
Horror Movie
A Novel
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De:
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Paul Tremblay
Acerca de esta escucha
Instant New York Times bestseller!
A chilling twist on the “cursed film” genre from the bestselling author of The Pallbearers Club and The Cabin at the End of the World.
In June 1993, a group of young guerilla filmmakers spent four weeks making Horror Movie, a notorious, disturbing, art-house horror flick.
The weird part? Only three of the film’s scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fanbase. Three decades later, Hollywood is pushing for a big budget reboot.
The man who played “The Thin Kid” is the only surviving cast member. He remembers all too well the secrets buried within the original screenplay, the bizarre events of the filming, and the dangerous crossed lines on set that resulted in tragedy. As memories flood back in, the boundaries between reality and film, past and present start to blur. But he’s going to help remake the film, even if it means navigating a world of cynical producers, egomaniacal directors, and surreal fan conventions—demons of the past be damned.
But at what cost?
Horror Movie is an obsessive, psychologically chilling, and suspenseful feat of storytelling genius that builds inexorably to an unforgettable, mind-bending conclusion
©2024 Paul Tremblay (P)2024 HarperCollins PublishersLos oyentes también disfrutaron...
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- De: Stephen Graham Jones
- Narrado por: Michael Crouch, Stephen Graham Jones
- Duración: 11 h y 12 m
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1989, Lamesa, Texas. A small west Texas town driven by oil and cotton—and a place where everyone knows everyone else’s business. So it goes for Tolly Driver, a good kid with more potential than application, seventeen, and about to be cursed to kill for revenge. Here Stephen Graham Jones explores the Texas he grew up in, and shared sense of unfairness of being on the outside through the slasher horror Jones loves, but from the perspective of the killer, Tolly, writing his own autobiography. Find yourself rooting for a killer in this summer teen movie of a novel gone full blood-curdling tragic.
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So much fun
- De Amber en 08-13-24
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Survivor Song
- A Novel
- De: Paul Tremblay
- Narrado por: Erin Bennett
- Duración: 8 h y 54 m
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In a matter of weeks, Massachusetts has been overrun by an insidious rabies-like virus that is spread by saliva. But unlike rabies, the disease has a terrifyingly short incubation period of an hour or less. Those infected quickly lose their minds and are driven to bite and infect as many others as they can before they inevitably succumb. Hospitals are inundated with the sick and dying, and hysteria has taken hold. To try to limit its spread, the commonwealth is under quarantine and curfew. But society is breaking down and the government's emergency protocols are faltering.
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Don't believe the hype
- De Robert Jason en 07-13-20
De: Paul Tremblay
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In Bloom
- Creature Feature Collection
- De: Paul Tremblay
- Narrado por: A. T. Chandler, Dara Rosenberg
- Duración: 1 h y 2 m
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Journalist Heidi Cohen is in Cape Cod investigating the sources of recurring toxic algae blooms along the coast. A local named Jimmy has his own theory for her. Every year the fetid growth gets worse—but it’s been going on longer than anyone knows. Decades ago, something happened to Jimmy that he’s never forgotten. Is Heidi ready for the real story?
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Interesting short
- De Barbara S en 11-04-23
De: Paul Tremblay
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How to Make a Horror Movie and Survive
- A Novel
- De: Craig DiLouie
- Narrado por: Garrett Michael Brown
- Duración: 11 h y 20 m
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Max Maurey should be on top of the world. He's a famous horror director. Actors love him. Hollywood needs him. He's making money hand over fist. But it's the 80s, and he's directing cheap slashers for audiences who only crave more blood, not real art. Not real horror. And Max's slimy producer refuses to fund any of his new ideas. But when Max discovers an old camera that filmed a very real Hollywood horror, he knows that he has to use this camera for his next movie. The only problem is that it came with a cryptic warning and sometimes wails.
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Sooooooo pretentious and boring!
- De CB en 10-01-24
De: Craig DiLouie
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The Little Sleep
- A Novel
- De: Paul Tremblay
- Narrado por: Pete Simonelli
- Duración: 7 h y 15 m
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The Little Sleep is Paul Tremblay’s nod to Raymond Chandler starring a PI who nods off. Mark Genevich is a South Boston private detective who happens to have a severe form of narcolepsy, which includes hypnagogic hallucinations, like waking dreams. Unsurprisingly, his practice is not exactly booming. Then one day, the daughter of an ambitious district attorney and a contestant on the reality talent show American Star named Jennifer Times comes to him for help - or does she? A man has stolen her fingers, she claims, and she’d like Genevich to get them back.
