Mostrando resultados por narrador "Chanté McCormick" en Todas las categorías

A critic explores the paradox of finding community in “the dozens” while grieving. A violent town ritual causes an all-too-familiar moral panic. An email thread between friends on why we need an updated Green Book but for public toilets. All across the nation, “Karens” become illegal overnight. These are just a few of the hilarious worlds contained in Damon Young’s groundbreaking anthology featuring the best, funniest, and Blackest essays, short stories, letters, and rants.

In an extraordinary story unfolding across two hundred years, Kristina Gaddy uncovers the banjo's key role in Black spirituality, ritual, and rebellion. Through meticulous research in diaries, letters, archives, and art, she traces the banjo's beginnings from the seventeenth century, when enslaved people of African descent created it from gourds or calabashes and wood.

It’s no secret that we are overworked, overpressured, and edging burnout. Unsurprisingly, this fact is as old as time - and that’s why we see so many prayer circles within a multitude of church traditions. These gatherings are a trusted space where people seek help, hope, and peace, energized by God and one another. This book, curated by acclaimed author Sarah Bessey, celebrates and honors that prayerful tradition in a literary form.

Hardwicke House, home to Belverton College’s exclusive Minotaur Society, is no stranger to tragedy. And when a body turns up in the field next to the mansion, the scene looks chillingly familiar. Chicago PD sends hard-nosed Detective Harriet “Harri” Foster to investigate. The victim is Brice Collier, a wealthy Belverton student, whose billionaire father, Sebastian, owns Hardwicke and ranks as a major school benefactor. Sebastian also has ties to the mansion’s notorious past, when thirty years ago, hazing led to a student’s death in the very same field.

Cults prey on the very attributes that make us human: our desire to belong, to find a deeper meaning in life, to live everyday with divine purpose. Their existence creates a sense that any one of us, at any time, could step off the cliff’s edge and fall into that daunting abyss of manipulation and unhinged dedication to a misplaced cause. Perhaps it’s this mindset that keeps us so utterly obsessed and desperate to learn more, or it’s that the stories are so bizarre and unsettling that we are simply in awe of the mechanics that make these infamous groups tick.

Discovering a body on her property presents Lady Abigail Worthing with more than one pressing problem. The victim is Juliet, the wife of her neighbor, Stapleton Henderson. Although Abigail has little connection with the lady in question, she expects to be under suspicion. Abigail's skin color and her mother's past have earned her a certain reputation among the ton. And she can't divulge that she was attending a secret pro-abolition meeting at the time of the murder. To her surprise, Henderson offers her an alibi.

“Food and travel are natural companions,” writes guest editor Padma Lakshmi. From this pairing comes “the possibility of seeing anew, of examining how we make and assign meaning.” The essays in this year’s Best American Food and Travel Writing circle the world—from Dakar in Senegal, to Michoacán in south-central Mexico, to the Camino de Santiago in Spain—and deepen our understanding of our place in it.

Over more than two centuries men, women, and children escaped from slavery to make the Southern wilderness their home. They hid in the mountains of Virginia and the low swamps of South Carolina; they stayed in the neighborhood or paddled to secluded places; they buried themselves underground or built settlements. Known as maroons, they lived on their own or set up communities in swamps or other areas where they were not likely to be discovered. Although well-known, feared, celebrated or demonized at the time, the maroons whose stories are the subject of this book have been forgotten.

After a tumultuous murder case that almost cost more than her job, sports reporter Kate Green is back on assignment covering women’s Olympic soccer. Between her experience with athletic stardom and days playing with Savannah Baker, head coach of the USA team, Kate is sure to get the story that will reestablish her career.

In Aspen, Colorado, in 1941, Rachel Brewster is a slalom skier at the National Downhill and Slalom Championships. Little Ray, as she is called, finishes nowhere near the podium, but she manages to get pregnant. Back home, in New England, Little Ray becomes a ski instructor. Her son, Adam, grows up in a family that defies conventions and evades questions concerning the eventful past. Years later, looking for answers, Adam will go to Aspen. In the Hotel Jerome, where he was conceived, Adam will meet some ghosts; they aren’t the first or the last ghosts he sees.

