engine Group.

And joining Adam is our second Adam. Adam Lieber who has a Bachelor of Fine Arts degree from the University of Cape Town where he DJed and threw large scale events hosting the likes of ninja tune and other artists. He studied sound design, performance and audio/visual production at Fabrica and has a MA in communication art and design from the Royal College of Art. Adam Lieber, for over 11 years, has been running his own company Shtik, which provides bespoke sonic solutions and composition for advertising, film, television, brand identity, digital and interactive experiential media. Plus, over the same time, Adam has been the Director of Schmutz Films which is a boutique production studio specialising in music, fashion, the arts & of course food, because apparently, they love to eat, feed folks and believe food is the way forward! Plus, and I am serious here, Adam is a serial-fermentor teaching the magic of fermentation in his spare time. But before all this Adam was at Soundtree Music as a freelance music supervisor, composer and sound designer for 6 years.

Click to listen to a Spotify playlist with all the music mentioned in the 2 parts of this conversation, all listed in order of mention.

We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan.

This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services.

If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.

If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.

Support the show

In this conversation Adam Bushell and Adam Lieber discuss the original artists of the electronic music known as Left Field and the long lasting effects they have had on popular music.

Click to listen to a Spotify playlist with all the music mentioned in the 2 parts of this conversation, all listed in order of mention.

Adam Bushell, is a freelance music supervisor who has experienced many sides of the sync licensing industry. Starting out as a music supervisor at Soundtree Music, then working in the synchronisation department at publisher Spirit Music Group. And most recently as founder and Creative Director of Tin Drum Music, where he oversaw the music for the Engine Group.

And joining Adam is our second Adam. Adam Lieber who has a Bachelor of Fine Arts degree from the University of Cape Town where he DJed and threw large scale events hosting the likes of ninja tune and other artists. He studied sound design, performance and audio/visual production at Fabrica and has a MA in communication art and design from the Royal College of Art. Adam Lieber, for over 11 years, has been running his own company Shtik, which provides bespoke sonic solutions and composition for advertising, film, television, brand identity, digital and interactive experiential media. Plus, over the same time, Adam has been the Director of Schmutz Films which is a boutique production studio specialising in music, fashion, the arts & of course food, because apparently, they love to eat, feed folks and believe food is the way forward! Plus, and I am serious here, Adam is a serial-fermentor teaching the magic of fermentation in his spare time. But before all this Adam was at Soundtree Music as a freelance music supervisor, composer and sound designer for 6 years.

We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan.

This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services.

If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.

If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.

Support the show