Art Crime

The art world is one of the most secretive of global businesses, and the list of its crimes runs long and deep. Today, with prices in the hundreds of millions for individual artworks, and billionaires' collections among the most conspicuous and liquid of their assets, crime is more rampant than ever in this largely unregulated universe. Increased prices and globalization have introduced new levels of fraud and malfeasance into the art world—everything from "artnapping," in which an artwork is held hostage and only returned for a ransom, to forgery and tax fraud.

For centuries, works of art have been stolen in countless ways from all over the world, but no one has been quite as successful at it as the master thief Stéphane Breitwieser. Carrying out more than two hundred heists over nearly eight years—in museums and cathedrals all over Europe—Breitwieser, along with his girlfriend who worked as his lookout, stole more than three hundred objects, until it all fell apart in spectacular fashion.

Art scams are today so numerous that the specter of a lawsuit arising from a mistaken attribution has scared a number of experts away from the business of authentication and forgery, and with good reason. Art scams are increasingly convincing and involve incredible sums of money. The cons perpetrated by unscrupulous art dealers and their accomplices are proportionately elaborate. Anthony M. Amore's The Art of the Con tells the stories of some of history's most notorious yet untold cons.

In this award-winning Audible Studios production, Trevor Noah tells his wild coming-of-age tale during the twilight of apartheid in South Africa. It’s a story that begins with his mother throwing him from a moving van to save him from a potentially fatal dispute with gangsters, then follows the budding comedian’s path to self-discovery through episodes both poignant and comical.

The art world is a much dirtier, nastier business than you might expect. Tony Tetro, one of the most renowned art forgers in history, will make you question every masterpiece you’ve ever seen in a museum, gallery, or private collection. Tetro’s “Rembrandts,” “Caravaggios,” “Miros,” and hundreds of other works now hang on walls around the globe.

In Catch Me if You Can, Frank W. Abagnale recounted his youthful career as a master imposter and forger. In The Art of the Steal, Abagnale tells the remarkable story of how he parlayed his knowledge of cons and scams into a successful career as a consultant on preventing financial foul play—while showing you how to identify and outsmart perpetrators of fraud.

When he retired as the chief security officer of New York City's Metropolitan Museum of Art, John Barelli had spent the better part of 40 years responsible not only for one of the richest treasure troves on the planet, but the museum's staff, the millions of visitors, as well as American presidents, royalty, and heads of state from around the world. For the first time, John Barelli shares his experiences of the crimes that occurred on his watch, the investigations that captured thieves and recovered artwork....

It's 1924 and investigative reporter Poppy Denby is heading up to Northumberland to celebrate her father's 60th birthday. She stops off in Newcastle en route to visit her Aunt Dot, who has temporarily relocated from London to renovate a house she's inherited. One of Aunt Dot's guests is the world renowned artist Agnes Robson, who is staging an exhibition at the Laing Art Gallery. Reluctantly, Poppy is roped in to help when the artist's press liaison man falls ill....

In To Catch a Spy: The Art of Counterintelligence, James M. Olson, former chief of CIA counterintelligence, offers a wake-up call for the American public and also a guide for how our country can do a better job of protecting its national security and trade secrets. Olson takes the listener into the arcane world of counterintelligence as he lived it during his 30-year career in the CIA.

Here is a tautly paced investigation of one the 20th century's most audacious art frauds, which generated hundreds of forgeries - many of them still hanging in prominent museums and private collections today. Provenance is the extraordinary narrative of one of the most far-reaching and elaborate deceptions in art history.

London. A snowy December, 1888. Sherlock Holmes, 34, is languishing and back on cocaine after a disastrous Ripper investigation. Watson can neither comfort nor rouse his friend - until a strangely encoded letter arrives from Paris. Mlle La Victoire, a beautiful French cabaret star, writes that her illegitimate son by an English lord has disappeared, and she has been attacked in the streets of Montmartre.