Drawing on a variety of sources from film, literature, and popular culture, and analyzing different historical moments, including the establishment of the Wilderness Act in 1964 and the aftermath of Hurricane Katrina, Finney reveals the perceived and real ways in which nature and the environment are racialized in America. Looking toward the future, she also highlights the work of African Americans who are opening doors to greater participation in environmental and conservation concerns.

A collection of the year’s best mystery and suspense short fiction selected by #1 New York Times bestselling author and guest editor Jess Walter and series editor Steph Cha.

In Temple Folk, Black Muslims contemplate the convictions of their race, religion, economics, politics, and sexuality in America. The ten “beautiful and vivid” (Jacqueline Woodson, National Book Award­–winning and New York Times bestselling author) stories in this collection contribute to the bounty of diverse narratives about Black life by intimately portraying the experiences of a community that resists the mainstream culture to which they are expected to accept and aspire to while functioning within the country in which they are born.

Henry O’Toole sails to America in 1848 to escape the famine in Ireland, only to face anti-immigrant prejudice. Determined never to starve again, he changes his surname to Taylor and heads south to Virginia, seeking work as a traveling blacksmith on the prosperous plantations. Torn from her home and sold to Jubilee Plantation, Sarah must navigate its intricate hierarchy. And now an enigmatic blacksmith is promising her not just the world but also her freedom. How could she say no?

The Chicago PD is on high alert when two city aldermen are found dead: one by apparent suicide, one brutally stabbed in his office, and both with thirty dimes left on their bodies—a betrayer’s payment. With no other clues, the question is, Who else has a debt to pay? Detective Harriet Foster is on the case before the killer can strike again. But even with the help of her partner, Detective Vera Li, and the rest of their team, Harriet has little to go on and a lot at risk. There’s no telling who the killer’s next target is or how many will come next.

Slut. Shrew. Sinful. Scold. The 19th- and early 20th-century American women profiled in this collection were called all these names and worse when they were alive. And that’s just fine. These glorious dames earned those monikers, and one hundred years later they can wear them proudly! With irresistible charm and laugh-out-loud impertinence, New York Times bestselling author Therese Oneill chronicles the lives of eighteen unbecoming ladies whose audacity, courage, and sheer disdain for lady-like expectations left them out of so many history books.

NPR’s launch of the multi-platform series Turning the Tables in 2017, suddenly pushed more women onto “Best of” lists and into the Rock n’ Roll Hall of Fame. With How Women Made Music, acclaimed critic and TtT co-founder Ann Powers and contributor Alison Fensterstock draw from every Turning the Tables season and the full 50-years of NPR archives, to bring a vibrant, entertaining history of women in folk, rock, rap, hip hop, salsa, bubblegum pop, and much more.

In July 1952, Dr. Walter Freeman arrived at the gates of a West Virginia asylum. In his medical bag he carried two metal picks and a surgical hammer. He had invented a “cheap, easy” ten-minute lobotomy. The press described it as a miracle cure, a new frontier in psychosurgery. That summer, in just twelve days, Freeman lobotomized 228 men, women, and children in West Virginia’s public mental hospitals. His blitzkrieg of brain surgery became known as “Operation Ice Pick,” named after the tools he wielded.

When a young red-haired woman is found brutally murdered in downtown Chicago, one detail stands out: the red lipstick encircling her wrists and ankles. Detective Harriet Foster is on the case, even though she’s still grieving the sudden death of her partner. As a Black woman in a male-dominated department, Foster anticipates a rocky road ahead acclimating to a new team—and building trust with her new partner isn’t coming easily. After another victim turns up with the same lipstick markings, Foster suspects she’s looking for a serial killer.

Jada Williams is good at judging people by their looks. From across the mall, she can tell not only someone’s inseam and pants size, but exactly what style they need to transform their life. Too bad she’s no longer using this superpower as a wardrobe designer to Hollywood stars, but for minimum wage plus commission at the Glendale mall. When Jada is fired yet again, she is forced to outrun the newly instated Debt Police who are out for blood. But Jada, like any great antihero, is not going to wait for the cops to come kick her around.