Episodios

  • Ask Me SF's Ellen Lo, Part 2 (S7E9)

    Ask Me SF's Ellen Lo, Part 2 (S7E9)
    Mar 11 2025
    In Part 2, we pick up with Ellen's life after she graduated from Washington University. Next up was a move to New York City. In the Big City, she consulted for a financial services company. It was 2007, just before the financial crisis of those years. She found the job market tight, so she got a job in Washington, DC, where she lived for four years. Ellen says that during her time in the nation's capital, she behaved like a New York snob, never really giving DC a chance. She'd go back to NYC just about every weekend. Some of her New York friends didn't realize that she'd moved, in fact. Her return to NYC four years later was perhaps overdue. Ellen spent the next four years in New York, and she still loves going back to visit friends there. But it was time for a move across the country. Ellen's then-boyfriend/now-husband got a job in San Francisco, a city she'd visited before that move. She hadn't spent significant time here and was somewhat reluctant to leave New York. But she saw what a good opportunity the move was, especially for her partner. She approached her move out West setting aside her own reservations, and decided to embrace her new hometown. She wasn't able to keep her East Coast job out here, so that meant looking for work. It was 2016, and Ellen was able to find folks here whom she'd known in New York, and that of course helped her transition to SF life. Ellen goes into some detail about the adjustments that New York City transplants make in San Francisco. Parks, brunches before noon, exercise, just being outside a lot. She also noticed people complaining about the weather a lot, which we do. We're spoiled AF, right? We take a short conversational detour to talk about what all attracts us and draws us to SF, including when we leave on vacation and come back. Then we pivot to talk about Ask Me SF. Ellen lays the background for us, describing what folks who don't live here kept saying about her new city. She felt offended. "How dare you?" she often asked herself. She might not have had this term in mind, but Ellen was experiencing folks on the Doom Loop. But she felt differently about San Francisco. And so she set out to provide a service for people, a collection of resources meant to help experience all the good that is here. Like Storied: SF for me, she wanted to promote the things about living here that she finds joy in, to get word out so that others, too, might experience the wonder that's so woven into life here. We end the episode with Ellen's thoughts on our theme this season: Keep it local. Visit Ask Me SF and follow them on Instagram for more info and inspiration.

    We recorded this episode at Ocean Ale House in February 2025.

    Photography by Nate Oliveira
    Más Menos
    24 m
  • Ask Me SF’s Ellen Lo, Part 1 (S7E9)

    Ask Me SF’s Ellen Lo, Part 1 (S7E9)
    Mar 4 2025

    One of Ellen Lo’s main motivations is to beautify the spaces she’s in.

    In this podcast, we meet and get to know Ellen. Today, she runs Ask Me SF, a site and handle she populates with reviews of spots around The City she wants to share with the world. Sounds familiar, but we’ll get to that later in the episode.

    We start with Ellen’s childhood, which began in small-town North Carolina. It was a town so small, in fact, that the few times she’s gone back to visit, it hasn’t changed.

    Ellen’s time in North Carolina wasn’t easy. Hers was the only Asian-American family in her school and town, and so she found it hard to relate fully to folks around her. Her family was in North Carolina, and Alabama before Ellen was born, because her dad, who’s a doctor, went to school but also wanted to go to small towns in the US to run his practice. He did well in that sense, but his American-born Chinese kids not so much.

    The family moved to Taiwan when Ellen was 10, and that presented new challenges because of her decade in the US.

    Before that move, she had taken up violin and piano (“like a good Asian kid,” she says) and dabbled in visual art. She drew and did some painting at home and at school, back when schools had art classes.

    She kept that going in Taiwan. But she experienced culture shock just the same. Remember: She arrived when she was 10, and so she spent those very formative early teen years in a familiar but also not familiar part of the world. Other kids at the American school she attended were mostly relatable. But Taiwanese folks who’d never left their homeland presented some friction for folks like Ellen.

    When it came time to choose a college, her parents encouraged her to do a pre-med program, but left room for that track not to stick with their daughter. She chose Washington University in St. Louis, Missouri, and ended up minoring in Visual Communication.

    We go on a short sidebar here about Ellen’s older sister, Helen. Despite the age difference and their varied experiences back in Taiwan, the two have always been close.

    [There’s a brief pause in the recording at this point. We relocated to the backyard at Ocean Ale House when the band began to play.]

