
The Only Story
A Novel
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Narrado por:
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Guy Mott
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De:
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Julian Barnes
Acerca de esta escucha
From the Man Booker Prize-winning author of The Sense of An Ending, a novel about a young man on the cusp of adulthood and a woman who has long been there, a love story shot through with sheer beauty, profound sadness, and deep truth.
Most of us have only one story to tell. I don't mean that only one thing happens to us in our lives: there are countless events, which we turn into countless stories. But there's only one that matters, only one finally worth telling. This is mine.
One summer in the 60s, in a staid suburb south of London, Paul comes home from university, aged 19, and is urged by his mother to join the tennis club. In the mixed-doubles tournament he's partnered with Susan Macleod, a fine player who's 48, confident, ironic, and married, with two nearly adult daughters. She is also a warm companion, their bond immediate. And they soon, inevitably, are lovers. Clinging to each other as though their lives depend on it, they then set up house in London to escape his parents and the abusive Mr. Mcleod.
Decades later, with Susan now dead, Paul looks back at how they fell in love, how he freed her from a sterile marriage, and how - gradually, relentlessly - everything fell apart, as she succumbed to depression and worse while he struggled to understand the intricacy and depth of the human heart. It's a piercing account of helpless devotion, and of how memory can confound us and fail us and surprise us (sometimes all at once), of how, as Paul puts it, "first love fixes a life forever."
©2018 Julian Barnes (P)2018 W. F. HowesLos oyentes también disfrutaron...
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Editor's Pick
Love, arriving swiftly, ultimately proves to be incomprehensible
"Opening in 1963, 19-year-old Paul (student, home from Uni) and 48-year-old Susan (married, mother of two) meet playing mixed doubles at the tennis club, and fall face-first in love. Promises are made instinctively and with little foresight, setting in motion the central conflict of Paul's life. Throughout the narrative, Barnes moves almost randomly between first, second, and third person, but narrator Guy Mott's deft transitions are so seamless that it's not immediately apparent to the listener. And this struck me as exactly how self-reflection works: you view yourself from every angle, and here this shifting vantage point creates the room in the narrative for moments of granular honesty, both beautiful and gruesome."
—Emily C., Audible Editor
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When Catherine learns that she is dying, she remembers the words her husband once jokingly uttered and decides to leave him the ultimate posthumous gift: a time capsule containing photographs of their life together along with tape recordings in which she recounts every secret she ever kept, every unspoken thought whether loving or treacherous - the things they never said.
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Boring couple, Boring Book
- De Shell en 12-23-18
De: Nick Alexander
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Us: A Novel
- De: David Nicholls
- Narrado por: David Haig
- Duración: 14 h y 9 m
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Douglas Petersen may be mild-mannered, but behind his reserve lies a sense of humor that seduces beautiful Connie into a second date...and eventually into marriage. Now, almost three decades later, they live more or less happily in the London suburbs with their moody seventeen year-old son, Albie. Then Connie tells him she thinks she wants a divorce. The timing couldn’t be worse. Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead is for the best anyway? Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage, and might even help him to bond with Albie. Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves, and learning how to get closer to a son who’s always felt like a stranger.
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Great novel - my favorite in years
- De Mark en 07-21-15
De: David Nicholls
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Past Imperfect
- De: Julian Fellowes
- Narrado por: Richard Morant
- Duración: 16 h y 45 m
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Damian Baxter is hugely wealthy and dying. He lives alone in a big house in Surrey, England, looked after by a chauffeur, butler, cook and housemaid. He has but one concern--his fortune in excess of 500 million and who should inherit it on his death.
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Read Snobs instead
- De cristina en 02-14-13
De: Julian Fellowes
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Smut: Two Unseemly Stories: The Greening of Mrs Donaldson & The Shielding of Mrs Forbes
- De: Alan Bennett
- Narrado por: Alan Bennett
- Duración: 3 h y 52 m
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Two unexpected tales written and read by the best-selling author of The Uncommon Reader, Untold Stories and The History Boys."The Greening of Mrs Donaldson" - Mrs Donaldson is a conventional middle-class woman beached on the shores of widowhood after a marriage that had been much like many others: happy to begin with, then satisfactory and finally dull. But when she decides to take in two lodgers, her mundane life becomes much more stimulating…
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A fun British story about unmentionable subjects!
