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The Operas of Mozart
- Narrated by: Robert Greenberg
- Length: 18 hrs and 21 mins
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Publisher's summary
When Wolfgang Amadeus Mozart died in 1791 at the age of just 35, he nonetheless left behind the defining composition in every available musical genre of his time: symphony, chamber music, masses, and above all - opera. Opera was the prestige genre of the era, and the thought of it, Mozart wrote, made him "beside myself at once." It was a form he loved dearly, depending on it heavily for personal, professional, artistic, and financial reasons of the greatest weight.
Artistically, the world of the operatic stage spoke deeply to his primal instinct for play, his taste for fantasy, and his restless creative imagination. And in this rich series of eight entertaining lectures, you'll learn how his operas vied with one another for the acclaim reserved for the greatest achievements of human artistic striving: Idomeneo, The Abduction from the Harem, The Marriage of Figaro, Così fan tutte, Don Giovanni, and The Magic Flute, which premiered only ten weeks before his untimely death.
In addition to summarizing Mozart's life and artistic development, the lectures focus on two of his greatest masterpieces, Così fan tutte and The Magic Flute, to help you understand more fully the height of Mozart's operatic achievement.
PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
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When Michael Lewis first met him, Sam Bankman-Fried was the world’s youngest billionaire and crypto’s Gatsby. CEOs, celebrities, and leaders of small countries all vied for his time and cash after he catapulted, practically overnight, onto the Forbes billionaire list. Who was this rumpled guy in cargo shorts and limp white socks, whose eyes twitched across Zoom meetings as he played video games on the side?
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Golden Horde/Platinum Listen
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Odd narration choice
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it's Nearly perfect
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Ima be honest.
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At the height of World War II, Oak Ridge, Tennessee, was home to 75,000 residents, consuming more electricity than New York City. But to most of the world, the town did not exist. Thousands of civilians - many of them young women from small towns across the South - were recruited to this secret city, enticed by solid wages and the promise of war-ending work. Kept very much in the dark, few would ever guess the true nature of the tasks they performed each day in the hulking factories in the middle of the Appalachian Mountains.
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Important story of this secret city
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For his victims, for their families and for the investigators tasked with finding him, the senselessness and brutality of the Golden State Killer's acts were matched only by the powerlessness they felt at failing to uncover his identity. Then, on April 24, 2018, authorities arrested 72-year-old Joseph James DeAngelo at his home in Citrus Heights, Calif., based on DNA evidence linked to the crimes. Amazingly, it seemed, evil finally had a name. Please note: This work contains descriptions of violent crime and sexual assault and may not be suitable for all listeners.
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Audible Raises The Bar On True Crime Genre
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What listeners say about The Operas of Mozart
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- DeirDre
- 06-12-14
Kinda crushing on Robert Greenberg!
Where does The Operas of Mozart rank among all the audiobooks you’ve listened to so far?
One of my favorites.
Any additional comments?
Mozart is always interesting and Robert Greenberg's enthusiasm and sidebars make him even more so!
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3 people found this helpful
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- MissEinbigD
- 07-03-20
A delightful review of Mozart’s operas
Professor Greenberg takes us on a tour of Mozart’s major operas and makes the case for Mozart being one of the very greatest opera composers of all time. His works have endured since his death in 1791 and are continuously part of the repertoire. I was able to match these lectures with recorded performances by the Metropolitan Opera available on their on-demand subscription service for a wonderful respite.
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- Nathan
- 06-24-16
Loved it
I loved every minute of it. This course is as enjoyable as it is educational.
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1 person found this helpful
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- V. M. Sebestyen
- 07-16-24
Will listen again and probably again
I’ve never been a big fan of Mozart’s instrumental music,but have loved his operas for decades Now I understand why. This course is entertaining as well as informative and I highly recommend it to anyone who is a fan of opera. Bravo!
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- opera4steph
- 02-04-19
I adore this series!
its an absolute must have for any opera or music buff. I learned so much!
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1 person found this helpful
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- MH
- 11-14-20
Really great stuff
I love Professor Greenberg’s down to earth style and the life he breathes into Mozart’s works and life. I love his Brooklyn accent and humor. As a singer in my youth I take issue with his take on sopranos being nothing but competitive and sharp elbows, but I forgive him for that. Professor Greenberg has really really really studied Mozart’s music and shared that with us. Like sleeping on a book for the listener.
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- Dr. Frank Norgate
- 05-15-24
A superb course on Mozart's operas
A most enjoyable course on Mozart's most important operas. Well presented and preformed with great gusto. Bravo!
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- profile
- 01-17-17
great
Enjoyed it. All of Greenberg 's lecture are worth listening to. I highly recommend them.
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- wbiro
- 02-06-21
Good Stuff - for America's Middle Class
The professor is irreverent and reverent where he needs to be, with American humor and sentiment. The book is long, so you will need breaks away from it (perhaps listening to other books).
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- Doggy Bird
- 04-06-14
One of the best values on Audible!
First of all, I have several Great Courses for which I paid full price from the Teaching Company - I love the courses and get a lot of pleasure out of listening to them. The value of being able to get Great Courses for one Audible Credit per course is ALONE worth an annual Audible subscription.
Second, I think Robert Greenberg's Music Courses are terrific and really one of the best uses of the audio book format for university level lectures. You not only hear the discussion of the music but hear music samples as well which makes it far superior to books about music history which can't provide samples of the music discussed. Greenberg's choices of music to illustrate the points he make are always excellent and really make listening to these lectures an enormous pleasure. Like others have said elsewhere, he can be quite corny -if that bothers you this is not the professor you will want to hear. I find his energy and enthusiasm makes the course more interesting and his attempts at humor are rather endearing (it may be that people from New Jersey find corniness less offensive). I appreciate his attempts to liven things up even if some of the jokes are rather silly.
Third, although I am not particularly knowledgeable about music the more I get to know opera the more I realize how very much I love Mozart's operas. It is true that Greenberg spends a lot of time on Cosi Fan Tutte as another listener noted. I didn't expect this to be exhaustive but rather Greenberg's own view of the most interesting aspects of Mozart's operas since it is still an introductory level course. For someone as prolific as Mozart it didn't surprise me that the professor made a selection based on his views. However, if you are expecting it to be exhaustive you will not be satisfied. Greenberg is very informative but selective, and with me that's OK.
Lastly, some negative comments have been made on the lack of librettos included with the course - those librettos are not part of the more expensive versions of the course either. You have to get librettos on your own - there are no entire operas included in the course, only excerpts so I don't know why anyone would think a libretto would be needed to follow the lectures. Some of the complaints made by listeners are very picky considering the comparative value of getting these courses so cheaply on Audible.
Very highly recommended.
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37 people found this helpful