
Saint of the Narrows Street
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Narrado por:
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Carol Monda
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De:
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William Boyle
Acerca de esta escucha
A family stitched together by one violent, impulsive act. As the decades-long secret begins to unravel, one Italian American family will have to bear the consequences—and face each other—in this thrilling kitchen sink drama, a southern Brooklyn tragic opera of the highest caliber.
William Boyle is the master of Brooklyn-set crime fiction and Saint of the Narrows Street is his magnum opus.
For fans of The Sopranos, Jonathan Lethem, and Dennis Lehane.
Gravesend, Brooklyn, 1986: Risa Franzone lives in a ground-floor apartment on Saint of the Narrows Street with her bad-seed husband, Saverio, and their eight-month-old baby, Fabrizio. Risa is a loving mother, a faithful wife, a saintly neighbor—but lately, her husband’s slow dive into criminality and abuse has threatened her peace, raising concerns about her and her baby’s safety. On the night her younger sister, Giulia, moves in with Risa to recover from a bad break-up, a fateful accident occurs: Risa, boiled over with anger and fear, strikes a drunk, erratic Sav with a cast-iron pan, killing him on the spot.
The sisters are left with a choice: notify the authorities and make a case for selfdefense, or bury the man’s body and go on with their lives as best they can. In a moment of panic, in the late hours of the night, they call upon Sav’s childhood friend—the sweet, loyal Christopher “Chooch” Gardini—to help them, hoping they can trust him to carry a secret like this.
Over the vast, dramatic expanse of the next eighteen years, life goes on in the working-class Italian neighborhood of Gravesend as Risa, Giulia, and Chooch grapple with the choice they made that night—and each forge a different path when the cracks of a supposedly seamless cover-up begin to reveal themselves.
Story Locale: Gravesend, Brooklyn, New York
©2025 William Boyle (P)2025 Recorded BooksLos oyentes también disfrutaron...
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Nathan Tyler is an unassuming professor at a middling American university with a rather obscure specialty in mathematics—in short, a nobody from nowhere. So why is the White House calling? Summoned to Washington, DC, for a top-secret briefing, Nathan discovers that he’s the key to a massive foreign intelligence breakthrough. Reading between the lines of a cryptic series of equations, he could open a door straight into the heart of the Kremlin and change the global balance of power forever.
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Wonderful
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De: Lee Child
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Too Late
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Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.
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Triggering and poor narration
- De Katherine Epperson en 07-11-23
De: Colleen Hoover
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George Orwell’s 1984
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- Grabación Original
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It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.
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A Revelation!
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Artemis
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Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.
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A ferrari with no motor
- De will en 11-18-17
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Do You Remember?
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Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.
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One of the better ones
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Denali
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Three friends from small-town Pennsylvania set out to conquer Denali, North America's highest peak, but only two come down alive. On the mountain, their grand adventure unravels into a harrowing tale of survival, betrayal, and the haunting consequences of ambition pushed too far. For fans of Into Thin Air, Touching the Void, and 127 Hours, Denali has a full cast, jaw-dropping twists, and immersive sound design that will transport you to one of the most extreme environments on earth.
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Fun and thrilling
- De Anonymous User en 01-23-25
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10 Rules for the Perfect Murder
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After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”
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Tricky
- De Robert Scott Read en 10-30-24
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7 Hours to Die
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Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.
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This was such a fun Quick listen
- De Mdc en 10-08-24
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Say No More
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Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.
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Seriously, that was the ending?
- De alicia in athens en 02-13-25
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Beartooth is a novel about two survivalist brothers in desperate straits, who are lured into committing a crime in Yellowstone National Park. Thad and Hazen, long ago abandoned by their wayward mother, are drowning in medical bills and notices about back taxes. They live alone in an aging, timber house hand-built into the leeside of the Beartooth Mountains. Thad’s the older brother, responsible, a loner, the caretaker of Hazen, who is a little . . . different.
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A Great Story!
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On a fall night in 1954, in working-class Lindenhurst, Long Island, a woman goes alone to a bar filled with German speakers who’ve finished their shifts at different jobs—some at a groundbreaking new project run by a man named Leavitt. They are gathered to listen to the first game of the World Series between the New York Giants and the Cleveland Indians at the Polo Grounds. The game would make the history books because of “The Catch” at the outfield wall by Willie Mays. But Lindenhurst's new chief of police, Paul Beirne, can't think about baseball.
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Lo que los oyentes dicen sobre Saint of the Narrows Street
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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Historia
- AmazonCustomer6996
- 03-01-25
Brooklyn MF’ers be crazy
Brooklyn MF’ers be crazy. Good story, wacky ending. I like this author. Brooklyn is f-ed.
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Historia
- joyce dewitt
- 02-20-25
Decent people stuck in a terrible situation
Spoiler alert: I’m not giving details of exactly what happened, but I can’t help but describe how this story made me feel, and in doing so, providing the general path of this book.
This is a very well written and performed story, but I can’t say I liked it. In fact, there was very little to enjoy in this sordid and heavy tale. It’s very depressing and left me with a hopeless feeling for these characters. It’s realistic, and paints a seedy side of life.It portrays a neighborhood in which young men & some young women succumb to bad behavior and just go down from there, forsaking even their families. However, the three main characters are not evil
people, but with so much badness all around them, the possibility of not being affected by it is very slim.
They made a bad choice out of desperation, fear, and fierce protectiveness that takes their lives down a path of forever being haunted. Their backs were against a wall, they were very young, and they couldn’t see a better way out of the dilemma in which they struggled, although most people probably would not have done what they did. They didn’t act quickly enough in the beginning, and that pushed them into the poor action they took.
I felt extremely sorry for the young woman at the center, and the young man who helps her. They are good people, but in the world in which they lived, it was inevitable that they were doomed for sadness. Life is tough in certain areas. and it’s hard to imagine living with much joy in such a place.
I kept hoping that something would turn up to end the story on a decent note. An epilogue with at least a bit of peaceful
closure would have helped, but under their circumstances, the harsh ending is more probable. At least we could have been provided with the aftermath of the injured person at the end.
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