- De Anonymous User en 11-05-12
De: Alan Bennett
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The Echo
- De: Minette Walters
- Narrado por: Simon Prebble
- Duración: 11 h y 9 m
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Best-selling author Minette Walters captivates mystery aficionados throughout the world with her evocative, multi-layered novels, which have been translated into 22 languages. In The Echo she spins a finely-wrought web of secrets and betrayals, love and guilt that entangles everyone who touches it. A homeless man has been found dead of starvation—huddled next to a food-filled freezer—in a London socialite’s garage.
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Cumbersome, dull and not worth the time
- De Celia en 04-08-14
De: Minette Walters
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44 Scotland Street
- De: Alexander McCall Smith
- Narrado por: Robert Ian Mackenzie
- Duración: 11 h y 52 m
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The brilliant Alexander McCall Smith became an international sensation with his New York Times best-selling No. 1 Ladies' Detective Agency novels. His award-winning wit, made famous through that series, is fully on display in 44 Scotland Street.
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Smith's answer to Maupin
- De Amazon Customer en 10-23-05
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Rumpole of the Bailey [AudioGo]
- De: John Mortimer
- Narrado por: Robert Hardy
- Duración: 7 h y 9 m
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In these witty and comic stories, Horace Rumpole takes on a variety of clients and activities. He, of course, brings each case to a successful end, all the while quoting poetry and drinking claret.
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Wordsworth in a Wig
- De Ian C Robertson en 04-27-13
De: John Mortimer
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The End of the Affair
- De: Graham Greene
- Narrado por: Colin Firth
- Duración: 6 h y 28 m
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Graham Greene’s evocative analysis of the love of self, the love of another, and the love of God is an English classic that has been translated for the stage, the screen, and even the opera house. Academy Award-winning actor Colin Firth (The King’s Speech, A Single Man) turns in an authentic and stirring performance for this distinguished audio release.
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Colin Firth Kills It
- De Em en 05-09-12
De: Graham Greene
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Maeve's Times
- In Her Own Words
- De: Maeve Binchy
- Narrado por: Kate Binchy
- Duración: 11 h y 52 m
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From the royal wedding to boring airplane companions, Samuel Beckett to Margaret Thatcher, "senior moments" to life as a waitress, Maeve's Times gives us wonderful insight into a changing Ireland as it celebrates the work of one of our best-loved writers in all its diversity - revealing her characteristic directness, laugh-out-loud humor, and unswerving gaze into the true heart of a matter.
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A GLIMPSE THROUGH MAEVE'S LOOKING GLASS
- De jstrfic en 08-08-17
De: Maeve Binchy
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The Brimstone Wedding
- De: Barbara Vine
- Narrado por: Juliet Stevenson
- Duración: 12 h y 2 m
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Unlike the other residents of Middleton Hall, Stella is elegant, smart and in control. Only Jenny, her care assistant, knows that she harbours a painful secret, and only she can prevent Stella from carrying it to the grave. As the women talk, Jenny pieces together the answers to many questions that arise: Why has she kept possession of a house that her family don’t know about? What happened there that holds the key to a distant tragedy?
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Amazing reader elevates book to a higher level
- De Doggy Bird en 10-04-14
De: Barbara Vine
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Flesh Wounds
- De: Richard Glover
- Narrado por: Richard Glover
- Duración: 7 h y 12 m
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A mother who invented her past, a father who was often absent, a son who wondered if this could really be his family...Richard Glover's favourite dinner-party game is called 'Who's Got the Weirdest Parents?' It's a game he always thinks he'll win. There was his mother, a deluded snob who made up large swathes of her past and who ran away with Richard's English teacher, a Tolkien devotee, nudist and stuffed toy collector.
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Such a Meaningful Reflection
- De Awarenessing en 11-28-15
De: Richard Glover
Las personas que vieron esto también vieron...
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The Sense of an Ending
- De: Julian Barnes
- Narrado por: Simon Vance
- Duración: 4 h y 24 m
- Versión completa
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Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour, and wit. Maybe Adrian was a little more serious than the others, certainly more intelligent, but they all swore to stay friends for life. Now Tony is retired. He’s had a career and a single marriage, a calm divorce. He’s certainly never tried to hurt anybody. Memory, though, is imperfect. It can always throw up surprises, as a lawyer’s letter is about to prove.
