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Narrado por:
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Fred Plotkin
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De:
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Fred Plotkin
Acerca de esta escucha
Classical Music 101 is a highly accessible guide to discovering the glories of classical music.
©2002 Fred Plotkin (P)2004 Blackstone AudiobooksLos oyentes también disfrutaron...
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When a mysterious stranger unveils a long-hidden truth, Lauren Malloy’s life is thrown into chaos. For years, Lauren believed her mother, Lori, died of natural causes, but the shocking reality is that her loving mother was brutally murdered when Lauren was just an infant. Now, 30 years later, Lauren is on a relentless quest for justice. Over the past four years, she’s embarked on an emotional journey filled with unexpected twists, recording hundreds of hours of interviews with law enforcement, family, friends, and even potential suspects.
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The raw interviews.
- De knapper en 11-12-24
De: AYR Media
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Genghis Khan and the Making of the Modern World
- De: Jack Weatherford
- Narrado por: Jonathan Davis, Jack Weatherford
- Duración: 14 h y 20 m
- Versión completa
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The Mongol army led by Genghis Khan subjugated more lands and people in 25 years than the Romans did in 400. In nearly every country the Mongols conquered, they brought an unprecedented rise in cultural communication, expanded trade, and a blossoming of civilization.
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Golden Horde/Platinum Listen
- De Cynthia en 12-11-13
De: Jack Weatherford
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The Story of Grunge
- De: Michael Stewart Foley, The Great Courses
- Narrado por: Michael Stewart Foley
- Duración: 3 h
- Grabación Original
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You can’t truly understand the last decade of the 20th century without a look at the muddy, electrifying rock music that would come to define it: grunge. For such a short-lived genre—at least in the mainstream—grunge had a lasting impact on American music and culture. It also provides a unique lens through which to examine the post-Reagan, pre-internet America of the 1990s. In the six lectures of The Story of Grunge, you’ll explore the rise and evolution of the genre, tracing it from Seattle subculture to MTV and the Billboard charts, all the way to its decline and evolution into new forms.
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A Scholarly Study of Grunge
- De Mark en 03-07-25
De: Michael Stewart Foley, y otros
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The Demon Next Door
- De: Bryan Burrough
- Narrado por: Steve White
- Duración: 2 h y 45 m
- Versión completa
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Best-selling author Bryan Burrough recently made a shocking discovery: The small town of Temple, Texas, where he had grown up, had harbored a dark secret. One of his high school classmates, Danny Corwin, was a vicious serial killer. In this chilling tale, Burrough raises important questions of whether serial killers can be recognized before they kill or rehabilitated after they do. It is also a story of Texas politics and power that led the good citizens of the town of Temple to enable a demon who was their worst nightmare.
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Odd narration choice
- De Amanda Fredericks en 03-08-19
De: Bryan Burrough
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The Wonder of Stevie
- De: Wesley Morris
- Narrado por: Wesley Morris, Michelle Obama, Barack Obama, y otros
- Duración: 6 h y 10 m
- Grabación Original
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The year 1972 saw the beginning of a five-year span in which Stevie Wonder released five groundbreaking, critically acclaimed albums, garnering him more than half a dozen Grammys and more than 10 million albums sold, securing his place as one of the most important American musicians and songwriters in history. For the first time, uncover the untold story of an extraordinary artistic journey that shaped the greatest creative era in popular music history.
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Good but not great
- De Anonymous User en 09-14-24
De: Wesley Morris
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The Autobiography of Malcolm X
- As Told to Alex Haley
- De: Malcolm X, Alex Haley
- Narrado por: Laurence Fishburne
- Duración: 16 h y 52 m
- Versión completa
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Experience a bold take on this classic autobiography as it’s performed by Oscar-nominated Laurence Fishburne. In this searing classic autobiography, originally published in 1965, Malcolm X, the Muslim leader, firebrand, and Black empowerment activist, tells the extraordinary story of his life and the growth of the Human Rights movement. His fascinating perspective on the lies and limitations of the American dream and the inherent racism in a society that denies its non-White citizens the opportunity to dream, gives extraordinary insight into the most urgent issues of our own time.
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it's Nearly perfect
- De Kerry en 09-16-20
De: Malcolm X, y otros
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Elvis and Me
- De: Priscilla Beaulieu Presley
- Narrado por: Priscilla Beaulieu Presley
- Duración: 7 h y 30 m
- Versión completa
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Historia
The inspiration for the major motion picture Priscilla directed by Sofia Coppola, this New York Times best seller reveals the intimate story of Elvis Presley and Priscilla Presley, told by the woman who lived it.
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What a story!
- De Pen Name en 08-28-22
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Evil Has a Name
- The Untold Story of the Golden State Killer Investigation
- De: Paul Holes, Jim Clemente, Peter McDonnell
- Narrado por: Paul Holes, Jim Clemente
- Duración: 6 h y 13 m
- Grabación Original
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Historia
For his victims, for their families and for the investigators tasked with finding him, the senselessness and brutality of the Golden State Killer's acts were matched only by the powerlessness they felt at failing to uncover his identity. Then, on April 24, 2018, authorities arrested 72-year-old Joseph James DeAngelo at his home in Citrus Heights, Calif., based on DNA evidence linked to the crimes. Amazingly, it seemed, evil finally had a name. Please note: This work contains descriptions of violent crime and sexual assault and may not be suitable for all listeners.
