Starfish

Rifters Trilogy Series, Book 1

De: Peter Watts

Narrado por: Gabriel Vaughan

A huge international corporation has developed a facility along the Juan de Fuca Ridge at the bottom of the Pacific Ocean to exploit geothermal power. They send a bio-engineered crew - people who have been altered to withstand the pressure and breathe the seawater - down to live and work in this weird, fertile undersea darkness.

Unfortunately, the only people suitable for longterm employment in these experimental power stations are crazy, some of them in unpleasant ways. How many of them can survive, or will be allowed to survive, while worldwide disaster approaches from below?

©1999 Peter Watts (P)2019 Tantor

Didn’t care about anyone

The was DNF for me. I think there was supposed to be some psychological tension? But it just wasn’t working. There was also some domestic violence and discussion of childhood harm and it really was not expected and became to much a theme.

slow-building, well-crafted hard sci-fi

exceptionally well-researched, the author scientific background comes through. By embracing the most alien landscapes that are on our own planet and near-term technologies that will be realities in The xext century, an alien horrorscape that is far too real emerges. Through world-building and character development we come to sympathize with the radical weirdos and the criminals and see unchecked technological development as the enemy even though radial technological change is necessary for science-fiction to exist as a genre.

Difficult to describe…

I didn’t want to like this story for multiple reasons. But I somehow liked it. The narration was awful, don’t wish to hear Gabriel Vaughan ever again, even in nightmares. I ended up reading it myself and let this play in the background of an empty drawer at work.

interesting story, not so much on the performance.

the story is compelling but it's like listening to a teacher at story time who's not really that into it.

What a ride…

As usual Watts delivers a winding tale that forces one way out of their comfort zone. In contrast to Blindsight the character development in Starfish, with its wonderful depth and at times distributing intimacy, would be my pick if I had to choose a stand out strength. Story arc, and pure originality being close second and third respectively. Looking forward to Echopraxia.

guy needs help

i lost track of this and will relisten,, asap,, just need to get these images out of my head ,, gee thanks for that. what is going on with Peter Watts,, echopraxia , scarred me.. this is an intentional mind job. close my eyes i can see things resting in mud pitch black like there never was any light..are they breeding morphing,, and who is? there were moments i did not want. likem hearing of a brutally bizarre disaster,, and now everyone looks different,, even you/

amazing book, glad it's available now

while the narrator doesn't capture what I expect of Clarke specifically, I'm so happy to have this book available as an audio book I'm more than happy to have expectations challenged. great scifi,amazing book. This one would be hard for any narrator who hasn't read and absorbed the whole thing from the start.

Rough narration

Gabriel has a solid speaking voice, and I don't agree with others that he sounds clinical. I think this is heavier handed hard scifi so it works for him to be a bit straight on delivery. Frankly I don't like too wide of emotion in narration, it just distracts me. The only thing a narrator should be is clear and concise first. If they can deliver solid performances and variability while also being crystal clear, great.

That leads me to why I give this 2 stars; too much volume variability. Gabriel isn't changing his voice much, but you can tell when he's talking through Brander and when he's talking through Lenie. And it is painful when he talks through her or anyone with a softer voice as Gabriel talks at 30-40% of his standard volume. I listen to these when I'm driving to supplement my own reading, and if I left the volume where his natural cadence sat, he would be impossible to hear when speaking as Lenie or a kid or whatever else. And it frustrated me basically the entire novel. I get that Lenie is a woman, but you don't have to drop to a quarter of your usual decibels. And frankly the mixing should have fixed this, I mean it came close to me asking for a refund at times and I don't know who to blame on it because of just how bad it is.

Some people may not agree, I mean when I do cardio I also listen to books, and I listened to this one once while running and it was totally fine because I don't have the background noise of a car going 60mph on the highway. And you could argue it's my car's noise suppression or lack thereof, but no other novel has given me this issue. It's squarely because Gabe is lowering his voice to raise his pitch, and the mixing did not bother to raise his volume to accommodate.

I don't really blame either of them. Gabe's in a hard place and the editor is in a hard place because Lenie is the main character. But I don't really care. It's not up to me to give concession, this is just my take.

Watts is phenomenal, great narration too!

Thoroughly enjoyable start to finish. watts is a master storyteller - no better biologically accurate sci fi

Snorefest filled with unsympathetic scoundrels

What’s going on? Who’s in charge? Why is anything happening? Oh btw it’s deep under the ocean. Who gives a F? Not interested in the next two books.