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Disappointing
- De Andrew Lim en 06-14-21
De: Julian Barnes
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Levels of Life
- De: Julian Barnes
- Narrado por: Julian Barnes
- Duración: 3 h y 10 m
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'You put together two things that have not been put together before. And the world is changed...' Julian Barnes's new book is about ballooning, photography, love and grief; about putting two things, and two people, together, and about tearing them apart. One of the judges who awarded him the 2011 Man Booker Prize described him as 'an unparalleled magus of the heart'. This book confirms that opinion.
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Every love story is a potential grief story.
- De Darwin8u en 09-27-16
De: Julian Barnes
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Nothing to Be Frightened Of
- De: Julian Barnes
- Narrado por: Simon Vance
- Duración: 9 h y 9 m
- Versión completa
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A memoir on mortality as only Julian Barnes can write it, one that touches on faith and science and family as well as a rich array of exemplary figures who over the centuries have confronted the same questions he now poses about the most basic fact of life: its inevitable extinction.
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Brilliant
- De Mitzi en 09-01-23
De: Julian Barnes
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The Noise of Time
- De: Julian Barnes
- Narrado por: Daniel Philpott
- Duración: 5 h y 41 m
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In May 1937, a man in his early 30s waits by the lift of a Leningrad apartment block. He waits all through the night, expecting to be taken away to the Big House. Any celebrity he has known in the previous decade is no use to him now, and few who are taken to the Big House ever return.
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Art belongs to everybody and nobody.
- De Darwin8u en 06-13-16
De: Julian Barnes
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Flaubert's Parrot
- De: Julian Barnes
- Narrado por: Simon Vance
- Duración: 6 h y 56 m
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Julian Barnes pens a kind of detective story, relating a cranky amateur scholar’s search for the truth about Gustave Flaubert and the obsession of this detective, whose life seems to oddly mirror those of Flaubert’s characters.
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Strange and quirky story
- De Lela Ellsworth en 01-24-24
De: Julian Barnes
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A History of the World in 10 1/2 Chapters
- De: Julian Barnes
- Narrado por: Alex Jennings
- Duración: 10 h y 54 m
- Versión completa
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This is one of the defining novels of English writer Julian Barnes. An entertaining melange of stories starting with a contemporary account of the launch of Noah's Ark takes us into unexpected areas of human foibles, activities, and tendencies.
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Not what I Expected
- De Mark en 02-20-08
De: Julian Barnes
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The Sense of an Ending
- De: Julian Barnes
- Narrado por: Simon Vance
- Duración: 4 h y 24 m
- Versión completa
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Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour, and wit. Maybe Adrian was a little more serious than the others, certainly more intelligent, but they all swore to stay friends for life. Now Tony is retired. He’s had a career and a single marriage, a calm divorce. He’s certainly never tried to hurt anybody. Memory, though, is imperfect. It can always throw up surprises, as a lawyer’s letter is about to prove.
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Disappointing
- De Andrew Lim en 06-14-21
De: Julian Barnes
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Levels of Life
- De: Julian Barnes
- Narrado por: Julian Barnes
- Duración: 3 h y 10 m
- Versión completa
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Historia
'You put together two things that have not been put together before. And the world is changed...' Julian Barnes's new book is about ballooning, photography, love and grief; about putting two things, and two people, together, and about tearing them apart. One of the judges who awarded him the 2011 Man Booker Prize described him as 'an unparalleled magus of the heart'. This book confirms that opinion.
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Every love story is a potential grief story.
- De Darwin8u en 09-27-16
De: Julian Barnes
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Nothing to Be Frightened Of
- De: Julian Barnes
- Narrado por: Simon Vance
- Duración: 9 h y 9 m
- Versión completa
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General
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Historia
A memoir on mortality as only Julian Barnes can write it, one that touches on faith and science and family as well as a rich array of exemplary figures who over the centuries have confronted the same questions he now poses about the most basic fact of life: its inevitable extinction.
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Brilliant
- De Mitzi en 09-01-23
De: Julian Barnes
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The Noise of Time
- De: Julian Barnes
- Narrado por: Daniel Philpott
- Duración: 5 h y 41 m
- Versión completa
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General
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Historia
In May 1937, a man in his early 30s waits by the lift of a Leningrad apartment block. He waits all through the night, expecting to be taken away to the Big House. Any celebrity he has known in the previous decade is no use to him now, and few who are taken to the Big House ever return.
