
The Devil Take You
14 Tales of Medieval Horror
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Narrado por:
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Scott Miller
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Anna Capraro
Acerca de esta escucha
When Rome died, she left behind a rotting corpse….
A memory of the light that was her beating heart.…
But something stirred from amidst her bones….
A new age....
But not of light....
The Devil Take You is an anthology of medieval horror comprising 14 tales set in the world Rome left behind. Join us in the plague-infested streets of London and the howling expanse of the Carpathian Steppes. Explore the once-hallowed halls of fortified monasteries and bear witness to the sacrilegious Vikings who would plunder them. From the macabre corpse collectors of Al-Waset to vicious highwaymen and their blasphemous secrets, The Devil Take You offers a delicious glimpse into the hellish world of the Middle Ages. In this audio, life is fleeting, but death is never slow.
Featuring tales by C.L. Werner, Coy Hall, Anya Leigh Josephs, Benedict Anning, Phil Keeling, Brent Salish, Amanda M. Blake, Stephanie Ellis, Romy Wenzel, Morgan Melhuish, Gerald Jensen, Justin Fillmore, Dwayne Minton, and Brian Crenshaw.
Includes immersive audio adaptations of Rather Unto Moses by Anya Leigh Josephs, and The Blasphemy in the Box by Phil Keeling.
©2023 Sentinel Creatives (P)2023 Sentinel CreativesLos oyentes también disfrutaron...
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Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.
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Lo que los oyentes dicen sobre The Devil Take You
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- Michael S. Henderson
- 10-01-24
A mixed but worthwhile bag.
I love anthologies like this as they are often the best place to find talented newcomers who are just about to break through. Most of the writing here ranges from good to excellent, with a few normal dips and voice acting is mostly solid. The production, on the other hand is a bit choppy and feels rushed but, while a bit annoying, didn’t make me want to stop listening.
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