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Narrado por:
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Arthur Morey
Acerca de esta escucha
Chichikov, a mysterious stranger, arrives in a provincial town and visits a succession of landowners to make each a strange offer. He proposes to buy the names of dead serfs still registered on the census, saving their owners from paying tax on them, and to use these "souls" as collateral to reinvent himself as a gentleman. In this ebullient masterpiece, Nikolai Gogol created a grotesque gallery of human types, from the bear-like Sobakevich to the insubstantial fool Manilov, and, above all, the devilish con man Chichikov.
Dead Souls, Russia's first major novel, is one of the most unusual works of nineteenth-century fiction and a devastating satire on social hypocrisy. This version of Dead Souls is the translation by C. J. Hogarth.
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Historia
The Diary of a Madman and Other Stories is a bizarre and colorful collection containing the finest short stories by the iconic Russian writer Nikolai Gogol. From the witty and Kafkaesque "The Nose", where a civil servant wakes up one day to find his nose missing, to the moving and evocative "The Overcoat", about a reclusive man whose only ambition is to replace his old, threadbare coat, Gogol gives us a unique take on the absurd.
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Brilliant writer, fantastic narration, plus TOC
- De Reader en 04-01-22
De: Nikolai Gogol
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The Adolescent
- De: Fyodor Dostoevsky, Richard Pevear - translator, Larissa Volokhonsky - translator
- Narrado por: P.J. Ochlan
- Duración: 28 h y 25 m
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The narrator and protagonist of Dostoevsky's novel The Adolescent (first published in English as A Raw Youth) is Arkady Dolgoruky, a naive 19-year-old boy bursting with ambition and opinions. The illegitimate son of a dissipated landowner, he is torn between his desire to expose his father's wrongdoing and the desire to win his love. He travels to St. Petersburg to confront the father he barely knows, inspired by an inchoate dream of communion and armed with a mysterious document that he believes gives him power over others.
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An Oft-Forgotten Dostoevsky Gem
- De Ben en 02-09-20
De: Fyodor Dostoevsky, y otros
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Villette
- De: Charlotte Brontë
- Narrado por: Davina Porter
- Duración: 22 h y 39 m
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Hailed as Charlotte Brontë’s “finest novel” by Virginia Woolf, Villette is the timeless semi-autobiographical tale of Lucy Snowe. Left with no family and no money, Lucy goes against her own timid nature and travels to the small city of Villette, France, where she becomes a school teacher in Madame Beck’s school for girls. During her stay, she falls in love—twice—and discovers an independent, inner strength rarely seen in women of her time.
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The Divine Ms. Porter delivers as always
- De peachnmario en 03-17-15
De: Charlotte Brontë
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The Canterbury Tales: A Retelling
- De: Peter Ackroyd
- Narrado por: Keith Moore, Toby Leonard Moore, Colin McPhillamy, y otros
- Duración: 16 h y 55 m
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Author Peter Ackroyd has won the Somerset Maugham Award, the Whitbread Novel of the Year, and the Guardian Fiction Prize, and was shortlisted for the Booker Prize. Based on Geoffrey Chaucer’s immortal work, this retelling of The Canterbury Tales follows a party of travelers as they tell stories amongst themselves about love and chivalry, saints and legends, travel and adventure. Through allegory, satire, and humor, the tales help pass the time during their journey.
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WOW
- De Mitchell Drimmer en 02-25-15
De: Peter Ackroyd
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The Trial
- De: Franz Kafka
- Narrado por: George Guidall
- Duración: 8 h y 53 m
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If Max Brod had obeyed Franz Kafka's dying request, Kafka's unpublished manuscripts would have been burned, unread. Fortunately, Brod ignored his friend's wishes and published The Trial, which became the author's most famous work. Now Kafka's enigmatic novel regains its humor and stylistic elegance in a new translation based on the restored original manuscript.