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Art belongs to everybody and nobody.
- De Darwin8u en 06-13-16
De: Julian Barnes
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Flaubert's Parrot
- De: Julian Barnes
- Narrado por: Simon Vance
- Duración: 6 h y 56 m
- Versión completa
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General
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Historia
Julian Barnes pens a kind of detective story, relating a cranky amateur scholar’s search for the truth about Gustave Flaubert and the obsession of this detective, whose life seems to oddly mirror those of Flaubert’s characters.
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Strange and quirky story
- De Lela Ellsworth en 01-24-24
De: Julian Barnes
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A History of the World in 10 1/2 Chapters
- De: Julian Barnes
- Narrado por: Alex Jennings
- Duración: 10 h y 54 m
- Versión completa
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General
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Narración:
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Historia
This is one of the defining novels of English writer Julian Barnes. An entertaining melange of stories starting with a contemporary account of the launch of Noah's Ark takes us into unexpected areas of human foibles, activities, and tendencies.
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Not what I Expected
- De Mark en 02-20-08
De: Julian Barnes
Lo que los oyentes dicen sobre The Only Story
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- TDB
- 05-11-23
Transcends a simple boy-meets-woman narrative
This is certainly one of Julian Barnes' finest novels, in my opinion. For a relatively short work, the author explores an extraordinary range of human emotions, triumphs, and vices.
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- jamie kohl
- 08-12-18
ADeepDive
The narrator set a tone that was intoxicating. It felt almost like someone whispering their deepest secrets. The story navigating a life examined explored multiple important themes, including infidelity, love, abuse, alcoholism. Moving, thoughtful and engaging.
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- KP
- 09-21-18
The Only Story
I really loved Julian Barnes’ previous book, The Sense of an Ending. This book, The Only Story, seems a lot sadder and more depressing, which is saying a lot since The Sense of an Ending wasn’t the happiest book around, anyway! This one also has to do with a love affair between a younger man and a much older woman, but it is more simply a look back by the younger man, who is now 50+, in order to examine what went wrong with the affair and to try to make sense of his life.
I enjoyed that the couple met on the tennis courts playing doubles, since that’s my game. Some tennis symbolism in the book is interesting, too. While they are playing tennis, Susan who is then 45 warns Casey Paul, all of 19 years old, to watch out for the middle of the court where players can most easily win a point by dividing their opponents with a good shot down the middle. It’s a common strategy in doubles tennis. THEN when Susan and Casey go to bed together soon after, Susan whispers, “Never forget, the most vulnerable spot is down the middle.” This rings true at the start of their relationship and proves to be a potent symbol of a weakness in it later on: the space between them, the differences between them. And I laughed when, on their very first sexual encounter, as they look down at the bed in front of them, Susan says, “ Which side do you prefer? Forehand or backhand?” I’ll remember that one ☺
I do think Barnes is a good writer! One technique in this book that I loved is how he starts out the book from the first person perspective of the young man, Casey Paul. Barnes writes, “And first love always happens in the overwhelming first person. How can it not? Also, in the overwhelming present tense. It takes us time to realize that there are other persons, and other tenses.” In the second section, Barnes writes in the second person. It’s almost like the story is becoming so tragic and complicated that the writer is retreating to the second person as a way to show distance that is developing between the two lovers. And then by the third section, there is a further retreat to the third person. The author writes, “But nowadays, the raucousness of the first person within him was stilled. It was as if he viewed, and lived, his life in the third person. Which allowed him to assess it more accurately, he believed." I appreciate how the writer’s voice echoes the deterioration of the relationship. Interesting.
The relationship between Susan and Casey should have been a fling. The fact that they kept it going on and on seems to have ruined both of them! That is the tragedy. In the beginning, Casey likes the idea of the relationship because it was so against what his parents and society would condone. He condemns people like his parents as “furrow dwellers” living out a boring existence for decades from which there is “no escape, no turning back.” By continuing his relationship with Susan for decades, he ironically succumbs to the same fate in a sense, although his fate is really more tragic in its outcome. Still Casey says about himself and Susan toward the end, “… still they hadn’t been defeated by practicality.” Hmm. Better to be practical than to end up with the fate of those two, in my opinion.
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- Tami
- 05-03-18
An ok book
While I enjoyed this book, it was a bit long in parts. However, worth reading.
