Indian Burial Ground

De: Nick Medina

Narrado por: Gary Farmer, Erin Tripp

A man lunges in front of a car. An elderly woman silently drowns herself. A corpse sits up in its coffin and speaks. On this reservation, not all is what it seems, in this new spine-chilling mythological horror from the author of Sisters of the Lost Nation.

All Noemi Broussard wanted was a fresh start. With a new boyfriend who actually treats her right and a plan to move from the reservation she grew up on—just like her beloved Uncle Louie before her—things are finally looking up for Noemi. Until the news of her boyfriend’s apparent suicide brings her world crumbling down.

But the facts about Roddy’s death just don’t add up, and Noemi isn’t the only one who suspects that something menacing might be lurking within their tribal lands.

After over a decade away, Uncle Louie has returned to the reservation, bringing with him a past full of secrets, horror, and what might be the key to determining Roddy’s true cause of death. Together, Noemi and Louie set out to find answers...but as they get closer to the truth, Noemi begins to wonder whether it might be best for some secrets to remain buried.

©2024 Nick Medina (P)2024 Penguin Audio

Reseñas de la Crítica

"Nick Medina blends myth and reality, supernatural danger and ordinary human menace into a story that will pull your heartstrings even as it shreds your nerves. Like the alligators lurking in its pages, Indian Burial Ground will swallow you whole."—Ana Reyes, New York Times bestselling author of The House in the Pines

"You may arrive at Indian Burial Ground because of author Nick Medina's incredible debut, Sisters of the Lost Nation, or his exceptional story in the bestselling Never Whistle at Night anthology, or perhaps he's a new-to-you author, and now you have the pleasure of reading both of these, but the important thing is you have arrived at an exceptional new novel that lingers long after the last page is turned. From two compelling points of view decades apart, Medina has crafted a story of generational trauma and mythical fears, with deep roots in Native history and modern life, that's part supernatural horror, part mystery, but perhaps most importantly, a story of hope in the darkness."—Vanessa Lillie, USA Today bestselling author of Blood Sisters

"Indian Burial Ground is wonderfully creepy and relentlessly dark. Part adventure narrative, part supernatural horror story, and part eerie mystery, this novel slithers under your skin and makes you wish you knew less with every step it brings you closer to the truth. Nick Medina is waiting in the dark to whisper in your ear about dead things, about the tamahka, about blood and Native mythology. You should let him."—Gabino Iglesias, author of The Devil Takes You Home

Great Story; uneven narration

Great story, and although I enjoyed the voices of both narrators, the male narrator’s difficulties with delivery made listening difficult. Will definitely read more by this author.

This was a slog

While I felt the voices of the narrators fit the characters, this was a slow moving book, that never picked up speed. I would not characterize this book as horror. This is about cultural and generational trauma and the tolls it takes on individuals. While there are mystical elements, they are secondary.

Best book I’ve read this year

I’m not sure I can adequately describe what I loved about this book, but I will try.

First, the HORROR. I realized while reading this that I hadn’t read horror in a hot minute. I physically responded - changing my sitting position the moment the horror climaxed. At the end of one particular chapter, I yelled audibly at the book. Yelling with love, not anger. Haha

Secondly, the CHARACTERS. Nick Medina always does a brilliant job with creating characters that feel so real. It’s so easy to picture them, feel with them, and journey with them. Louie has easily become one of my all time favorite characters. I wanted desperately to hop into the story, and make sure he was taken care of!

Thirdly (and lastly), much like Sisters of the Lost Nation, this book paints a vivid picture of the realities facing Native American communities. I think what impressed me so much was how it was done in the most flawless storytelling fashion. You meet the characters, you love them, you journey with them, face hardships with them, and only afterwards do you remember there was a lesson there.

I read this book twice, back to back, because I didn’t want to leave it yet. How a horror novel felt cozy is beyond my understanding, but it definitely did. I’ll be thinking about it for awhile.

Wasn't for me

It was okay but it definitely wasn't horror, and it was slow. I kept waiting for something to happen and then it was over lol. I was expecting more pet cemetery I guess. It left alot unexplained I won't read this again unfortunately, but it wasn't horrible just don't do into it thinking it's horror.

Good story - creepy & interesting

This author is great at creating characters that seem genuine & likable. They’re always flawed but honest about it so it works & doesn’t come off as angsty. Would have loved even more with the supernatural elements, such as the deaths out of nowhere (while they creepily smile & step out of life). Disturbing but I liked all of it. Recommend - not really horror specific maybe horror adjacent.

Great story, bad narration

The story is *chef’s kiss*! But the male narrator makes it difficult to understand and follow. Would recommend reading over listening.

Indian Birial Ground

it's definitely a good read. alot of native ancestry brought up there some suicide so yea trigger warnings for some.

Narration made it a slog

I liked the story, but the male narrator made this very hard to listen to. If I wasn’t listening to this for bookclub on essentially a deadline, I would have tried reading the book on Kindle an actual physical book. I think if I could’ve narrated it in my own mind, it would’ve been better.

Good story.

Although I appreciated the male narrator sounded as though he is native indian, his reading was distracting from an otherwise really good story. It sounded as though he was reading from a teleprompter, and wasn't aware of the words in the sentence or paragraph, reading in a word-by-word isolated manner.

Just not for me

I couldn't get into it there was no feeling when the story was being read. the author never gave it any gas like just tap the pedal here and their just enough to get you to listen for that next 60 seconds.