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We are all the straw that breaks a camel's back
- De Dan Harlow en 10-14-13
De: Franz Kafka
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Waverley
- De: Sir Walter Scott
- Narrado por: David Rintoul
- Duración: 17 h y 9 m
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Waverley by Sir Walter Scott is an enthralling tale of love, war and divided loyalties. Taking place during the Jacobite Rebellion of 1745, the novel tells the story of proud English officer Edward Waverley. After being posted to Dundee, Edward eventually befriends chieftain of the Highland Clan Mac-Ivor and falls in love with his beautiful sister Flora. He then renounces his former loyalties in order actively to support Scotland in open rebellion against the Union with England. The book depicts stunning, romantic panoramas of the Highlands.
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Loved it
- De Tad Davis en 04-12-18
De: Sir Walter Scott
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Of Human Bondage
- De: W. Somerset Maugham
- Narrado por: Steven Crossley
- Duración: 25 h y 53 m
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Philip Carey, a sensitive orphan born with a clubfoot, finds himself in desperate need of passion and inspiration. He abandons his studies to travel, first to Heidelberg and then to Paris, where he nurses ambitions of becoming a great artist. Philip's youthful idealism erodes, however, as he comes face-to-face with his own mediocrity and lack of impact on the world. After returning to London to study medicine, he becomes wildly infatuated with Mildred, a vulgar, tawdry waitress, and begins a doomed love affair.
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You won't want it to end!
- De Rbjurnee en 04-18-11
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About Love and Other Stories
- De: Anton Chekhov
- Narrado por: Adam Grupper, T. Ryder Smith, Henry Strozier
- Duración: 9 h y 9 m
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Raymond Carver called Anton Chekhov "the greatest short story writer who has ever lived". This unequivocal verdict on Chekhov's genius has been echoed many times by writers as diverse as Katherine Mansfield, Somerset Maugham, John Cheever, and Tobias Wolf. While his popularity as a playwright has sometimes overshadowed his achievements in prose, the importance of Chekhov's stories is now recognized by readers as well as by fellow authors. Their themes - alienation, the absurdity and tragedy of human existence - have as much relevance today as when they were written.
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Well acted renditions of excellent stories
- De A. M. Welsh en 04-18-20
De: Anton Chekhov
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Adam Bede
- De: George Eliot
- Narrado por: Jill Tanner
- Duración: 23 h y 55 m
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Adam Bede (1859), George Eliot's first full-length novel, marked the emergence of an artist to rank with Scott and Dickens. Set in the English Midlands of farmers and village craftsmen at the turn of the 18th century, the book relates a story of seduction issuing in "the inward suffering which is the worst form of Nemesis". But it is also a rich and pioneering record - drawing on intimate knowledge and affectionate memory - of a rural world that we have lost.
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Very good book
- De Terri Tinkham en 03-11-19
De: George Eliot
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The Arabian Nights
- De: Andrew Lang - translator
- Narrado por: Suehyla El Attar
- Duración: 11 h y 35 m
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Full of mischief, valor, ribaldry, and romance, The Arabian Nights has enthralled readers for centuries. These are the tales that saved the life of Scheherazade, whose husband, the king, executed each of his wives after a single night of marriage. Beginning an enchanting story each evening, Scheherazade always withheld the ending: A thousand and one nights later, her life was spared forever.
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Not unabridged Burton--this is Lang
- De Richard and Diana Chicago en 06-25-12
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The Collected Tales of Nikolai Gogol (Vintage Classics)
- De: Nikolai Gogol
- Narrado por: Peter Batchelor
- Duración: 17 h y 37 m
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Using, or rather mimicking, traditional forms of storytelling, Gogol created stories that are complete within themselves and only tangentially connected to a meaning or moral. His work belongs to the school of invention, where each twist and turn of the narrative is a surprise unfettered by obligation to an overarching theme.
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Gogol's Brilliant, but the recording is messy
- De Nom de Guerre en 10-08-24
De: Nikolai Gogol
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The Golden Bowl
- De: Henry James
- Narrado por: Simon Prebble, Katherine Kellgren
- Duración: 21 h y 39 m
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Published in 1904, The Golden Bowl is the last completed novel of Henry James. In it, the widowed American Adam Verver is in Europe with his daughter Maggie. They are rich, finely appreciative of European art and culture, and deeply attached to each other. Maggie has all the innocent charm of so many of Jamess young American heroines. She is engaged to Amerigo, an impoverished Italian prince; he must marry money, and as his name suggests, an American heiress is the perfect solution.
