
Death Takes Me
A Novel
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From the Pulitzer Prize-winning author of Liliana's Invincible Summer, a dreamlike, genre-defying novel about a professor and detective seeking justice in a world suffused with gendered violence.
“Deeply rewarding . . . a dreamscape with a powerful undertow . . . [a] harrowing and labyrinthine masterpiece.”—Katie Kitamura, The New York Times
A MOST ANTICIPATED BOOK OF THE YEAR: The New York Times, Esquire, Ms. Magazine, Lit Hub, The AV Club
A city is always a cemetery.
A professor named Cristina Rivera Garza stumbles upon the corpse of a mutilated man in a dark alley and reports it to the police. When shown a crime scene photo, she finds a stark warning written in tiny print with coral nail polish on the brick wall beside the body: “Beware of me, my love / beware of the silent woman in the desert.”
The professor becomes the first informant on the case, which is led by a detective newly obsessed with poetry and trailed by a long list of failures. But what has the professor really seen? As the bodies of more castrated men are found alongside lines of verse, the detective tries to decipher the meaning of the poems to put a stop to the violence spreading throughout the city.
Originally written in Spanish, where the word “victim” is always feminine, Death Takes Me is a thrilling masterpiece of literary fiction that flips the traditional crime narrative of gendered violence on its head. As sharp as the cuts on the bodies of the victims, it unfolds with the charged logic of a dream, moving from the police station to the professor’s classroom and through the slippery worlds of Latin American poetry and art in an imaginative exploration of the unstable terrains of desire and sexuality.
©2025 Cristina Rivera Garza, Robin Myers, Sarah Booker (P)2025 Random House AudioLos oyentes también disfrutaron...
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Reseñas de la Crítica
“[A] deeply rewarding experience . . . dense and elliptical, a dreamscape with a powerful undertow . . . Rivera Garza does not follow the conventions of the mystery narrative, the narrowing of a multitude of names to one. Instead, the novel [grows] increasingly expansive as the strictures around identity grow looser and looser, encompassing more and more. In this harrowing and labyrinthine masterpiece, Rivera Garza ultimately goes one step further, unsettlingly implicating readers themselves.”—Katie Kitamura, The New York Times
“Death Takes Me puts a subversive twist on the traditional serial killer story.”—Time, “Most Anticipated Books of 2025”
“Cristina Rivera Garza’s writing rewires your brain, summoning the ghosts of vivid emotions you’d forgotten you could even feel.”—Esquire
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- De alicia in athens en 02-13-25
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Hitchhikers
- De: Ben H. Winters
- Narrado por: Therese Plummer
- Duración: 3 h y 27 m
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Annie has always had high hopes for her future. But the reality of her life just isn’t measuring up. She loves her fiancé, Greg–doesn’t she? She’s going to get her degree and open her own business–won’t she? Then, a strange old woman shows up outside her house, and she seems to know a lot about Annie. An awful lot. Annie could tell the old woman to get lost. Yet there’s something about her Annie just can’t shake. And what she learns could change her life forever–but is it the life she envisioned?
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Intriguing
- De Curtis Hawk en 03-14-25
De: Ben H. Winters
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Master of Salt & Bones
- De: Keri Lake
- Narrado por: Stefanie Kay, Ryan West
- Duración: 17 h y 49 m
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When I was a little girl, I dreamed a handsome knight would come and rescue me from my wretched mother. He'd ride up on his white steed and break the curse I've been fated to carry since the day I was born. Funny how things changed over time, how the fairytale twisted into something far more crooked—and darker—than I ever imagined. In reality, my knight is scarred and broken, living alone in a castle of bones that overlooks the sea. He isn’t searching for me. He never was.
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5 STARS
- De AudioObsessed en 03-12-23
De: Keri Lake
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Fahrenheit 451
- De: Ray Bradbury
- Narrado por: Tim Robbins
- Duración: 5 h y 1 m
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Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."
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Wish I Hadn't Cliff Noted This in High School
- De Joel en 03-27-17
De: Ray Bradbury
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The House on the Water
- A Novella
- De: Margot Hunt
- Narrado por: Taylor Schilling
- Duración: 2 h y 47 m
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Every year, Caroline Reed takes a trip with her best friend, Esme Lamont. They’re usually accompanied by their spouses - but this year, everything’s changed. Esme has just gone through a bitter divorce, and Caroline's wondering if her own marriage is reaching its breaking point as she and her husband, John, cope with the discovery that their son has been abusing drugs. Still, the inseparable duo books a weeklong stay at a beach-front home in Shoreham, Florida, inviting Esme’s brother, Nick, and his new husband. After a blissful first night in the vacation home, tragedy strikes.