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Very very good
- De AYonko en 07-19-24
De: Paul Tremblay
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The Blacktongue Thief
- De: Christopher Buehlman
- Narrado por: Christopher Buehlman
- Duración: 12 h y 44 m
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Kinch Na Shannack owes the Takers Guild a small fortune for his education as a thief, which includes (but is not limited to) lock-picking, knife-fighting, wall-scaling, fall-breaking, lie-weaving, trap-making, plus a few small magics. His debt has driven him to lie in wait by the old forest road, planning to rob the next traveler that crosses his path. But today, Kinch Na Shannack has picked the wrong mark.
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Outstanding
- De Anne Vaughan en 05-28-21
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The Failures (Part 1 of 2) (Dramatized Adaptation)
- The Wanderlands Trilogy, Book 1
- De: Benjamin Liar
- Narrado por: Aure Nash, Khaya Fraites, Torian Brackett, y otros
- Duración: 11 h y 15 m
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Welcome to the Wanderlands. A vast machine made for reasons unknown, the Wanderlands was broken long ago. First went the sky, splintering and cracking, and then very slowly, the whole machine—the whole world—began to go dark. Meet the Failures. Following the summons of a strange dream, a scattering of adventurers, degenerates, and children find themselves drawn toward the same place: the vast underground Keep. They will discover there that they have been called for a purpose—and that purpose could be the destruction of everything they love.
De: Benjamin Liar
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The Light at the End
- De: John Skipp, Craig Spector
- Narrado por: Chet Williamson
- Duración: 12 h y 20 m
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An adrenaline-charged tale of unrelenting suspense that sparks with raw and savage energy... The newspapers scream out headlines that spark terror across the city. Ten murders on the New York City subway. Ten grisly crimes that defy all reason -- no pattern, no m.o., no leads for police to pursue. The press dubs the fiend the “Subway Psycho”; the NYPD desperately seeks their quarry before the city erupts in mass hysteria. But they won't find what they're looking for.
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Expectations and Outcomes
- De Zulfiya en 04-20-13
De: John Skipp, y otros
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The Queen
- De: Nick Cutter
- Narrado por: Ariel Blake, Zac Aleman, Corey Brill, y otros
- Duración: 12 h y 2 m
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On a sunny morning in June, Margaret Carpenter wakes up to find a new iPhone on her doorstep. She switches it on to find a text from her best friend, Charity Atwater. The problem is, Charity’s been missing for over a month. Most people in town—even the police—think she’s dead. Margaret and Charity have been lifelong friends. They share everything, know the most intimate details about one another…except for the destructive secret hidden from them both. A secret that will trigger a chain of events ending in tragedy, bloodshed, and death. And now Charity wants Margaret to know her story.
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Yikes. Boring and forgettable.
- De Paintedsheep en 11-15-24
De: Nick Cutter
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Ghost Station
- De: S.A. Barnes
- Narrado por: Zura Johnson
- Duración: 14 h y 51 m
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Psychologist Dr. Ophelia Bray has dedicated her life to the study and prevention of ERS—a space-based condition most famous for a case that resulted in the brutal murders of twenty-nine people. When she's assigned to a small exploration crew, she's eager to make a difference. But as they begin to establish residency on an abandoned planet, it becomes clear that crew is hiding something. While Ophelia focuses on her new role, her crewmates are far more interested in investigating the eerie, ancient planet and unraveling the mystery behind the previous colonizer's hasty departure.
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Too Much Inner Whining
- De Michael en 07-27-24
De: S.A. Barnes
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Exordia
- De: Seth Dickinson
- Narrado por: Sulin Hasso
- Duración: 26 h y 22 m
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Anna Sinjari—refugee, survivor of genocide, disaffected office worker—has a close encounter that reveals universe-threatening stakes. While humanity reels from disaster, she must join a small team of civilians, soldiers, and scientists to investigate a mysterious broadcast and unknowable horror. If they can manage to face their own demons, they just might save the world.
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Incredible
- De Adam C. Shay en 02-04-24
De: Seth Dickinson
Stephen King couldn’t write this.
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Without revealing too much there are almost 3 timelines: the present, the past and the story in the screenplay. Although we think of the past as being the “story” in the script - it is not and those noises and “edits” help anchor us to which is the real past every time we start to get sucked in too deep.