    Nowadays, in hindsight and with some life lived between then and now, Ellen has come to appreciate her ancestral homeland.

    She says it was never a question whether to come back to the US for college. A counselor helped her choose a school that was both good for pre-med and had a solid art program. She chose Washington University sight-unseen.

    She did pre-med, but only for the first two years. Then she switched, with her sister’s encouragement, to business with a vis-com minor. Ellen graduated in four years and set off for the East Coast.

    Check back next week for Part 2 and Ellen’s move to San Francisco.

    We recorded this episode at Ocean Ale House in February 2025.

    Photography by Nate Oliveira
    Más Menos
    23 m
  • Comedian/Union Organizer Nato Green, Part 2 (S7E8)

    Comedian/Union Organizer Nato Green, Part 2 (S7E8)
    Feb 25 2025
    In Part 2, we pick up where we left off in Part 1. Nato details the three times he's left his hometown of San Francisco. The first was when he went to college, which was at Reed in Portland, Oregon, in the mid-Nineties. To get us there, Nato rattles off all of the ways that he was a "comedy head" before that was even a thing. At Reed, he met a guy who's dad was the manager of the Comedy Underground in Seattle. Nato's first time doing stand-up on stage was at the Comedy Underground, in fact. As he describes it, to say that he bombed that first time would be an understatement. "It's the closest I've ever come to literally shitting my pants." Nato then does a rendition of his first joke that night. Audible growls are heard in our recording. Nevertheless, he did a few more open-mics at that spot in Seattle. He liked it enough. But after graduating from college and moving back to The City, he dedicated his life to being a union organizer. As a history student at Reed, he'd written a thesis about the anti-Chinese movement in San Francisco in the 1870s. Nato then explains how the series Warrior is based on this time in SF. There's bits in the story about the incredibly racist and anti-union human for which Kearny Street is sometimes attributed to. That thesis is what got Nato interested in doing labor work. He resumed going to comedy shows, but not getting up on stage. Around the time he turned 30, he found himself laboring over the jokes he'd tell at all the weddings he'd go to. He was also asked to give talks at labor conferences, which doubled as canvasses for Nato to deliver more of his own comedy material. All of these comedic sprinklings led him back to the stage. His first regular spot back in SF was the BrainWash (RIP) on Folsom Street. Once again, the jokes bombed, though his pants fared better this go-round. He offers up another telling of a joke from that era of his. You've been warned. As he left the BrainWash one of those nights, local comedy legend Tony Sparks asked him to come back the next week, and he did. Eventually, Nato invited his friends to come see him perform. He'd moved back to San Francisco in 1997 to do union organizing, as we've mentioned. Two years before that, John Sweeney had been elected president of the AFL-CIO. Sweeney pushed to "organize the unorganized" and bring young people into the labor movement. Nato was part of this wave. He got a job at Noah's Bagels and organized a union there. He went to anything he heard about that interested him. He and his then-girlfriend/now wife would attend talks and rallies together. Nato would sometimes find himself that only ally at, say, LGBTQIA union meetings. This was well before we even used words like "ally." Nato was approached to organize workers at the Real Foods on 24th Street. Then the International Longshore and Warehouse Union was beginning to organize bike and car messengers in San Francisco. Nato worked as a car messenger, which he did for three years, and helped organize his coworkers. We go on a short sidebar about bike messenger culture in The City in the late-Nineties. It was huge. A few moves from union to union here and there, and Nato found himself raising money and helping to open a low-wage workers' center for young and immigrant folks in the service industry. That center is still around today. The second time Nato left San Francisco was in 2012. This flight took him to New York City, where he relocated to write for his friend W. Kamau Bell's first TV show, Totally Biased. As Nato puts it, he "got the chance to be a Jewish comedy writer living in Brooklyn for six months." Then, in 2018, he and his family moved to Havana, Cuba, for six months while his wife worked on her PhD research. Nato says that the only time he was tempted to relocate permanently was during his time in NYC. His kids liked it there. They looked at different neighborhoods and even schools. But Nato wasn't all that happy in New York. The experience took a toll on his friendship with Kamau (they've since moved on and are tight once again). And then the show got canceled. The universe had spoken. That center he'd helped to found back in San Francisco had passed the nation's first minimum-wage municipal law. In 2006, they helped pass paid sick days here in The City. Nato had left the organization just before that to join the California Nurses' Association (CNA). Through that org, he was part of the ultimately successful effort to keep St. Luke's hospital open. It was after his time with the CNA, 2011 or so, that Nato returned to doing stand-up. He recorded his first comedy album and went on his first comedy tour (with Kamau). In 2014, he returned to organized labor, joining Service Employees International Union (SEIU) 1021. He works there today, as head of collective bargaining. We return to comedy and Nato lists off some more folks doing open-mics with him a decade or so ago who've moved on to various...
    Más Menos
    37 m
  • Comedian/Union Organizer Nato Green, Part 1 (S7E8)