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Wonderful Story
- De David M. Wilcox en 12-04-20
De: Margot Hunt
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He Who Fights with Monsters 2
- A LitRPG Adventure (He Who Fights with Monsters, Book 2)
- De: Shirtaloon, Travis Deverell
- Narrado por: Heath Miller
- Duración: 22 h y 1 m
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But Jason Asano is settling into his new life. Now, a contest draws young elites to the city of Greenstone to compete for a grand prize. Jason must gather a band of companions if he is to stand a chance against the best the world has to offer. While the young adventurers are caught up in competition, the city leaders deal with revelations of betrayal as a vast and terrible enemy is revealed. Although Jason seems uninvolved, he has unknowingly crossed the enemy’s path before.
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Contrary to common reviews
- De Karen en 05-21-21
De: Shirtaloon, y otros
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Brain Damage
- De: Freida McFadden
- Narrado por: Megan Tusing
- Duración: 9 h y 32 m
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
- De Jennifer Chichester en 09-16-22
De: Freida McFadden
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Mary Jane
- De: Amy Herzog
- Narrado por: Rachel McAdams, April Matthis, Brenda Wehle, y otros
- Duración: 1 h y 16 m
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Academy Award nominee Rachel McAdams stars in Mary Jane, a poignant and intimate drama following a single mother’s journey caring for her chronically ill young son. Set in New York City, the play unfolds in two parts—Mary Jane's small Queens apartment and a pediatric hospital. With unflinching honesty and unexpected humor, we witness Mary Jane's tireless devotion, her interactions with medical professionals, and her struggle to maintain her sense of self.
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Amazing performance
- De Andrew Reynolds en 12-28-24
De: Amy Herzog
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The Grandmother
- De: Jane E. James
- Narrado por: Anna Cordell, Max Dinnen
- Duración: 8 h y 39 m
- Versión completa
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Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.
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Not too outlandish
- De Jackie H en 12-14-24
De: Jane E. James
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October 18, 2019. Cristina Rivera Garza travels from her home in Texas to Mexico City, in search of an old, unresolved criminal file. “My name is Cristina Rivera Garza,” she writes in her request to the attorney general, “and I am writing to you as a relative of Liliana Rivera Garza, who was murdered on July 16, 1990.” It’s been twenty-nine years. Twenty-nine years, three months, and two days since Liliana was murdered by an abusive ex-boyfriend.
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When Dr. Nadia Amin, a long-suffering academic, publishes an article on the possibility of rehabilitating ISIS brides, the United Nations comes calling, offering an opportunity to lead a deradicalization program for the ISIS-affiliated women held in Iraqi refugee camps. Looking for a way out of London after a painful, unexpected breakup, Nadia leaps at the chance. In Iraq, Nadia quickly realizes she’s in over her head.
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A year after her child is born, Jane suffers a series of strange episodes: amnesia, premonitions, hallucinations, and an inexplicable sense of dread. Three days after her first visit to a psychiatrist, Jane suddenly goes missing. A day later she is found unconscious in Brooklyn’s Prospect Park, in the midst of what seems to be an episode of dissociative fugue; when she comes to, she has no memory of what has happened to her.
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At a Ph.D. program in Southern California, Sarah and her best friend, Nathan, spend their time working on their theses, getting high, and keeping track of the poor air quality due to nearby forest fires. No one believes Sarah when she reports a fellow student for raping her at a party—“He’s such a good guy!”—and the Title IX office simply files away the information, just like the police. Nathan is the only person who cares. When Sarah finds Nathan dead of an overdose from a drug he’s always avoided, she knows something isn’t right.
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Gabby and Fred have just begun to adapt to their new life as empty nesters when Gabby makes a stunning realization: she can’t stand her husband. One night at a bar, Gabby meets an enigmatic younger woman named Ellis, and in a haze of drunkenness, she confesses that she wishes Fred dead. Surely she didn’t expect anything to come of it, but when she tries to track Ellis down again, she realizes that Ellis might not have been who she said she was.
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When Dr. Nadia Amin, a long-suffering academic, publishes an article on the possibility of rehabilitating ISIS brides, the United Nations comes calling, offering an opportunity to lead a deradicalization program for the ISIS-affiliated women held in Iraqi refugee camps. Looking for a way out of London after a painful, unexpected breakup, Nadia leaps at the chance. In Iraq, Nadia quickly realizes she’s in over her head.
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A year after her child is born, Jane suffers a series of strange episodes: amnesia, premonitions, hallucinations, and an inexplicable sense of dread. Three days after her first visit to a psychiatrist, Jane suddenly goes missing. A day later she is found unconscious in Brooklyn’s Prospect Park, in the midst of what seems to be an episode of dissociative fugue; when she comes to, she has no memory of what has happened to her.
