Play Actors

Actors! Engage your mind and your body in order to develop your characters fully. The Lucid Body technique breaks up stagnant movement patterns and expands your emotional and physical range. Through energy analysis, this program shows how to use physical training to create characters from all walks of life - however cruel, desolate, or neurotic those characters may be.

Characters search for a conflict, upset audience members disrupt the show, a spy mission goes wrong, cowboys try but can’t do a simple shootout correctly, and a considerate and mannerly thief asks permission before he robs people. These are some of the situations found in this collection of ten-minute plays. Here are delightful theatrical nuggets that range from the comical to the serious. Each one is designed to be produced with just a few actors, few props, and within a single setting. They are easy to perform or fun to just read.

Why Shakespeare? What explains our continued fascination with his poems and plays? In Living with Shakespeare, Susannah Carson invites 40 actors, directors, scholars, and writers to reflect on why his work is still such a vital part of our culture.

This is a splendid classic book on stage fencing by a real master - both as military instructor and as a specialist in this special skill adapted to the theatre. Contains as well some fascinating information on the old real-life fencing, the duels, the battles, the famous fencing masters, and schools. Easy to understand, easy to remember, easy to learn.

There is no general consensus about how Shakespeare "should" be played. There are no rules. But, while the Bard created superhuman characters and placed them in situations that stretches the imagination to its limits, he also provided his actors with the keys to playing them.

Have you ever wanted to be in the movies or on TV? How about if you got paid to be on screen? It is possible, by working as an extra, also called a background actor. Extra opportunities are available all across the United States. This book covers all the basics, including getting an extra gig, what to expect on your first job, what to bring with you, how to get paid, getting extra upgrades, and much, much more. Extensive resources are included at the end of the books, including two dozen agencies in the US, Canada, and the UK. Several pages of definitions are also provided, along with ...

Three monologues in verse, performed by the author. In Group Theory, a week's worth of misdelivered mail leads an apartment dweller on a journey through the refracted symmetries of self. In Parsimony, a man returns home after a car crash, drugged up and teetering on crutches, to find that a strange new neighbor has moved into the back room behind his kitchen. In Teratology, the distant arching dome of a train station looms over four stranded travelers, four strangers trapped together for a long night.

Access Accents bring the highly sought-after voice techniques of top voice coach Penny Dyer to the actor's audio device. A unique opportunity to prepare for auditions at short notice.

Yvonne De Carlo, Michael B. Druxman’s one-woman play, is set in 1974 when the actress is at an emotional crossroads. As she contemplates divorcing her husband of 18 years, she remembers the events that have brought her to this point in her life, beginning with a fatherless childhood in Vancouver, BC, and a destitute mother intent on making her daughter a ballet star. She further reminisces about the many men who have passed through her life, including romances with the likes of Howard Hughes and Aly Khan.

Ida Lupino was a trail-blazer. Not only was she one of the most vibrant Hollywood actresses of the 1940s and 1950s, but she was also only the second woman to become a member of the Director's Guild. Michael B. Druxman's one-woman play, Ida: The Last Lupino, joins Ida in 1983 when she is living alone in her decaying Brentwood home as a virtual hermit, lamenting the break-up of her marriage with Howard Duff. Ida: The Last Lupino is a vivid, often witty, portrait of a woman who conquered a man's world.

Will you be the Nick, Daisy, Terrible Tom, Jordan, or The Great Gatsby, himself?! The Great Gatsby like you have never experienced it before; quick, fun, and easy to understand. Designed for 7-17+ actors, kids of all ages, or anyone who wants to enjoy and perform F. Scott Fitzgerald's classic novel. The Great Gatsby for Kids is a play versatile enough for sibling fun, classes, drama groups, homeschool groups, or backyard performances. It's appropriate and fun for all ages! Plays range from 15 to 25 minutes. Which character will you be?! What you will get: Fun! 3 melodramatic modifications ...

Audrey Hepburn was not your usual movie star. She was the highest paid actress of her day, yet she never took a formal acting lesson. A child of war, and the daughter of a Fascist sympathizer, she spent her last years helping children of other wars. An Academy Award-winner for her first major film role (Roman Holiday), Hepburn continued her storybook career with such classic movies as Sabrina, Funny Face, The Nun's Story, Breakfast at Tiffany's, Charade, My Fair Lady and Wait until Dark. Her two marriages ended in divorce.

Clifton Webb was one of those rare motion picture actors who became a major box-office star when he was in his mid-50s. Indeed, his first sound movie was Laura (1944), and his role as Waldo Lydecker in that classic film noir earned him the first of three Oscar nominations. Four years later, Clifton Webb became a household name when he played Lynn Belvedere and poured a bowl of mush onto a baby's head in Sitting Pretty.