    Comedian/Union Organizer Nato Green, Part 1 (S7E8)
    Feb 18 2025
    Nato Green started hanging out at San Francisco comedy clubs when he was in eighth grade. Nato’s parents met when they both still lived in the suburbs of Chicago. They got married in 1968 and moved to San Francisco soon after that. Nato says that they “were in the counter-culture, but bad at it.” What he means by that is they didn’t take their subversive lifestyles all the way like many of their peers did. But they were definitely left-leaning folks. They settled in Noe Valley, which was quite a different neighborhood back then. It was much more working-class than it is today. Think: blue-collar Irish- and Italian-American families. They had their first kid, Nato, and five years later, their second, his younger brother. When Nato was in middle school, his parents split up. He went with his dad to live at 22nd Street and Dolores, and then up to Bernal Hill. He split time between there and his mom’s house in Noe Valley. Nato is quick to point out that Bernal Heights was also very different back then. There were even unpaved roads on the hill when he was a kid in the Seventies. Today, Nato uses history and some pop-culture references to date his own memories here in San Francisco. He remembers things like the Mosone/Milk murders and ensuing “White Night” riots, to name just one. The Forty-Niners’ string of Super Bowl wins in the Eighties are another. Nato admits that he wasn’t the best big brother. He lists off some of the SF schools he attended—Rooftop Elementary, MLK Middle School, and Lick-Wilmerding High School, where he went on a scholarship. His dad worked to the SFUSD for 35 years and worked on desegregation, among other things. He also taught in SF public schools. Nato says he was a “sensitive, depressed kid.” He read a lot, especially comic books. He graduated from high school in 1993, when the local music scene was overtaken by thrash/funk. Bands of that genre were plenty. Nato went to those shows, where he was able to, anyway. He wasn’t yet 21. The first indie comic book store in The City was on 23rd Street in the Mission—The SF Comic Company, and two doors down was Scott’s Comics and Cards. Nato became a Scott’s regular. Others who hung out there a lot became his buddies. The SF band Limbomaniacs lived next to Scott’s. Nato goes on a sidebar here about how bands in the thrash/funk scene never really blew up, mostly owing to what a uniquely live experience the music was. In 1990, when the Niners won the Super Bowl in a blowout, the Limbomanics played with guitar amps at the windows of their Victorian on 23rd Street, facing out. As Nato tells it, skater kids poured out of that house, and other neighborhood kids flocked to the scene. A mosh pit soon emerged, of course, on the asphalt. Nato goes on another quick sidebar here about all the different neighborhoods and scenes interacting on a regular basis. At least when he grew up, they did. Nato’s main modes of transportation in San Francisco were his feet and Muni. The main bus lines were the 24, the 49, and the 67. His high school was on Ocean Avenue, but he mostly hung out in the Mission. One of his good friends lived in Lower Haight and had a car, so Nato would sometimes take Muni over there. That buddy with a car would also swing by and pick up Nato and his friends. They’d often go to the west side of town and hang out in coffeeshops. Nato rattles off several of those shops, also letting us what occupies those spaces today—Farley’s (still there), Higher Grounds in Glen Park (still there), Higher Grounds in The Mission (closed), Café Macondo (Gestalt today), Blue Danube (still there), and the Horse Shoe (empty today). There’s another sidebar about Jello Biafra. Nato says, “Don’t meet your heroes.” As mentioned up top, he started hanging out at comedy clubs in The City when he was in eighth grade. There was a show on KQED called Comedy Tonight that featured local comics. Originally, the show was shot at Wolfgang’s (now Cobb’s), but it later moved to Great American Music Hall. Alex Bennet was on Live 105 in the morning and Comedy in the Park was drawing 50,000 people to the Polo Fields. There were five seven-nights-a-week clubs in SF, and at least five more around the Bay. People made a living as regional headliners. Around this time, Nato’s eighth grade science teacher’s roommate was the doorman at Cobb’s. Word got around to that guy that a kid was into comedy, and so he started taking him to that club. He saw comedians such as Greg Proops, Dana Gould, Paula Poundstone, Mark Pitta, Johnny Steele, Will Durst, Greg Behrendt, and Margaret Cho. He watched these folks, some of them anyway, become headliners. Check back next week for Part 2 and the conclusion of our episode on Nato Green. We recorded this episode at Nato’s home on Bernal Hill in January 2025. Photography by Nate Oliveira
    Más Menos
    32 m
  • Barbara Gratta/Gratta Wines, Part 2 (S7E7)

