Mostrando resultados por autor "Osamu Dazai" en Todas las categorías

Portraying himself as a failure, the protagonist of Osamu Dazai’s NO LONGER HUMAN narrates a seemingly normal life even while he feels himself incapable of understanding human beings. His attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a “clown” to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.

Essentially the start of Dazai's career, Schoolgirl gained notoriety for its ironic and inventive use of language. Now it illuminates the prevalent social structures of a lost time, as well as the struggle of the individual against them—a theme that occupied Dazai's life both personally and professionally. This new translation preserves the playful language of the original and offers the listener a new window into the mind of one of the greatest Japanese authors of the 20th century.

The Flowers of Buffoonery opens in a seaside sanitarium where Yozo Oba—the narrator of No Longer Human at a younger age—is being kept after a failed suicide attempt. While he is convalescing, his friends and family visit him, and other patients and nurses drift in and out of his room. Against this dispiriting backdrop, everyone tries to maintain a lighthearted, even clownish atmosphere: playing cards, smoking cigarettes, vying for attention, cracking jokes, and trying to make each other laugh.

No Longer Human (1948, Ningen Shikkaku / A Shameful Life / Confessions of a Faulty Man) was an attack on the traditions of Japan, capturing the postwar crisis of Japanese cultural identity. Framed by an epilogue and prologue, the story is told in the form three notebooks left by Ōba Yōzō, whose calm exterior hides his tormented soul. Osamu Dazai was a Japanese author who is considered one of the foremost fiction writers of 20th century Japan. A number of his most popular works, such as Shayō (The Setting Sun) and Ningen Shikkaku (No Longer Human), are considered modern-day classics in Japan.

This book contains the following works: 1. Edgar Allan Poe: The Pit and the Pendulum 2. William Shakespeare: A Midsummer Night's Dream 3. Frances Hodgson Burnett: The Secret Garden 4. Fyodor Dostoevsky: The Dream of a Ridiculous Man 5. Robert Louis Stevenson: Treasure Island 6. H. P. Lovecraft: At the Mountains of Madness 7. Jack London: The Call of the Wild 8. Mary W. Shelley: Frankenstein, or The Modern Prometheus 9. Osamu Dazai: No Longer Human (Confessions of a Faulty Man) 10. Nathaniel Hawthorne: The Scarlet Letter

A fictional writer in his thirties named Osamu Dazai has just mailed his publisher an awful manuscript, filling him with dread and shame. Wandering along a river in a nearby park in suburban Tokyo, he meets a high-school dropout and the two get into an intellectual spat. Eventually, Dazai finds himself agreeing to perform in the boy’s place that very night as the live narrator of a film screening…

Set in the early postwar years, it probes the destructive effects of war and the transition from a feudal Japan to an industrial society. Ozamu Dazai died, a suicide, in 1948. But the influence of his book has made "people of the setting sun" a permanent part of the Japanese language, and his heroine, Kazuko, a young aristocrat who deliberately abandons her class, a symbol of the anomie which pervades so much of the modern world.

This novel, written in 1949, was Osamu Dazai's last work and was unfinished upon his death. It is set in Tokyo just after the war's end. It tells the story of a handsome editor who wants to leave his mistresses and a black marketeer woman who has a thick voice, a big appetite, and great strength but is also stunningly beautiful. It is a cheerful, humorous, and unprecedented novel, so much so that it is hard to believe that it was written by a novelist who was so depressed that he was contemplating suicide. All the reader can do, however, is to imagine the rest of the novel. Annotations [1] ...

In these short stories, collected and translated by Ralph McCarthy, we can see just how closely Dazai’s life mirrored his art, and vice versa, as the writer/narrator falls from grace, rises to fame, and falls again. Addiction, debt, shame, and despair dogged Dazai until his self-inflicted death, and yet despite all the lies and deception he resorted to in life, there is an almost fanatical honesty to his writing.

Portraying himself as a failure, the protagonist of Osamu Dazai's No Longer Human narrates a seemingly normal life even while he feels himself incapable of understanding human beings. Oba Yozo's attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a "clown" to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.