It’s a fantastic and yet horrifying story in which I can see the screenplay alone as a movie already but the blurring of the lines between the ‘movie’ and the ‘filming’ have a mesmerizing effect and the tying in with the present…well listen for yourself and be prepared to be entertained while being horrified
Great - I will explain the narration
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So, there’s a movie in this book, that fictional movie has a script, and portions of that script are included in the book. Maybe in the physical book it’s formatted to look like a photocopy of a real script, xeroxed and degraded to seem extra immersive, I don’t know. But for some reason, for the audiobook, they represent the script by staging a table read with actors. Like, a real table read, where you can hear pages being turned, people sniffing and coughing, lines being flubbed and redone, obviously impromptu lines referencing mistakes in the reading, and a very distinct change in audio quality compared to the rest of the book. And on top of all of the distracting candidness in this ostensibly professional production, there are a few instances of foley-style sound effects during the table read, like they couldn’t decide if they truly wanted an “in the room with the actors” quality, or more of a full-cast audio play vibe.
I get wanting to inject some verisimilitude into the production, but this was all so jarring and frankly made it seem low quality and kind of embarrassing. And the way that the “script” was written was so weirdly detailed, such that it felt painfully obvious that it was only ever intended to be part of a novel rather than a bare-bones shooting script used by a ragtag film crew to make a low-budget horror flick. This is somewhat lazily hand-waved away at one point in the book by saying that it was a unique script, but “somewhat lazily” is beyond charitable given how ridiculous it gets.
The main narrator was good, and I prefer audiobooks with a single narrator, but if they were going to do the table read schtick (they shouldn’t have), it would have made much more sense to have the actors from the table read also do the voices of the corresponding characters in the main narrative. Otherwise, what you end up with here is one guy doing all of the voices except when we’re hearing the script, at which point actors we have no connection to, through their genuine portrayal of actual characters, taking over roles that feel all the more disconnected from the narrative as a result.
As for the story itself. Eh. It had its moments. It kind of felt pointless and meandering, I don’t think it was worth the listen to be honest. It felt like it was trying very very hard to impress upon the listener that the titular movie was LEGENDARY just by saying over and over that it was legendary. There’s an obvious reason that it would have found a place on horror movie lore, sure, but we spend the majority of the book in the dark about the specifics, sort of being mislead into believing that it’s some The Ring style situation with a legitimately cursed movie, but no. But then, also, yes, I guess? In the last 5 minutes? Out of nowhere? What?
I feel like a curmudgeon, yelling at clouds in a horror novel. But it honestly just felt like a decent story about friends making a movie, tragedy striking, and then the author intentionally knocking the wheels off the whole thing at the end just to give it the M. Night twist treatment. Or like it was a movie and the studio executives said “I thought this was supposed to be a horror movie…” and demanding a reshoot of the ending, even if it didn’t make any sense with the rest of the story. Eh.
Perplexing decisions with this audiobook.
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Once again, Tremblay has asked us to consider the unimaginable. You will be scared with the characters, for the characters, and by the characters.
The format of this book is very strange and I found it confusing at first, but lean into it. It will all make sense in the end — or not.
Eerie and intriguing
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Can’t wait for the film
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Fantastic
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Screenplay being read aloud. It’s just not naturally
Easy on the ears. When he was talking to us in the present day, from actually reading a book on audible, it was much easier to feel immersed. But now that I’ve finished I don’t understand the point of him narrating an audible book. In the written novel
It must also say audible. But an audible book is usually a book first & then produced as an audiobook unless the conceit here is that it went straight to audible? Ok but why?
I really love the story but the format of the whole thing made me not enjoy this book as much as I wanted to.
I guess this review won’t make any sense unless you’ve actually listened to the book. It wasn’t scary. The ideas they had for the movie sound scary so I guess I’ll just look forward to watching the movie adaptation.
Lame
Review but 🤷🏻♀️
Cute but overrated
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The horror simmers, it stirs you into itself slowly and methodically. Without giving too much away, this book felt being in a house of cursed mirrors. With each chapter a new reflection that’s a little more distorted, a little more cracked, a little more horrible until you’re left with an image utterly monstrous.
A group of people set out to make horror film and in the end, the film makes them into the horror.
If you like monsters, if you horror, you’ll like this. The only negatives would be the slightly ham-fisted modern-day-world weary-cynical way the main character sometimes talks in can be a bit annoying. In light of the ending though, I think that can be forgiven.
We’re All Monsters Here.
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Pretentious with no pretense
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Amazing Read!
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