    Barbara Gratta/Gratta Wines, Part 2 (S7E7)
    Feb 11 2025
    Part 2 picks up where we left off in Part 1. Barbara had just really become settled in San Francisco and was in what would become a decades-long process of learning the place (I can totally relate, btw). She hung out in the Castro more than the Mission, which in those days was a lesbian mecca. Café Flore (nowadays known as Fisch and Flore) was a favorite. Eventually, though, Barbara moved to the Mission. The company she had been contracting with hired her and that provided the security she needed. She called an apartment at 19th Street and Dolores, across from Dolores Park, home. She's quick to point out how different the neighborhood was back then. "You wouldn't wanna walk through that park at certain times of the night," she says. By the time Dolores Park Café and Bi-Rite opened and that area slowly gentrified, Barbara and her partner moved west to the Castro. They lived there for a few years before finally relocating to The Bayview, the neighborhood Barbara has called home since 1999. Barbara's foray into winemaking started, as many things do, as a hobby. A coworker's husband was making wine at home with friends, and he asked her why, as an Italian-American, she had never tried it. It was a "challenge accepted"-type of moment. 1997 was the first year Barbara made wine. That coworker's husband served as her mentor for about two years. Having grown up out east, part of her winemaking education involved learning to enjoy good California wines. The first wine she made was the first one she fell in love with: Zinfandel. The basement of her apartment on Dolores was a perfectly moldy, dank, dark space for making wine. They began with garbage-can-size containers of juice, and she and a friend took turns caring for the fermentation. They'd have bottling parties with their partners. They split the haul—six cases each. The next year, that friend bailed on her, and Barbara was solo. The year after that, 1999, she found a new grower. It was an all-Zin affair until 2009, when she added a Cabernet Sauvignon to her repertoire. For the first decade or so, the wine was shared with friends, at dinners, at parties, that sort of thing. Her friends loved her wine, but she wondered whether they were just being polite. Then opportunities arose for folks in The Bayview but outside of her circle of friends to try her wine. Art 94124 Gallery was one such opportunity. Barbara served wine at an art opening there and got excellent feedback. She'd already secured a permit for making wine at her home in The Bayview. We go into some depth discussing the permit process. After that, Barbara bumped her volume up to half a ton. She took her wines to a weekly market outside the Bayview Opera House, now known as the Ruth Williams Opera House. It was early in the time of pop-ups, 2012 or so, but that's what it was. The Bayview Underground Food Scene convened every Thursday at the opera house from 6 to 9 p.m. But when the opera house underwent renovations and the market moved to Pier 70, in Barbara's words, things "went downhill." Fewer people were willing or able to make the trek to The Bay. Eventually, it fizzled. But through that group, Barbara had met a baker. In 2015, the two decided to open up in the space where Gratta is today. At first, the wine bar was in back (where it still is today), but the front was her business partner's bakery. Today, that space is an Italian goods retail shop that Barbara runs. Seven years later, the bakery moved out. In 2017, Barbara had taken over the space just next door to the south, the idea being that it could serve as her winery. They moved everything from the garage in her home to the space where it is today (also the space where we recorded). Today, Gratta Wines and Market comprises a wine bar in back, groceries and a deli up front, and winery next door. They're located at 2022 Lane Street/5273 Third Street. And they're open Tuesday–Thursday 3 p.m.–9 p.m. and Friday–Saturday 12 p.m.–10 p.m. Barbara hopes to have the winery fully opened by this spring. Follow Gratta Wines for updates. We end the podcast with Barbara's take on our theme this season—Keep It Local. Photography by Dan Hernandez We recorded this podcast at the Gratta Wines winery on Third Street in the Bayview in December 2024.
    Más Menos
    27 m
  • Barbara Gratta/Gratta Wines, Part 1 (S7E7)

    Barbara Gratta/Gratta Wines, Part 1 (S7E7)
    Feb 4 2025

    One set of Barbara Gratta's grandparents came to the US from Calabria, the toe of the boot of Italy. The other grandparents came from across the Italian peninsula—Bari.