La presente es una colección de obras escritas a lo largo de la vida de Dazai. Incluye algunos relatos, así como algunos ensayos. Hay una combinación de relatos basados en la realidad que parecen ficciones creadas por el autor y hay historias ficticias narradas como si fueran hechos reales parte de la vida del autor. El autor describe el Japón antes, durante y después de la guerra desde su vida personal. Historias cotidianas que alcanzan lo más profundo del espíritu humano. El lector es testigo de un ir y venir del autor desde momentos simples llenos de ternura, hasta instantes ...

Early Light offers three very different aspects of Osamu Dazai's genius: the title story relates his misadventures as a drinker and a family man in the terrible fire bombings of Tokyo at the end of WWII. Having lost their own home, he and his wife flee with a new baby boy and their little girl to relatives in Kofu, only to be bombed out anew.

Una historia tan mágica como fabulosa, tan lúcida como pertinente, que sin duda influenció en cierta manera La vida es bella de Roberto Benigni. Tokyo, 1945. Mientras las bombas caen sobre la ciudad, un padre lee en voz alta un libro de cuentos para sus hijos, mientras adereza las historias con todo tipo de fantasías surgidas de su imaginación; fantasías más cercanas a la realidad de lo que están viviendo y a la naturaleza humana.

This novel by Osamu Dazai, published in 1947, is about the life of a poet whose personality has collapsed, as told by his wife. It features an optimistic and strong-willed wife who is unhappy with her husband's unwillingness to settle down at home but still harbors dreams of a new family. The story is set in gloomy Tokyo in the aftermath of the war, but it still contains a sense of humor. After reading it, the reader will probably be left with a wry smile and something that stings in their heart. Annotations [1] Rice Balls [2] Sensei [3] Zabuton [4] Nakano [5] Gunma Prefecture [6] Nineteen ...

This short story was written by Osamu Dazai in 1939. Five siblings from a wealthy family - the eldest son is 28, the eldest daughter is 26, the second son is 24, the second daughter is 21, and the third son is 18 - create a story in relay format to pass the time. The story of an old mathematician begins to be told. As they all have different personalities and favorite books, the stories they create also show their individuality. The interactions between them are written in an attractive way. You can read it all at once and enjoy the unexpected twist at the end. As the work is written with a...

Una colección de cuentos del afamado enfant terrible de la literatura japonesa del siglo XX. Las tendencias suicidas del autor están presentes en estos cuentos amargos pero marcados por un sentido del humor existencial y crudo a la vez que poético. Osamu Dazai experimenta con numerosas técnicas narrativas y sale airoso de todas ellas en una antología crucial para entender la literatura japonesa de principios del siglo pasado.

This essay-style short story, published in 1943, is a sequel to the earlier work Going Home (1943). The protagonist, who his family has disowned, receives news that his mother is dying and heads back to his family home with his wife and child. He is the sixth son of a wealthy family from Aomori. He went to Tokyo Imperial University with the hopes of his family, but became involved in left-wing movements, was arrested by the police, became addicted to drugs, and repeatedly attempted suicide. Dazai is aware that he has been a bad son to his mother and that her death is imminent. He also has ...

In Gezeichnet, dem meisterhaften Roman von Osamu Dazai, navigieren wir durch die zutiefst persönlichen Aufzeichnungen von Yozo, einem Mann, der sich von der Menschheit entfremdet fühlt. Dieser introspektive Rückblick auf ein Leben voller Missverständnisse und Fehlinterpretationen lädt uns ein, die Facetten der menschlichen Existenz zu betrachten, die oft im Verborgenen liegen. Mit feinsinnigem Witz und einer beklemmenden Offenheit erkundet Dazai die Dunkelheit, die sich hinter der Fassade des Lächelns verbirgt.

Ocho escenas de Tokio reúne, por primera vez en castellano, nueve relatos de uno de los escritores con más talento de la literatura nipona del siglo XX.

La Déchéance d'un Homme" est l'un des romans les plus poignants et introspectifs de la littérature japonaise. Écrit par Osamu Dazai, ce récit semi-autobiographique explore la vie tumultueuse de Yozo Oba, un homme en proie à un profond désespoir et à une aliénation constante. Yozo, un jeune homme issu d'une famille aisée, se sent étranger aux normes et attentes de la société.