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Emily Dickinson was one of the most reclusive of all poets. She spent much of her life in seclusion in her father’s house in Amherst, and only a handful of her 1800 poems were published in her lifetime. Credit for the posthumous publication of her work must be given to her editor and friend Thomas W. Higginson, who reported that, in spite of the voluminous correspondence which passed between himself and Dickinson, he only met her twice in person.

When fourth grader Alex Schwartz first met his cello, his eyes lit up with wonder, and a smile appeared on his face as bright as the potential his new cello teacher saw within him. The cello positively impacted all aspects of his development, including focus, fine motor, and gross motor skills.

Hilda Doolittle was an American poet and novelist who was one of the founders of the Imagist movement, which includes such poetic luminaries as Ezra Pound and Richard Aldington, with both of whom Doolittle had romantic relationships.

Few of Emily Dickinson’s poems were published in her lifetime. Her posthumous fame is largely due to the efforts of her editors and supporters Thomas W. Higginson and Mabel Loomis Todd.

This celebrated collection of 44 love sonnets was composed in 1845-1846, during the period of the poet's courtship with Robert Browning. Despite the collection's title, the poems are not translations but original compositions. The notation "Portuguese" may refer to the poet's admiration for the work of the Portuguese poet Luís Vaz de Camões.