Comic History

Starting with the Civil War and cartoonist Thomas Nast, creator of the lasting images of Uncle Sam and Santa Claus, author Jeremy Dauber whizzes listeners through the progress of comics in the 20th century and beyond. Follow the history from the golden age of newspaper comic strips - Krazy Kat, Yellow Kid, Dick Tracy - to the midcentury superhero boom - Superman, Batman, Wonder Woman - and from the moral panic of the Eisenhower era to the underground comix movement; from the grim and gritty Dark Knights to the graphic novel’s rise.

The defining, behind-the-scenes chronicle of one of the most extraordinary, beloved, and dominant pop cultural entities in America’s history - Marvel Comics - and the outsized personalities who made Marvel, including Martin Goodman, Stan Lee, and Jack Kirby.

Originally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form.

The early 1970s saw the birth of the modern comic book shop. Its rise was due in large part to a dynamic entrepreneur, Phil Seuling. His direct market model allowed shops to get comics straight from the publishers, bypassing middlemen. Stores could better customize their offerings and independent publishers could now access national distribution. In this way, shops opened up a space for quirky ideas to gain an audience and helped transform small-press series, from Teenage Mutant Ninja Turtles to Bone, into media giants.

In Superman Is Jewish? Harry Brod reveals the links between Jews and superheroes in a penetrating investigation of iconic comic book figures. He describes how the role of each hero reflects the evolution of the Jewish place in American culture - an alien in a foreign land, like Superman; a figure plagued by guilt for not having saved his family, like Spider-Man; outsiders persecuted for being different (X-Men); a nice, smart guy afraid people won't like him when he's angry (the Hulk).

In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created in the bold, pulpy pages of comic books. The Ten-Cent Plague explores this cultural emergence and its fierce backlash while challenging common notions of the divide between "high" and "low" art.

Operation Iraqi Freedom Veteran and former host of All Access, DC Comics' web show, Jason Inman, discusses the influence war has had on some of the most memorable superheroes in comics.

See You At San Diego is the comprehensive chronicle of Comic-Con International and modern geekdom itself as told through countless stories by nearly fifty of the most integral members of the Comic-Con and fandom scene. This full-fledged oral history—bursting with intimate reflections, hilarious observations, and at times, heartbreaking stories—is about how the geek at last inherited the earth and the story of the transformation of mainstream American pop culture into comic book culture over the past century.

Comic Book Women offers a feminist history of the golden age of comics, revising our understanding of how numerous genres emerged and upending narratives of how male auteurs built their careers. Considering issues of race, gender, and sexuality, the authors examine crime, horror, jungle, romance, science fiction, superhero, and Western comics to unpack the cultural and industrial consequences of how women were represented across a wide range of titles by publishers like DC, Timely, Fiction House, and others.

Wright's lively study also focuses on the role comic books played in transforming children and adolescents into consumers; the efforts of parents, politicians, religious organizations, civic groups, and child psychologists to link juvenile delinquency to comic books and impose censorship; and the changing economics of comic book publishing over the course of the century. Comic Book Nation is at once a serious study of popular culture and an entertaining look at an enduring American art form.

Comic book superheroines bend steel, travel across time and space, and wield awesome forces. These mighty females do everything that male superheroes do. But they have to work their wonders in skirts and high heels. The Supergirls asks whether their world of fantasy is that different from our own. Are the stories of Wonder Woman’s search for an identity, Batwoman and Power Girl’s battle for equality, and Manhunter’s juggling of a crime fighting career and motherhood also an alternative saga of modern American women?

This well focused and perceptive analysis of a phenomenon in our popular culture - the new respectability of the comic book form - argues that the comics medium has a productive tradition of telling true stories with grace and economy. It details vividly the outburst of underground comics in the late 1960s and '70s, whose cadre of artistically gifted creators were committed to writing comic books for adults, an audience they made aware that comic books can offer narratives of great power and technical sophistication.

If Hollywood had a superhero throne, Spider-Man would be perched upon it. As the most popular superhero in the world, the web-slinger plays a pivotal role in three of the six highest-grossing film franchises in history: the Marvel Cinematic Universe; the Avengers quadrilogy; and the Spider-Man movies themselves. Spidey has come a long way since Marvel guru Stan Lee first concocted him in 1962, but until now his cinematic journey has not been fully documented.

Josh Blaylock's now classic how-to prose book about the business of comic book publishing, after selling out of its updated 2012 edition, is now being rereleased to include Tim Seeley's companion writings on the behind-the-scenes realities of being a comic book artist.

Khrushchev's 1959 trip across America was one of the strangest exercises in international diplomacy ever conducted. He told jokes, threw tantrums, sparked a riot in a San Francisco supermarket, wowed coeds in an Iowa home-economics class, and ogled Shirley MacLaine. He befriended and offended a cast of characters including Nelson Rockefeller and Marilyn Monroe. The trip took place in the 50s, with the shadow of the hydrogen bomb hanging over his visit like the Sword of Damocles.

How is it that comic books - the once-reviled form of lowbrow popular culture - are now the rage for Hollywood blockbusters, the basis for best-selling video games, and the inspiration for literary graphic novels? In Demanding Respect, Paul Lopes immerses himself in the discourse and practices of this art and subculture to provide a social history of the American comic book over the last 75 years.

When it comes to superheroes of the silver screen, nobody knows more than the masterminds behind the wildly popular Comicstorian YouTube channel. This definitive guide to comic book films divulges behind-the-scenes secrets and the hidden history behind these must-see movies including how, after very rocky beginnings, they shot to the top with DC and Marvel as two of the most important franchises in the industry.

Examining current debates and the questions raised by comics adaptations, including those around authorship, style, and textual fidelity, the contributors consider the topic from an array of approaches that take into account representations of sexuality, gender, and race as well as concepts of world-building and cultural appropriation in comics from Modesty Blaise to Black Panther. The result is a fascinating re-imagination of the texts that continue to push the boundaries of panel, frame, and popular culture.

Do you want to learn more about Charlie Chaplin, but don’t have time to listen to huge, long biographies? Then let The History Journals take you on an hourly history tour of his life. Charlie Chaplin’s legacy lives on forever in the films that have been left behind, bringing the gift of laughter to viewers of every generation, past, present, and future.