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Publisher's summary
明治36年(1900年)、ビクターの子会社であったアメリカのレコード会社・英国グラモフォンのプロデューサー・録音技師のフレッド・ガイズバーグにより、ホテルの一室をスタジオ代わりにして、日本で最初の平円盤式レコードの出張録音が行われました。
その時の録音に適する芸能と演者の選択を任されたのが、外国人の噺家のパイオニア・初代快楽亭ブラックで、落語・義太夫・能楽謡・音曲などを、当時の名人や人気者が次々に吹き込み、7インチ盤と10インチ盤の合計273枚が完成。
初代桂春團治について
本当の初代桂春團治に功績がなかったため、明治中期から昭和初期まで、関西で絶大な人気を得た二代目を、後々、初代と呼ぶようになりました。
明治28年(1895年)、18才で初代桂文我に入門し、桂我都と名付けられましたが、素行が悪かったため、「もっと厳しい噺家の許で修業をさせた方が良かろう」と考えた文我が、二代目桂文團治(後の七代目桂文治)に預け、桂春團治に改名。
素行の悪さは直りませんでしたが、高座が抜群に面白く、次第に人気が高まり、SPレコードの吹き込み数もナンバーワンになったのです。
創成期の吉本興行の稼ぎ頭で、高給取りとなりましたが、放蕩三昧の借金だらけ。 会社に無断で放送に出たり、煎餅で拵えたレコードに吹き込んだり、奇行が人気を高める要因となりましたが、寿命には勝てず、昭和9年(1934)10月8日、胃ガンで没しました。
享年57、戒名は華光春團治道居士。
演目解説
『馬の田楽』
昨今では、「田楽」より「おでん」と言う方が通りが良いでしょうが、「味噌おでん」より「味噌田楽」と言う方が、味噌の香ばしさが漂い、美味しそうに感じます。
オチまで聞いてもらわなくては、何故『馬の田楽』という演題になっているのか、わかりません。
初代春團治の演出が抜群だっただけに、SPレコードに吹き込む者が少なかったようです。ダミ声が、子どものあどけなさと、悪戯心を引き立てていました。そこを注意して聞いていただくと、面白さが倍増するでしょう。
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