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Collapses under the weight of its own brilliance
- De Erez en 03-18-14
De: Henry James
Morey does an admirable job bringing life to this admittedly dated translation. He breathes life into each of Chichikov's encounters. Sobakevich was a personal favorite, but one cannot go wrong with any of them.
The parts of the second book, while interesting, are missing so many large chunks, to my mind, unless you are looking to find the bits of inspiration that found Dostoevsky in his final, and arguably greatest work Brothers Karamazov, can be skipped without any real loss. There is a desperation to it. It was as if he realized that the first part had struck a chord and that expectation had made whatever he produced somehow perpetually unacceptable.
Gogol is a delight to read, I heartily recommend people start here for Gogol. It may be his longest world, but it wonderful and paints a wonderful, almost ethereal portrait of grand Mother Russia in the 19th century.
A Marvelous Portrayal of True Russia
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Anyway, the writing was amazing and D.J. Hogarth's translation seems to have held up very well. Arthur Morey narrates this text with both clarity and humor.
Captures absurdity of mid 19th century Russia
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Dead Souls feels like a dead book
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Part 2 is missing large and frequent chunks of manuscript, which the narrator will slip in without a change of tone - so I was frequently confused. "Two pages here are lost" would suddenly be inserted in the middle of a woman's dialogue, only to resume, with barely a pause, in raised voice the angry arguments of a gentleman in what is apparently a different scene. After setting the new place awhile, the author continues with the saga of Chichikov, but I had trouble keeping track of what is going on.
The translation is somewhat labored. It felt a lot like a senior thesis from a Russian literature major at, say, Wesleyan or Oberlin; imperatives are given as "do you pour the tea" instead of the vernacular "please pour the tea." I looked up the information later, and it's a public domain translation from 1842. That partly explains the verbiage. It's also pretty annoying to realize that Audible just charged me $14 for something I could read online for free. You think they could at least spring for the rights to a more modern translation.
incomplete reading of a public translation
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Any additional comments?
Ever since I was a kid I always loved astronomy. I remember when Haley's Comet flew by (very disappointing), I remember watching another comet hit Jupiter (much cooler), I will always remember where I was when the Challenger exploded and when the Columbia disintegrated. For a number of years I ever worked with a man who designed, built, and sold telescopes; an eccentric who lived with his wife and 6 kids in a bus on the side of the mountain. When we weren't installing personal 8" mirrors ground by a friend who eventually moved onto to making the mirror for the Next Generation Hubble Space Telescope down in Arizona, he was smoking 2 packs a day, endlessly delaying creditors, yelling at his wife, talking endlessly about how we were all on the cusp of becoming extremely wealthy (something he also told the creditors), and praising Jesus with the local pastor who, I kid you not, believed the angels in the Bible were aliens; he too owned a telescope - a nice $10,000 affair because his church had over 5000 members and so he could afford it.And what the hell does that have to do with Dead Souls?
Two things: 1) People are not as crazy once you get to know them and 2) There's a visual phenomena that happens because of the cones in your eye where if you look directly at a faint star it seems to disappear but if you look slightly away from it it snaps into focus nice and clear.
Let's start with point #2 first. The dead souls in Dead Souls are mostly invisible, they can't be seen because they are, well, dead. There are no dead peasants walking around and taking up space (unlike the land owners who do little more). No, the dead souls can only be seen by looking off to the side a little, to the census, to the graveyard, to people's memories. They exist just out of sight. Yet they are there and they can be quite useful to someone willing to take advantage of them, to 'put them back to work', if you will.
Of course, as we know, it's all very morbid and immoral and our hero eventually pays the price for dealing in such a corruption. Yet that's what someone who is good at corruption relies on - of remaining hidden in plain sight, to deal with everything just off to the side, to be clever to game the system to their advantage and, if one is really talented, make it seem as if you are doing the other person the real favor.
This is one of the points Gogol was trying to make.
Now let's get back to point #1 - the eccentric people and characters.