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Audible Raises The Bar On True Crime Genre
- De R. Squyres en 11-16-18
De: Paul Holes, y otros
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Helter Skelter
- The True Story of the Manson Murders
- De: Vincent Bugliosi, Curt Gentry
- Narrado por: Scott Brick
- Duración: 26 h y 29 m
- Versión completa
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Prosecuting attorney in the Manson trial Vincent Bugliosi held a unique insider's position in one of the most baffling and horrifying cases of the 20th century: the cold-blooded Tate-LaBianca murders carried out by Charles Manson and four of his followers. What motivated Manson in his seemingly mindless selection of victims, and what was his hold over the young women who obeyed his orders? Now available for the first time in unabridged audio, the gripping story of this famous and haunting crime is brought to life by acclaimed narrator Scott Brick.
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Everything I remembered about the case was wrong..
- De karen en 06-22-12
De: Vincent Bugliosi, y otros
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Weird Scenes Inside the Canyon
- Laurel Canyon, Covert Ops, and the Dark Heart of the Hippie Dream
- De: David McGowan
- Narrado por: Bill Fike
- Duración: 14 h y 2 m
- Versión completa
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The very strange but nevertheless true story of the dark underbelly of a 1960s hippie utopia. Laurel Canyon in the 1960s and early 1970s was a magical place where a dizzying array of musical artists congregated to create much of the music that provided the soundtrack to those turbulent times. But there was a dark side to that scene as well. Many didn't make it out alive, and many of those deaths remain shrouded in mystery to this day.
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My first review. This book changed me.
- De Robert en 06-30-19
De: David McGowan
Las personas que vieron esto también vieron...
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The History of Classical Music
- De: Richard Fawkes
- Narrado por: Robert Powell
- Duración: 5 h y 12 m
- Versión completa
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Historia
From Gregorian Chant to Henryk Gorecki, the first living classical composer to get into the pop album charts, here is the fascinating story of over a thousand years of Western classical music and the composers who have sought to express in music the deepest of human feelings and emotions. Also available: The History of Opera.
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soothing
- De Anne en 10-29-03
De: Richard Fawkes
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Classical Music for Dummies, 2nd Edition
- De: David Pogue, Scott Speck
- Narrado por: Paul Heitsch
- Duración: 11 h y 40 m
- Versión completa
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General
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Historia
Classical Music for Dummies is a friendly, funny, easy-to-understand guide to composers, instruments, orchestras, concerts, recordings, and more. Classical music is widely considered one of the pinnacles of human achievement, and this informative guide will shows you just how beautiful and rewarding it can be. You'll learn how Bach is different from Beethoven, how Mozart is different still, and why not all "classical" music is actually Classical if it's really Baroque or Romantic.
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It's Fine
- De I. Donovan en 03-31-23
De: David Pogue, y otros
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Great Piano Works Explained
- De: Catherine Kautsky, The Great Courses
- Narrado por: Catherine Kautsky
- Duración: 13 h y 14 m
- Grabación Original
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General
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Historia
The glorious repertoire for solo piano includes many of classical music’s most beloved masterpieces. In these 24 musically rich lectures, you’ll dig deeply into this magnificent tradition, in an in-depth exploration of the art of listening. With Professor Kautsky’s inspired guidance and expert playing, you’ll highlight key works of each composer, and unpack their structure, the musical materials that drive them, and the specific features that affect listeners so strongly, giving you a clear grounding in how to approach and hear this great music.
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Highly recommended!!
- De Meichiko en 10-27-22
De: Catherine Kautsky, y otros
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Composers
- Their Lives and Works
- De: DK
- Narrado por: Richard Trinder
- Duración: 13 h y 32 m
- Versión completa
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General
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Narración:
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Historia
Introduced with more than 90 biographical entries that trace the friendships, loves, and rivalries that inspired each musical genius and their work. Profiles offer revealing insights into what drove each individual to create the musical masterpieces - symphonies, concertos, and operatic scores - that changed the direction of classical music and are still celebrated as masterpieces today.
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Exceeded my expectations
- De PavFan en 02-21-22
De: DK
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Elements of Jazz: From Cakewalks to Fusion
- De: Bill Messenger, The Great Courses
- Narrado por: Bill Messenger
- Duración: 5 h y 59 m
- Grabación Original
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Historia
Jazz is a uniquely American art form, one of America's great contributions to not only musical culture, but world culture, with each generation of musicians applying new levels of creativity that take the music in unexpected directions that defy definition, category, and stagnation. Now you can learn the basics and history of this intoxicating genre in an eight-lecture series that is as free-flowing and original as the art form itself.