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She’s happy and settled and productive and content in her full life—a child, a career, an admirable marriage, deep friendships, happy parents, and a spouse she still loves. But when her husband urges her to address what the narrow labels of “husband” and “wife” force them to edit out of their lives, the very best kind of hell breaks loose. Using the author’s personal experiences as a jumping-off point, Crush is about the danger and liberation of chasing desire, the havoc it can wreak, and most of all the clear sense of self one finds when the storm passes.
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At the end of the Nuremberg trials in 1946, some of the greatest war criminals in history were sentenced to death, but hundreds of thousands of Nazi murderers and collaborators remained at large. The Allies were ready to overlook their pasts as the Cold War began, and the legacy of the Holocaust was in danger of being forgotten. In The Prosecutor, Jack Fairweather brings to life the heroic story of Fritz Bauer who survived the Nazis as a gay Jewish man to force his countrymen to confront their complicity in the genocide.
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Giving all the “Little Women” the stories they deserve at last, this imaginative historical novel and companion to the much-loved classic draws Meg, Beth, and Amy March from behind the shadow of Jo—Louisa May Alcott’s alter-ego and the “author” of Little Women—as vibrant and unforgettable characters grappling with societal strictures, queer love, motherhood, chronic illness, artistic ambition, and more.
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Sterotypes
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Una mujer descubre accidentalmente el cadáver castrado de un joven. El cuerpo yace al fondo de un callejón, junto a unos enigmáticos versos de la poeta argentina Alejandra Pizarnik. Cuando la mujer –que se hace llamar Cristina Rivera Garza y ha leído la obra poética de Pizarnik– notifica su hallazgo a la policía, se convierte, de manera automática, en la misteriosa Informante. ¿Qué ha visto? ¿Qué cree que significan esos versos, que comienzan así: "Cuídate de mí amor mío"?
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A Drink Before the War
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With novels like Mystic River and Shutter Island, Dennis Lehane has dramatically altered the landscape of the crime thriller—while boldly overstepping the boundaries that have long separated mystery from literature. Now two of his sensational early novels have been combined in a single volume—two gritty and mesmerizing masterworks of suspense featuring the private eye duo of Patrick Kenzie and Angela Gennaro.
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White Bread
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City of the Plague God
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Thirteen-year-old Sik wants a simple life going to school and helping at his parents' deli in the evenings. But all that is blown to smithereens when Nergal comes looking for him, thinking that Sik holds the secret to eternal life. Turns out Sik is immortal but doesn't know it, and that's about to get him and the entire city into deep, deep trouble.
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Representation matters
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Waiting for the Long Night Moon
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In this intimate collection, Amanda Peters melds traditional storytelling with beautiful, spare prose to describe the dignity of the traditional way of life, the humiliations of systemic racism and the resilient power to endure. A young man returns from residential school only to realize he can no longer communicate with his own parents. A grieving mother finds purpose and healing on the front lines as a water protector. And a nervous child dances in her first Mawi’omi. The collection also includes the Indigenous Voices Award–winning and title story “Waiting for the Long Night Moon.”
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Before We Hit the Ground
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Caught between his well-meaning yet misapprehending family, his boisterous friends, and his self-assured partner Ben, Elom struggles to fit in. All he ever wants is to feel understood – but what does it mean to live authentically when the only thing changing faster than the world around you is the world within? Moving between Accra, Glasgow, London, and the islands of the outer Hebrides, Selali Fiamanya’s extraordinary debut asks what it means to love and be loved in return. Before We Hit the Ground is an intimate portrait of a family, and one man’s struggle to find his place.
De: Selali Fiamanya
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Universality
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Late one night on a Yorkshire farm, in the midst of an illegal rave, a young man is nearly bludgeoned to death with a solid gold bar. An ambitious young journalist sets out to uncover the truth surrounding the attack, connecting the dots between an amoral banker landlord, an iconoclastic newspaper columnist, and a radical anarchist movement that has taken up residence on the farm. She solves the mystery, but her viral exposé raises more questions than it answers.
De: Natasha Brown
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The Grand Scheme of Things
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- De: Warona Jay
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Meet Relebogile Naledi Mpho Moruakgomo. Or, for short, Eddie: an aspiring playwright who dreams of making it big in London’s theater world. But after repeated rejections from white talent agents, Eddie suspects her non-white sounding name might be the problem. Enter Hugo Lawrence Smith: good looking, well-connected, charismatic and…very white. Stifled by his law degree and looking for a way out of the corporate world, he finds a kindred spirit in Eddie after a chance encounter at a cafe. Together they devise a plan, one which will see Eddie’s play on stage and Hugo’s name in lights.
De: Warona Jay