Susan Ronald reveals in this stranger-than-fiction-tale how Hildebrand Gurlitt succeeded in looting in the name of the Third Reich, duping the Monuments Men and the Nazis alike. As an "official dealer" for Hitler and Goebbels, Hildebrand Gurlitt became one of the Third Reich's most prolific art looters. Yet he stole from Hitler, too, allegedly to save modern art. Hitler's Art Thief is the untold story of Hildebrand Gurlitt, who stole more than art - he stole lives, too.

In an exchange of favors with an art dealer colleague, Jonathan Argyll unluckily offers to transport a painting from Paris back to Rome. It seems routine work, and Jonathan gets to meet his girlfriend, Flavia, who works for Rome's Art Theft Squad. But when a would-be thief tries to take the painting at the train station, and the art dealer seems less interested in his purchase once he sees it, Jonathan wonders why, as events unfold, someone is willing to kill for it.

When precious artifacts go missing at the Museum of Medieval Art in Edinburgh, Sandra Robertson, a newly hired curator, is immediately under suspicion. But, when she’s asked to help find out who’s involved, Sandra ignores her attraction to Neil McDonnell, art crimes investigator assigned to the case, and gets to work. After a priceless 16th Century tapestry goes missing, Sandra begins to receive threatening phone calls. Do Sandra and Neil have a future together? What will they risk to recover the missing artifacts, stop the thefts, and find out who’s behind a series of mysterious ...

Available only in audio, Fantastic Beasts: The Crimes of Grindelwald - Makers, Mysteries and Magic lifts the lid on the moviemaking secrets behind the latest installment in J.K. Rowling's Fantastic Beasts series. Narrator Dan Fogler (who plays No-Maj Jacob Kowalski) will guide you through the process of creating the magical on-screen world and explore the story, themes, and characters of Fantastic Beasts: The Crimes of Grindelwald.

As Paris rediscovers its joie de vivre, Tabitha Knight, recently arrived from Detroit for an extended stay with her French grandfather, is on her own journey of discovery. Thanks to her neighbor and friend Julia Child, another ex-pat who's fallen head over heels for Paris, Tabitha is learning how to cook for her Grandpere and Oncle Rafe and Tabitha's sojourn is proving thoroughly delightful. That is, until the cold December day they return to Julia's building and learn that a body has been found in the cellar.

Edinburgh, 1849. Hordes of patients are dying all across the city, with doctors finding their remedies powerless. And a whispering campaign seeks to paint Dr. James Simpson, pioneer of medical chloroform, as a murderer. Determined to clear Simpson’s name, his protégé Will Raven and former housemaid Sarah Fisher must plunge into Edinburgh’s deadliest streets and find out who or what is behind the deaths. Soon they discover that the cause of the deaths has evaded detection purely because it is so unthinkable.

When 11-year-old James Renner fell in love with Amy Mihaljevic, the missing girl seen on posters all over his neighborhood, it was the beginning of a lifelong obsession with true crime. That obsession led James to a successful career as an investigative journalist. It also gave him PTSD. In 2011 James began researching the strange disappearance of Maura Murray, a UMass student who went missing after wrecking her car in rural New Hampshire in 2004.

Over the course of his 27 years with the DEA, Ed Follis bought eight-balls of cocaine in a red Corvette, negotiated multimillion-dollar deals onboard private King Airs, and developed covert relationships with men who were not only international drug traffickers but - in some cases - operatives for al-Qaeda, Hezbollah, Hamas, the Shan United Army, or the Mexican federation of cartels. Follis was, in fact, one of the driving forces behind the agency's radical shift from a limited local focus to a global arena.

Six years ago, the "Fabulous Gustave" slipped the grasp of Agent Fleur van Beekhof, making off with a priceless artwork . . . and Fleur's beautifully ordered life. Suddenly the cool, pragmatic Europol detective lost her detective partner and wife, her rising career, and her control, thanks to the addictive lure of cards. When a new Italian art theft bears all the markings of Gustave's taunting style, Fleur is put back in the field, because no one knows him better. She jumps at the chance to correct the mistake that ruined her life. The hitch? She has to work with her fiery ex-wife.