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The New Republic
- Narrated by: Edoardo Ballerini
- Length: 13 hrs and 16 mins
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The New Republic
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Publisher's summary
A scalpel sharp political satire from the Orange Prize winning writer of We Need to Talk about Kevin.
Edgar Kellogg has always yearned to be popular. Leaving his lucrative career as a lawyer for the sexier world of journalism, he’s thrilled to be offered the post of foreign correspondent in a Portuguese backwater with a home-grown terrorist movement. Barrington Saddler, the disappeared larger-than-life reporter he’s been sent to replace, is exactly the outsize character Edgar longs to emulate.
‘The Daring Soldiers of Barba’ have been blowing up the rest of the world for years in order to win independence for Barba, a province so dismal, backward and windblown that you couldn’t give the rat hole away. So why, with Barrington vanished, do the terrorist incidents suddenly dry up?
A droll, playful novel, The New Republic addresses weighty issues like terrorism with the deft, tongue-in-cheek touch that is vintage Shriver. It also presses the more intimate question: What makes particular people so magnetic, while the rest of us inspire a shrug? What’s their secret? And in the end, who has the better life – the admired, or the admirer?
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What listeners say about The New Republic
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Overall2 out of 5 stars
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Performance3 out of 5 stars
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Story2 out of 5 stars
- Rochelle
- 11-19-13
Disappointing
It's impossible for me not to compare this to the other three Lionel Shriver books I've read this year - they are the reason I returned to purchase this book, however The New Republic does not stand up next to "We Need to Talk About Kevin" or "So Much for That".
The story is dull and Shriver's usually strong narrative voice doesn't come through at all. And without spoiling the end, the ending really makes little sense. I had hoped Shriver would use Barrington Saddler's presence to introduce a twist as she did with her characters in "Big Brother". No twist and no logic to the end of this story.
The New Republic needs to stand on it's own merit & not on the reputation the author has from her later works. Shriver is an excellent writer, but this book is not excellent. It's not even good. It has no redeeming qualities beyond an interesting idea.
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