    In this episode, meet Barbara. Today, she owns, operates, and makes wine at Gratta Wines in the Bayview. But her journey began in White Plains, NY. All four grandparents came to Brooklyn in the 1920s. They all eventually moved north to raise families away from the bustle of New York City. Barbara's grandparents were a big part of her early life, the extended families getting together often for "big Italian Sunday dinners" (yum!). These involved aunts, uncles, and cousins as well as the older generation.

    Barbara and her immediate family lived upstairs from her aunt, uncle, and cousins. Because of this set-up, she says it was more like one big family. And every week culminated on Sundays, with as many as 30 people coming in and out of these get-togethers. The sauce was on the stove starting early in the morning. And if more people came, it simply meant more pasta. If, like me, you're thinking of the "Fishes" episode of The Bear, you're not far off.

    Saturdays were spent going "up the street," which meant shopping at places like Sears or Macy's. Maybe they'd stop at White Plains Diner for lunch. But they always ended up back at her grandmother's house for cake and coffee.

    Her mom's youngest brother went to school with Barbara's dad's youngest sister. They came from different towns, but all ran in the same circles. And thanks to this, as well as a tight-knit Italian-American community in the area, her parents met. They got married in 1958 and had their first kid, a son, in 1959. Then Barbara was born in 1960.

    ​The family is Catholic, but that manifested more in traditions than any religious sense. They went to church on big holidays, and Barbara shares a story about her grandmother giving her money for the Easter Sunday collection. But she and her cousins pocketed the money and spent the service on the church roof. After she was confirmed, around eighth grade, her parents gave her the choice whether to keep going or not. Barbara chose to hang up her career with Catholicism at that point.

    By the time Barbara was in high school, her immediate family moved to Florida, in the Sarasota area. She says it was a hard time for her, being torn from all the people and places she knew. There wasn't a lot of Italian culture in her new home. Her mom searched for ingredients to make the food she was accustomed to. She spotted a sausage truck one day and followed it. Only through this was she able to maintain some semblance of her cultural past.

    Barbara stuck around after high school down in Florida. She got a degree in physical therapy and worked for about 10 years on the west coast of the state. Still, neither she nor her two brothers (one older, one younger) loved it there. Barbara left Florida around 1989 or 1990 for California.

    Her first visit, before she moved to San Francisco, was a vacation with a coworker in the mid-Eighties. They stayed in a hotel on Van Ness near The Bay. They did what tourists do—Fisherman's Wharf, drive over the Golden Gate Bridge, that sort of thing—and didn't travel to any SF neighborhoods. The visit involved a quick drive down to Monterey to see a former coworker of theirs. The entire trip left her wanting to visit again someday.

    When the time came to move here, her job set her up with a place to live for a few months. Barbara kept renewing these contracts every three months. She started in the southwest corner of The City, within walking distance of Joe's of Westlake in Daly City.

    We end Part 1 with stories of Barbara's early friends in SF showing her around The City.

    Check back next week for Part 2 and the conclusion of my episode with Barbara Gratta.

    We recorded this podcast at Gratta Wines in the Bayview in December 2024.

    Photography by Dan Hernandez
    Más Menos
    27 m
  • Whack Donuts' First Anniversary (S7 bonus)

    Whack Donuts' First Anniversary (S7 bonus)
    Jan 30 2025

    It's been a damn year, y'all.

    In this bonus episode, we catch up with friend of the show Vandor Hill, owner and creator of Whack Donuts. His brick-and-mortar shop in EMB 4 just marked its one-year anniversary (and last year was a Leap Year!), and I dropped by to chat with Vandor about the time since he opened, where things stand now, and the road ahead.

