Alan Lomax: A Biography

The Man Who Recorded the World

De: John Szwed

Narrado por: Scott Sowers

The remarkable life and times of the man who popularized American folk music and created the science of song. Folklorist, archivist, anthropologist, singer, political activist, talent scout, ethnomusicologist, filmmaker, concert and record producer, Alan Lomax is best remembered as the man who introduced folk music to the masses. Lomax began his career making field recordings of rural music for the Library of Congress and by the late 1930s brought his discoveries to radio, including Woody Guthrie, Pete Seeger, and Burl Ives. By the 1940s he was producing concerts that brought white and black performers together, and in the 1950s he set out to record the whole world. Lomax was also a controversial figure. When he worked for the U. S. government he was tracked by the FBI, and when he worked in Britain, MI5 continued the surveillance. In his last years he turned to digital media and developed technology that anticipated today's breakthroughs. Featuring a cast of characters including Eleanor Roosevelt, Leadbelly, Carl Sandburg, Carl Sagan, Jelly Roll Morton, Muddy Waters, and Bob Dylan, Szwed's fascinating biography memorably captures Lomax and provides a definitive account of an era as seen through the life of one extraordinary man.

©2010 John Szwed (P)2010 Penguin

They Done Good

The gathering of information is a long, constantly changing process with lots of different opinions as to how it should be done, presented, and who should get credit.
Though quite valuable now, they tackled much apathy and discouraging words as well as constantly getting in trouble with the law and egos throughout the years.
Though this impressive effort was not appreciated at the time, this valuable history they captured is something that can never be replicated.
They done good.

National/World Treasure(s)

Alan Lomax and his father John gave the United States and the world cultural, sociological, and artistic gifts as precious as any in the world’s museums. It’s heartbreaking that they weren’t as recognized and funded as they should have been.
Some of Alan’s theories are more obtuse than many readers might have patience for.