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Narrado por:
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Francesca Ottley
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Mark Young
Acerca de esta escucha
Paul Celan (1920-70) is one of the best-known German poets of the Holocaust; many of his poems, admired for their spare, precise diction, deal directly with its stark themes. Austrian writer Ingeborg Bachmann (1926-73) is recognized as one of post-World War II German literature’s most important novelists, poets, and playwrights.
It seems only appropriate that these two contemporaries and masters of language were at one time lovers, and they shared a lengthy, artful, and passionate correspondence.
Collected here for the first time in English are their letters, written between 1948 and 1961. Their correspondence forms a moving testimony of the discourse of love in the age after Auschwitz, with all the symptomatic disturbances and crises caused by their conflicting backgrounds and their hard-to-reconcile designs for living—as a woman, as a man, as writers.
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‘In almost 200 letters, telegrams, postcards, unsent drafts, poems as love-letters, [Celan and Bachmann] tussle with the possibilities and limitations of communication through the written word. Silence and personal darkness have their place.’—The Independent
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Historia
Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.
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Not too outlandish
- De Jackie H en 12-14-24
De: Jane E. James