The Wake

De: Paul Kingsnorth

Narrado por: Simon Vance

In the aftermath of the Norman Invasion of 1066, William the Conqueror was uncompromising and brutal. English society was broken apart, its systems turned on their head. What is little known is that a fractured network of guerrilla fighters took up arms against the French occupiers.

In The Wake, a postapocalyptic novel set 1,000 years in the past, Paul Kingsnorth brings this dire scenario back to us through the eyes of the unforgettable Buccmaster, a proud landowner bearing witness to the end of his world. Accompanied by a band of like-minded men, Buccmaster is determined to seek revenge on the invaders. But as the men travel across the scorched English landscape, Buccmaster becomes increasingly unhinged by the immensity of his loss, and their path forward becomes increasingly unclear.

Written in what the author describes as "a shadow tongue" - a version of Old English updated so as to be understandable to a modern audience - The Wake renders the inner life of an Anglo-Saxon man with an accuracy and immediacy rare in historical fiction.

©2013 Paul Kingsnorth (P)2016 Tantor

Reseñas de la Crítica

"[R]ich in ghosts and the old gods, is daring.…" ( Kirkus)

Unbelievable narrator, for writing that makes one feel high

Unbelievable narrator, for writing that makes one feel high. Incredible. Paul Kingsnorth is a genius. What more can I say?

Please…get me out of his head!

Simon Vance does a superb job (as usual) narrating this microscopic examination of British history. The timeframe, 1066-1068, captures all the pain and suffering of a people vanquished by an invading army.

However, we see most of this turmoil through the eyes, and in the mind of, Buccmaster, a farmer who has gone insane after experiencing the tragic loss of his land, wife and sons. For awhile this is an acceptable strategy to convey the story to listeners, but it eventually unravels when we figure out that there will be no redemption for Buccmaster or his scorched landscape. He merely mutters inconsistent babbling towards the end, thinking himself some kind of resurrected ancient god.

The "Wake" is meant to represent the aftermath of the Norman Invasion, but it is also a metaphor for the death of rationality in Buccmaster's mind. At some points this was grating. I considered returning the book, then thought better of it, reminding myself that history (fictional or otherwise) is good for the soul.

I give this novel one scythe up and one down.

Insanely Good!

Never have I read something so compelling in fiction. I look forward to the other books in the Trilogy.

A must read

I’m not kidding. You gotta get this. Paul is a great man and a great author. I think you’re gonna love it.

Great Ideas Wasted by a Bad Ending

I was excited by this book. I had read some of Kingsnorth's latest book, CONFESSIONS OF A RECOVERING ENVIRONMENTALIST, and some smaller pieces. I thought I would give this book a try. At first, I was really excited by the book. The creation of a pseudo Old English language was a very creative way to add depth to the story and make it seem as though I had, indeed, stepped into a different place and time. The ideas in the book, particularly those of religion and place, were also interesting. But the ending was terrible. The best way I can describe it is that it was as if I was reading LORD OF THE RINGS and the entire story just ended right when Frodo and Sam were caught by the orcs while in Mordor. There was no resolution and hardly even a climax. Maybe another comparison would be with MONTE PYTHON AND THE HOLY GRAIL, when everything just stops, leaving you completely hanging. It's just not as funny. The Narrator did a fantastic job at portraying the main character in both speech and emotion. He gets 5 stars. But, as much as I like Kingsnorth's ideas and creativity in this story, the story itself was a flop.

Very interesting story, Excellent performance!

Any additional comments?

Well written, intriguing story with an interesting mix 11th century Anglo-Saxon and Middle English with enough modern phrasing and words to render it understandable to a 21st century listener/reader.

Speaking of listener/reader, Simon Vance's narration of this book was absolutely remarkable. He took a very difficult text, and transported me back nearly a thousand years. Very good indeed.

Natural Narration

The Wake takes place in and around 1066. The grammar can throw you off initially, but is still great, makes it better to hear Buckmaster of Holland. Simon Vance's work as narrator is what makes Buckmaster. Paul Kingsnorth work naturally comes to Simon Vance. If medieval history from a different perspective is what you're looking for, The Wake is amazing, if you'd like to hear it, this is the version to play.

Amazing Narration

The story is a decent one even if it asks you to identify with a real piece of shit, but the narration is literally the best I've ever heard. The narrator takes an intentionally difficult book and makes it all sound so easy and natural.

Not What I Expected

It was more literary/rhetorical work than medieval war story. The final act really saved it but I thought the middle was kind of a slog. Narrator is A+ at least.

Unveiling Complexities of the Middle Ages

Simon Vance's narration is a poetic masterpiece, breathing life into the words of this Middle Ages tale. The author crafts a vivid world where characters grapple with profound themes:

• A timeless struggle between monotheism and ancient polytheistic beliefs unfolds, delving into the complexities of faith.

• Emerging leaders guide those seeking direction, illuminating power and followership dynamics.

• Women and children endure harsh treatment, exposing the harsh realities of their time.

• The handling of mental illness remains a mystery, unrecognized until it is completely out of hand.

• The story explores the acceptance of violence, even beyond the confines of warfare, as a means to take back, protect or expand territory.

Vance's narration and the author's storytelling combine to create a thought-provoking journey through the complexities of the Middle Ages.