Art History Crimes

When he retired as the chief security officer of New York City's Metropolitan Museum of Art, John Barelli had spent the better part of 40 years responsible not only for one of the richest treasure troves on the planet, but the museum's staff, the millions of visitors, as well as American presidents, royalty, and heads of state from around the world. For the first time, John Barelli shares his experiences of the crimes that occurred on his watch, the investigations that captured thieves and recovered artwork....

The art world is one of the most secretive of global businesses, and the list of its crimes runs long and deep. Today, with prices in the hundreds of millions for individual artworks, and billionaires' collections among the most conspicuous and liquid of their assets, crime is more rampant than ever in this largely unregulated universe. Increased prices and globalization have introduced new levels of fraud and malfeasance into the art world—everything from "artnapping," in which an artwork is held hostage and only returned for a ransom, to forgery and tax fraud.

In an exchange of favors with an art dealer colleague, Jonathan Argyll unluckily offers to transport a painting from Paris back to Rome. It seems routine work, and Jonathan gets to meet his girlfriend, Flavia, who works for Rome's Art Theft Squad. But when a would-be thief tries to take the painting at the train station, and the art dealer seems less interested in his purchase once he sees it, Jonathan wonders why, as events unfold, someone is willing to kill for it.

In the first major history of crime fiction in 50 years, The Life of Crime: Detecting the History of Mysteries and Their Creators traces the evolution of the genre from the 18th century to the present, offering brand-new perspective on the world’s most popular form of fiction.

It was an explosion that reverberated across the country—and into the very heart of early-twentieth-century America. On the morning of October 1, 1910, the walls of the Los Angeles Times Building buckled as a thunderous detonation sent men, machinery, and mortar rocketing into the night air. When at last the wreckage had been sifted and the hospital triage units consulted, twenty-one people were declared dead and dozens more injured. But as it turned out, this was just a prelude to the devastation that was to come.

When Jonathan Argyll is arrested for breaking into an obscure church in Rome, he claims that it contains a long-lost Raphael hidden under a painting by Mantini. The painting disappears - then reappears in the hands of the top British art dealer, Edward Byrnes. How has Byrnes found out about the hidden masterpiece, and whom is he acting for? There is also the curious matter of the safe deposit box full of sketches closely resembling features of the newly discovered painting.

For the truly well-rounded "intellectual," nothing fascinates so much as the subversive, the contrarian, the suppressed, and the bizarre. Richard Zacks has unloosed his admittedly strange mind and astonishing research abilities upon the entire spectrum of human knowledge, ferreting out endlessly fascinating facts, and stories guaranteed to make you laugh, gasp in wonder, and occasionally shudder at the depths of human depravity. The result of his labors is this quasi-encyclopedia that provides alternative takes on art, business, crime, science, medicine, sex (lots of that), and many other facets of human experience.

Cinema emerged alongside the rules that ushered in boxing’s modern age and the “squared circle” proved the ideal stage for cinematic display. The public had its first taste of the new medium in 1894 through a heavyweight bout, recognized today as the world’s first feature film. Smash Hit: Race, Crime, and Culture in Boxing Films uses twenty films as the basis of a hard-nosed exploration as to how the genre held a bloody mirror to twentieth century America’s most prominent social anxieties, elucidating two conjoined mediums that serve as bellwether to an ever-shifting cultural zeitgeist.

In the magical and historically rich city of Siena, Italy, old paintings are as common as cobblestones. But what if some of those paintings are forgeries? And what if your employers at Restauro Lorenzetti, a respected firm of art conservators, might be smuggling antiquities? After colleague and roommate Ernst Mann is found dead in the street below their apartment balcony, Flora Garibaldi suspects her bosses are crooks. The Italian police, after ruling Flora innocent of murder, persuade her to spy on her employers.

Rock & Roll Nightmares, Volume 1 scratched the sinister surface with tales of the 27 Club, rock ‘n’ roll suicides, plane crashes, curses, and more. Now the award-winning series continues with concert mayhem, a look at the “baby groupie” trend of the 1970s, Satanic panic, horrific home invasions, musicians who’ve died on stage, rockers who lived on borrowed time, gun-toting music producers, deadly DJs, and much more.

Jack the Ripper was probably the first serial killer to appear in a large metropolis at a time when the general populace was literate and the press was a force for social change. The press was also partly responsible for creating many myths surrounding the Ripper. Robin Odell's Ripperology is the first study to present a sequential history of literary investigations of Jack the Ripper's crimes and to address the seven principal phases of Ripper speculations....

Unlock the enigmatic world where beauty meets betrayal, where passion for art conceals a sinister underbelly. In this captivating exposé, J.K. Artson unveils the hidden stories that have plagued the art world for centuries. Prepare to be enthralled as you embark on a journey through the shadows of art, crime, and corruption. Discover the rise of illicit acts that threaten our cultural heritage, leaving a trail of stolen masterpieces and shattered legacies in their wake.