The Innocents Abroad Audiobook By Mark Twain cover art

The Innocents Abroad

Or, The New Pilgrim’s Progress

Preview

Try for $0.00
Prime logo Prime members: New to Audible?
Get 2 free audiobooks during trial.
Pick 1 audiobook a month from our unmatched collection.
Listen all you want to thousands of included audiobooks, Originals, and podcasts.
Access exclusive sales and deals.
Premium Plus auto-renews for $14.95/mo after 30 days. Cancel anytime.

The Innocents Abroad

By: Mark Twain
Narrated by: Grover Gardner
Try for $0.00

$14.95/month after 30 days. Cancel anytime.

Buy for $21.80

Buy for $21.80

Confirm purchase
Pay using card ending in
By confirming your purchase, you agree to Audible's Conditions of Use and Amazon's Privacy Notice. Taxes where applicable.
Cancel

About this listen

In June 1867, Mark Twain set out for Europe and the Holy Land on the paddle steamer Quaker City. His enduring, no-nonsense guide for the first-time traveler also served as an antidote to the insufferably romantic travel books of the period.

“Who could read the programme for the excursion without longing to make one of the party?”

So Mark Twain acclaims his voyage from New York City to Europe and the Holy Land. His adventures produced The Innocents Abroad, a book so funny and provocative it made him an international star for the rest of his life. He was making his first responses to the Old World—to Paris, Milan, Florence, Venice, Pompeii, Constantinople, Sebastopol, Balaklava, Damascus, Jerusalem, Nazareth, and Bethlehem. For the first time he was seeing the great paintings and sculptures of the Old Masters. He responded with wonder and amazement but also with exasperation, irritation, and disbelief. Above all he displayed the great energy of his humor, more explosive for us now than for his beguiled contemporaries.

Public Domain (P)2011 Blackstone Audio, Inc.
Classics Travel Writing & Commentary Funny Witty Italy Suspenseful

Critic reviews

“A classic work…[that] marks a critical point in the development of our literature.” (Leslie A. Fiedler, literary critic)