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- Maria Herrera
- 01-27-19
Not just a love story
I would find myself putting the book down and thinking is this a book about a love affair or is it a book about the many things of love? He strips some of the platitudes our culture decorates love with and poignantly admits its difficulties and the unsung heroism of allowing love. The moral portrait of the times is also treated fairly.
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- Folantin
- 02-07-23
amazing
This is an incredibly painful philosophical tale regarding the nature and meaning of love. The plot concerns a 19 year old youth who falls in love with a married woman who is 30 years older. The story charts their relationship avoiding cliche. Perfect narration with just the right touches of narrator self doubt
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- Joe Kraus
- 01-15-20
One of the best, at this best
I’m tempted to quip that this one is The Graduate meets Weekend in Vegas. And, at a basic plot level, it is something like that. Nineteen-year-old Paul falls in love with 42-year-old Susan, and they embark on a multi-year affair. Then, sometime later, Susan becomes an alcoholic, and Paul works in vain to “save” her from herself.
Barnes is a powerful writer, and describing the book as those stories well told does begin to do it justice. As this goes on, though, it becomes all that and something more.
Above all, this is a novel exploring the way the world looks to someone who has lived it. The frame narrative here comes from Paul, looking back on his own long life, and recalling what he has experienced. Early in their affair, Susan explains to him that everyone has a love story. It may be a failed one, it may even be one that never happened outside private imagination, but everyone has one such story. And it is, for everyone, “the only story,” the private and powerful experience of reaching out to someone else in a love he or she can’t then understand.
So, while the original love story comes with real grace and detail – their “court”-ship takes place over tennis and her husband is a three-dimensional boor – and her descent into alcoholism works as a powerfully sad story, what elevates this to the status of top-tier world literature is Barnes’s capacity for reflecting on the nature of story as self-definition.
It’s striking that this begins and ends in the first-person yet, for a stretch toward the end, it lapses into third-person. That feels like breaking the rules, but it works. And it works because Barnes insistently pushes us to consider the experience of how we narrate our lives to ourselves.
There are parts here that might be condescending in the hands of a lesser writer. Paul reflects on how, as an older man, he understands things he could never have understood in his youth. That could so easily be banal, but here it’s subtle and earned. As an older man, Paul is unfulfilled and idiosyncratic. He could not be the man he is without having experienced Susan. Susan is largely gone for him, though, and he can understand the relative disappointments of his later life only through story – as the titular only story.
It’s hard to say much more than that Barnes is justifiably one of the great writers working in our time. I understand him as one of those Booker-prize regulars, someone the British recognize as the best they have. I have admired a number of his earlier novels, and now I realize I have a real pleasure in front of me as I catch up on some of the others.
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- chad404
- 05-03-18
by far the most unremarkable book I ever heard
Narration is fine so no fault there. As the first 15 minutes unfolded I thought/hoped this book might read like the diary of an old man that you find tucked under some books at a garage sale, you know a real treasure. You give it the benefit of the doubt for the first 30 minutes because you respect your elders and you think/hope they can share something wise with you. However, after you have totally zoned out for 7 hours as this book literally has gone nowhere and at the speed of water freezing into lava (makes no sense just like the book) you sadly realize that it is fact not a sage old man's diary but actually the uncompleted coloring book of 3 year old that had only 2 crayons (both made of slightly different shades of grey).
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- Linda Bigelow McCue
- 04-30-18
worst book ever. painful to listen to til the end.
one of the most boring books ever with a non ending and chapters that seemed to drag on
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- Elizabeth
- 07-20-18
Sorry, Julian. Not this time.
Pretty bad all round. I love British fiction of all periods, and have been reading Julian Barnes since the days of Flaubert's Parrot. This was just plain dull and repetitive, lacking dramatic tension or any kind of depth of character. I couldn't finish it, and the annoyingly maudlin voice the narrator gave to the female characters was off-putting. I kept wondering whether it would be better to read this than to listen to it, but the story itself didn't have enough to recommend it. I see what Barnes was trying to do, but he didn't do it. The novel was neither a meditation on love nor was it an exploration of the uses and failures of memory; the framework of the book allowed for either of these possibilities, but it didn't come to fruition. I kept wondering what a writer like Ian McEwan could have made of this very basic and shopworn plot.
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