Providence

A Novel

De: Craig Willse

Narrado por: Marcus Zarco

An introverted English professor's quiet life gets turned upside down when he falls for a dangerous, enigmatic sophomore.

Mark Lausson has everything he thought he wanted: a coveted job at elite Sawyer College in Ohio. But at the start of his second year, stuck in a small town with deadlines piling up and paychecks falling short, Mark can already feel the fantasy crumbling. And then, a few weeks in, sophomore Tyler Cunningham shows up in class. In Tyler—confident, mysterious, and popular—Mark glimpses another way of being in the world. He finds Tyler’s self-possession both compelling and unsettling. Caught in the rush of sex and secrets, Mark ignores the increasing evidence that Tyler can’t be trusted. But by the time Mark comes to his senses, the irreparable damage is done. Complicating easy ideas of innocence, Providence explores the ways loneliness and desire distort our senses of self and other, right and wrong.

Intense, propulsive, and impossible to stop listening to, Providence is perfect for fans of P. J. Vernon’s Bath Haus and Donna Tartt’s The Secret History, as well as Patricia Highsmith’s Talented Mr. Ripley and Garth Greenwell’s What Belongs to You.

©2024 Craig Willse (P)2024 Vibrance Press

Reseñas de la Crítica

"Willse debuts with a consuming psychological thriller that turns familiar tropes of dark academia and fatal attraction on their heads....The result is a memorable, steamy, and accomplished queer thriller."—Publishers Weekly

"Providence is a deeply compelling meditation on the ways desire and loneliness conspire to make even the brightest people betray themselves. Willse's clear, intelligent writing has both heart and thrills. I stayed up all night reading this incredible novel."—Kyle Dillon Hertz, author of The Lookback Window

"Providence’s bad gays will keep you up all night with their terrible decisions, hot sex, and irresistible trail of hidden clues. Is Craig Willse the secret love child of Tana French and Patricia Highsmith? There’s no other explanation. My new favorite thriller!"—Andrea Lawlor, author of Paul Takes the Form of a Mortal Girl

Lacking

While the story line is unique and interesting, I felt let down at the end. The writing is awkward and lacks finesse. I suspect I might enjoy this book more if I were reading it because the narration is also awkward, uneven and stiff. The narrator gives the main character a flat and mechanical voice, and I can only assume it was a choice (like a Raymond Chandler voice.) A narrator can elevate or sink an audiobook. This one is at the bottom of the sea.

Lots of Surprises

Based on the blurb summarizing the book I had much different expectations for the story. Happily the actual story is much better, more nuanced, and full of the unexpected. A good audiobook needs a good performer. They have to be believable as the characters. This performer captured the essence of both of the leads, switching effortless and convincing between each.

Time I can never get back

I hated EVERYTHING about this book. It pains me to write this. But everyone and everything about it was unlikeable. EVERYTHING