
The Life of Thomas More
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Narrado por:
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Frederick Davidson
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De:
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Peter Ackroyd
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Reseñas de la Crítica
"When one finishes the book, one has the sense that not only does Ackroyd know all the available facts about More and his milieu, he knows More himself....[A] masterly new biography. It must be a candidate for book of the year." (The Observer)
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Extraordinary cautionary tale
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Sir Thomas More needs no introduction. I enjoyed hearing about his life because it gave me insight to how people lived 500 years ago. As a lawyer, it was interesting to learn how lawyers practiced law 500 years ago.
Perhaps the most important thing to take away from the book is that the abuses of power in those days form the basis of why our founding fathers prepared a written constitution.
While I recommend a book unconditionally, I will warn you that you have to be patient in listening to it because it is a rather long work. But, it needs to be because the subject of the biography was an accomplished person and prolific writer.
A very important biography
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Great
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While we in the modern era, or those of a non-catholic persuasion, may take issue with his great distaste for Martin Luther and the Protestant Reformation this account (I think) does an excellent job of "putting his case", as More might have said, for why the destruction of the Catholic Church in England and the nakedly political ambitions of Henry VIII's divorce of Catherine of Aragon should have been rightly resisted.
As with many other political men of various times the Socrates', Catos, and Mores shine brightly as emblems of virtue and moral character across the centuries while the Meletus/Anytus, Caesers, and Henry VIIIs forever earn our derision.
Whilst not perfect men, the manner in which they lived their lives continues to offer valuable insights to us all all these years later.
Would recommend! If you're unsure of this book, watch the wonderful film version of More's life titled "A Man For All Seasons" to gauge your appetite for this biography - available for free on YouTube.
A Man For All Seasons
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To start I really must note how much I dislike the narrator's style. I expect at any moment for him to get a call asking for Abe Froman, "the sausage king of Chicago," while commenting that he weeps for the future. It is a terribly affected snooty English accent that is a major distraction to following the actual content, and it almost never gets any easier. He also has a really annoying habit of taking the passages that the author quotes in early Modern English, and trying to pronounce them with affected phonetics to give you a sense of the weird spelling used. All it does is make it virtually impossible to understand, and anyone being sensible would just read the word that a listener will understand.
I made a point of purging many titles from my wish list that had him as a narrator, and I'd love to see a number of his works redone by better narrators.
As to the content, again this was a struggle. I felt that a lot of this book was just "one danged thing after another" with little narrative or analysis. I'd just finished Massing's excellent audiobook Fatal Discord (about Erasmus and Luther), and I felt like much of the more interesting things about More came out there and not here.
To make a very specific complaint representative of the larger problem, there's a point where this book mentions More trying to stop Tyndale's bible from making it to England. Without Massing's book, this would have made absolutely no sense. You really cannot do justice to this need unless you put it in context of the 1525 Peasant's Revolt in Germany. Ackroyd barely touches that, instead lumping it in with his blaming Protestants for "the plague and the abhorrent violence of the Peasants' revolt in Germany, as well as the sack of Rome." Starting with the plague—which no modern reader would hold as credible—shows that he's essentially just calling it all divine wrath. The larger analysis, that the Revolt really did cause a great deal of damage and really was inflamed by unrestrained passions let loose, fall completely out of the analysis, totally unremarked. Actual context is just dropped.
Additionally there's the matter of the Richard Hunne debacle, where a man is essentially charged of heresy and either murdered or committed suicide in prison for an initial charge from the church of refusing to give his dead son's christening robe as a ceremonial mortuary gift to the clergy. This is full of really remarkable insights into the time and place, potentially; that potential is not tapped. No good explanation is ever actually given, and the whole thing is a sideshow that raises more questions than it actually answers.
The book gets better in the last quarter when we get to his defiance of Henry VIII and his eventual martyrdom. It feels like this was written first, with Ackroyd then taking all of his assembled notes for the beginning several decades of More's life and just writes down all of their content in chronological order with no real narrative. There's a brief discussion of Utopia, and I credit this for providing an insight into the work as satire. I re-listened to Utopia following my completion of this, and was better able to understand all of that. But the discussion was far too short, and lacked a really thorough discussion of that satire, it's true aims, and how much of an idealist More actually was; More's closing remarks on that work do state that he didn't agree with all of it, and I'd have liked to see a better breakdown of how far More was an idealist (given the new tracts of his friend Erasmus Against War coupled with Wolsey's aim to essentially create the first proto-UN/proto-EU grand alliance). Knowing more about More's character, there are clearly parts where I can see disagreement (hard to imagine an endorsement of freedom of religion from someone who literally persecuted and executed heretics), but for much of the content determining his aims remains untouched. That's a shame, because that was one of my primary goals in listening to this book.
Another goal had been to get a better sense of the More/Cromwell rivalry at the center of the miniseries Wolf Hall, but this is left almost completely untouched. That may well be because the main thesis of that series is fictitious (I know Simon Schama felt it to be terribly revisionist), but if you're looking into insight into that character, you won't find it here.
As a final point, I've listened to one other Ackroyd title (Rebellion) and the problems I see in this book weren't present there. I definitely feel like I retained less than I'd have liked, but there is at least a real narration and nice supporting side stories for other characters like Milton and Hobbes. This book just really didn't meet the expectations that other book had set. More remains an interesting and important figure, but this book gave me very little of what I was actually seeking.
One of the hardest audiobooks I've ever finished
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beautiful composition and excellent reading.
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Would you consider the audio edition of The Life of Thomas More to be better than the print version?
No, but it came closeWhat did you like best about this story?
I loved the latin and the links between the past, his life and where we are today. I really am seeing how we got from there to here.Have you listened to any of Frederick Davidson’s other performances before? How does this one compare?
NoWas there a moment in the book that particularly moved you?
There were several instances that were poignant and moving. When his head was cut of and boiled, had me in tears. I was also moved by the death of his first wife, his imprisonment and his service to the poor.Any additional comments?
I could listen to this book again and again and learn something every time!Great Man
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The only good lawyer
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I like Moore less now
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interesting story, no so good narrator
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