The Cash Countess Audiobook By Samantha Hastings, Samantha Larsen cover art

The Cash Countess

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The Cash Countess

By: Samantha Hastings, Samantha Larsen
Narrated by: Virtual Voice
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This title uses virtual voice narration

Virtual voice is computer-generated narration for audiobooks.

About this listen

Rapunzel meets "Downton Abbey" in this sweet Gilded Age romance!

Miss Cordelia Jones is an American Princess, but her story is no fairytale.

Eighteen-year-old Cordelia Jones is locked in her tower until she promises to marry Lord Thomas Ashby, the eighth Earl of Farnham. Cordelia doesn’t want to leave her American home or Stuyvesant Bradley, whom she has loved since childhood. But Stuyvesant leaves on a trip and Cordelia is pressured by her overbearing mother to marry a stranger.

Coerced into a loveless marriage, Cordelia finds herself an alien in a decaying English country house where customs and manners are so different from home. Worst yet, accidents seem to befall her at every corner. The more she begins to care for her husband, the more perilous her life becomes. Is she unlucky, or is someone trying to kill the newest cash countess?



Praise for Samantha Hastings:

Secret of the Sonnets "will keep readers turning pages" - Publishers Weekly

Secret of the Sonnets "This Shakespeare-connected mystery takes on the challenge of living up to the many excellent Regency romances available. Challenge met and exceeded!" - Historical Novel Society

A Novel Disguise is "wildly enjoyable" - Publishers Weekly

A Novel Disguise “Class differences, prejudice, and the lack of women’s rights drive this enjoyable mystery.” - Kirkus Reviews

The Marquess and the Runaway Lady "VERDICT Combining the Regency season with the runaway woman trope makes for a delightful story." - Library Journal
Historical Historical Fiction
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Wonderfully adorable

This was so different and so lovely! I couldn’t take a break from listening!!!! So worth listening too! Thank you!

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Virtual voice ruined this sweet story

The accent & tone of the AI voice was nice enough but there was NO inflection! No matter how dramatic the words, the deliver was FLAT: oh.no.what.are.we.to.do?…please.don’t.go. Awful! Stick with actual people!

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