The funny thing about trying to describe something that is real is that it requires you do so with something that isn't in its place. For example, the 'poshlust' (bad taste) Gogol goes on about in Dead Souls (and whom Nabokov famously infused into his interpretation of the novel) is an untranslatable word in English but well understood in Russian, yet even Russians, when confronted with 'poshlust', would on the one hand recognize it in someone else but probably not in themselves. "Surly I have better taste that that, right?" They would say. In essence it's not even translatable to oneself no matter what language.
So Gogol invented satiric characters to inhabit 'poshlust'. Had he created realistic characters he'd also have to give a sympathetic reason for them engaging in such kitsch. In short, once you actually get to know someone, their bad taste isn't really bad taste anymore, it's their own unique taste. Yet bad taste still exists just like a star you can only see at night by not looking directly at it. The only way to see it clearly is to look off to the side a bit - in this case by looking at a wildly exaggerated character- to see it.
And what if everyone has bad taste? A universal 'poshlust'? Well, it's like trying to define 'art', it's different for everyone and doesn't really have a solid definitive. An elitist would say it's 'the fine arts', the junkyard welder would say something more urban. And they'd both be right because they will only see the bad, the 'poshlust', the corruption, in someone else and not once in themselves.
That's probably why because the way the books ends in the middle of a passionate appeal to morality, the pages are lost and it just ends. There's such futility going on because everyone is corrupt in one way or another, that you might as well buy and sell dead souls to make a living than try and get everyone to do the right thing.
Anyway, the novel is brilliant and is just as relevant today than when it was written over 150 years ago in Russian by someone who didn't even spend that much time living in Russia.
People aren't so crazy when you get to know them
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Excellent!
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There *are* some difficulties in the book. Some are the result of the translation: it's by C. J. Hogarth, who was active (some info in Wikipedia notwithstanding) in the early years of the 20th century. It's not old-fashioned so much as it is (sometimes) awkwardly literal. Many Russian terms are untranslated. A barin, for example - pronounced here bah-REEN - is a baron. A koliaska is a carriage. A chinovnik is a minor government official. At one point two characters make "osculatory salutations" - in other words, they kiss. It might be helpful to download one of the free ebook editions of the novel; at least one has footnotes explaining many of these terms and other references in the text.
The other major problem is that the novel is unfinished. The first part is intact and more or less complete in itself, but the second part has a number of significant gaps. As much as I like Morey's narration in general, I think it's a fair criticism, as others have said here, that he jumps over some of the gaps in the text without sufficient pause. (Of course, that may have been dictated by the producer or director rather than Morey himself.) At one point, just before a hiatus, the main character Chichikov is hurrying off to mediate a dispute involving a landowner named Lienitsin; after the hiatus, he and Lienitsin are discussing a possible partnership in Chichikov's scheme to commit massive fraud. It's not incoherent, but it does take some adjustment.
Despite the difficulties of Part Two, I recommend listening to the whole audiobook. The characters are wonderful, the dialogue is sparkling (despite the literalness of the translation), and I really did, on several occasions, laugh out loud.
Hilarious despite the textual difficulties
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Would you listen to Dead Souls again? Why?
The first half of the story is great and I would definitely re-listen. However, the second half of the book has chunks missing including the ending.Would you recommend Dead Souls to your friends? Why or why not?
Yes, if it were for a lower price. They wouldn't get the whole story and I don't think that Audible did a very good job of pointing that outGreat Story, pieces missing from manuscript
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Would you consider the audio edition of Dead Souls to be better than the print version?
Absolutely not! The narrator grated on the last of my nerves. He was tone deaf and his voice was like a steel grinder. His attempt at acting out the voices was inconsistent and loud and over-the-top. It was if he thought that the louder he spoke the better his acting might achieve the better result.What did you like best about this story?
N.'s total uproar at Chicikov's activities and Nizdrov's lying that fueled the fire.How could the performance have been better?
Use another narrator with a British accent. The American accent just ruined the whole tenor of the story.Was there a moment in the book that particularly moved you?
I can't say.Any additional comments?
No more American narrators for European and Russian stories and novels please.Wonderful story irritating narrator
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