    This Saturday, to celebrate Whack Donuts' birthday, Vandor is hosting a breakdancing jam event:

    • 5x5 crew
    • breaking battle
    • $1,000
    • donuts
    • line dancing
    • free giveaways

    Follow Whack Donuts on Instagram for more info. And if you're able to, please donate to help offset some of the costs of putting on this event. We'll see you there!

    ​We recorded this podcast at Whack Donuts in January 2025.

    Photography by Jeff Hunt
    Más Menos
    29 m
  • The Fillmore Art Director Ashley Graham, Part 2 (S7E6)

    The Fillmore Art Director Ashley Graham, Part 2 (S7E6)
    Jan 28 2025
    In Part 2, we pick up where we left off in Part 1. We'd just learned of the call Ashley received from The Fillmore while she was working in Seattle. She'd visited San Francisco once to visit a cousin, but that stay lasted a mere 48 hours. She had one friend here at the time. Up in Seattle, the shows she helped produce were huge acts like Beyoncé and Rihanna. What especially excited Ashley about this opportunity at The Fillmore was the potential to work on smaller shows with groups and people more on their way up, so to speak. For fans and showgoers, it was more about music discovery, as she puts it. It was June 2012. Ashley's move to San Francisco was more or less sight-unseen. The City immediately felt like a "bigger" place for her, its music ... just a bigger city all-around. It was big, "but not that big." She landed in the Mission, moving in with a friend of that one friend she had in SF. Ashley lived at 24th and Potrero for nine years, until just three years ago. We shift to talk about Ashley's time at The Fillmore. She shares conversations among staff there about the history of the place and placing that at the forefront. The venue partnered with the Bill Graham Memorial Foundation this past fall to reintroduce the public to the place and its long history, as well as really getting Bill Graham's story out there. Ashley then shares that life story of Bill Graham. It was Graham who put The Fillmore on the map. His first show there was in December 1965. He had fled the Holocaust as a kid, went with family to New York, then ended up in San Francisco. He wanted to be an actor and found the San Francisco Mime Troupe. That first show at The Fillmore was a benefit for the Mime Troupe, in fact. The place had been a dance hall and a roller rink previously. Graham might have had a hunch, but when he took over putting on music shows, it was right at an inflection point for rock music in The City. Bands like Grateful Dead, Jefferson Airplane, and Janis Joplin frequently played there. Bill Graham had a gift for pairing musicians from different genres together in such a way that shows attracted different groups of people. Ashley points out, though, that first and foremost, Bill was a businessman. He followed and created opportunities to make money. A few years after taking over at Fillmore and Geary, he opened The Fillmore West at Van Ness and Market. There's a fun tidbit about Bill Graham appearing on David Letterman back in the Eighties—which just speaks to how big a personality he'd become. Our conversation then shifts to two questions I had for Ashley. I wanted her to talk about the red apples that are always found in a bucket at the top of the stairs when you enter The Fillmore. That, and the posters handed out to showgoers on their way out of sold-out events. No one really knows how the apples got started, she says. There are versions of the story. One holds that Bill Graham gave them out as a simple gesture of hospitality. Another was that putting a little food in your belly after a night out can't hurt anything. A rather elaborate telling is that, as part of an exhibit on Bill Graham at the Contemporary Jewish Museum, someone who'd been in France with him when they were kids shared the story of sneaking out at night to go to an apple orchard. As for the posters, Ashley talks about their origins, when they were simply advertisements for shows at The Fillmore. The posters eventually took on a life of their own, though—for many of the early ones, the style of lettering worked better as a memento than an ad. It almost seems quaint at this point that the posters were anything but keepsakes. I ask Ashley what it's like to now have her name appear on these iconic pieces of art (in her role as art director). "It's strange ... but cool." She speaks to how much work goes into each poster. And then Ashley talks about the logistics of making posters for. "At this point, we have a pretty good idea of which shows are gonna sell out." (Seems obvious, but as someone on the outside, I wondered.) "It's not a perfect science, but we're pretty good at it," Ashley says. She thinks of her job as more art curation than direction. She considers the overall collection of posters a little more than the nitty gritty of what each poster's details are. We end the podcast with Ashley's thoughts on what it means to "keep it local," our theme this season. Follow The Fillmore on Instagram. Photography by Nate Oliveira
    Más Menos
    34 m