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A Disappointingly Distorted, Myopic View Of Jazz
- De Parallax View en 08-18-13
De: Bill Messenger, y otros
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What to Listen for in Music
- De: Aaron Copland
- Narrado por: Tim Campbell
- Duración: 6 h y 22 m
- Versión completa
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General
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Historia
In this fascinating analysis of how to listen to both contemporary and classical music analytically, eminent American composer Aaron Copland offers provocative suggestions that will bring listeners a deeper appreciation of the most viscerally rewarding of all art forms.
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Started common, ended uncommon
- De Sher from Provo en 06-05-24
De: Aaron Copland
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The History of Classical Music
- De: Richard Fawkes
- Narrado por: Robert Powell
- Duración: 5 h y 12 m
- Versión completa
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General
-
Narración:
-
Historia
From Gregorian Chant to Henryk Gorecki, the first living classical composer to get into the pop album charts, here is the fascinating story of over a thousand years of Western classical music and the composers who have sought to express in music the deepest of human feelings and emotions. Also available: The History of Opera.
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soothing
- De Anne en 10-29-03
De: Richard Fawkes
-
Classical Music for Dummies, 2nd Edition
- De: David Pogue, Scott Speck
- Narrado por: Paul Heitsch
- Duración: 11 h y 40 m
- Versión completa
-
General
-
Narración:
-
Historia
Classical Music for Dummies is a friendly, funny, easy-to-understand guide to composers, instruments, orchestras, concerts, recordings, and more. Classical music is widely considered one of the pinnacles of human achievement, and this informative guide will shows you just how beautiful and rewarding it can be. You'll learn how Bach is different from Beethoven, how Mozart is different still, and why not all "classical" music is actually Classical if it's really Baroque or Romantic.
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It's Fine
- De I. Donovan en 03-31-23
De: David Pogue, y otros
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Great Piano Works Explained
- De: Catherine Kautsky, The Great Courses
- Narrado por: Catherine Kautsky
- Duración: 13 h y 14 m
- Grabación Original
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General
-
Narración:
-
Historia
The glorious repertoire for solo piano includes many of classical music’s most beloved masterpieces. In these 24 musically rich lectures, you’ll dig deeply into this magnificent tradition, in an in-depth exploration of the art of listening. With Professor Kautsky’s inspired guidance and expert playing, you’ll highlight key works of each composer, and unpack their structure, the musical materials that drive them, and the specific features that affect listeners so strongly, giving you a clear grounding in how to approach and hear this great music.
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Highly recommended!!
- De Meichiko en 10-27-22
De: Catherine Kautsky, y otros
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Composers
- Their Lives and Works
- De: DK
- Narrado por: Richard Trinder
- Duración: 13 h y 32 m
- Versión completa
-
General
-
Narración:
-
Historia
Introduced with more than 90 biographical entries that trace the friendships, loves, and rivalries that inspired each musical genius and their work. Profiles offer revealing insights into what drove each individual to create the musical masterpieces - symphonies, concertos, and operatic scores - that changed the direction of classical music and are still celebrated as masterpieces today.
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Exceeded my expectations
- De PavFan en 02-21-22
De: DK
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Elements of Jazz: From Cakewalks to Fusion
- De: Bill Messenger, The Great Courses
- Narrado por: Bill Messenger
- Duración: 5 h y 59 m
- Grabación Original
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General
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Narración:
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Historia
Jazz is a uniquely American art form, one of America's great contributions to not only musical culture, but world culture, with each generation of musicians applying new levels of creativity that take the music in unexpected directions that defy definition, category, and stagnation. Now you can learn the basics and history of this intoxicating genre in an eight-lecture series that is as free-flowing and original as the art form itself.
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A Disappointingly Distorted, Myopic View Of Jazz
- De Parallax View en 08-18-13
De: Bill Messenger, y otros
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What to Listen for in Music
- De: Aaron Copland
- Narrado por: Tim Campbell
- Duración: 6 h y 22 m
- Versión completa
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General
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Narración:
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Historia
In this fascinating analysis of how to listen to both contemporary and classical music analytically, eminent American composer Aaron Copland offers provocative suggestions that will bring listeners a deeper appreciation of the most viscerally rewarding of all art forms.
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Started common, ended uncommon
- De Sher from Provo en 06-05-24
De: Aaron Copland
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Opera 101
- A Complete Guide to Learning and Loving Opera
- De: Fred Plotkin
- Narrado por: Fred Plotkin
- Duración: 18 h y 14 m
- Versión completa
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Opera is the fastest growing of all the performing arts, attracting audiences of all ages who are enthralled by the gorgeous music, vivid drama, and magnificent production values. If you've decided that the time has finally come to learn about opera and discover for yourself what it is about opera that sends your normally reserved friends into states of ecstatic abandon, this is the book for you.
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A tedious introduction
- De Ravi en 08-30-05
De: Fred Plotkin
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Great Music of the 20th Century
- De: The Great Courses
- Narrado por: Professor Robert Greenberg PhD
- Duración: 17 h y 50 m
- Grabación Original
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The 20th century was a hotbed of musical exploration, innovation, and transformation unlike any other epoch in history. Ranging across the century in its entirety, these 24 lectures present a musical cornucopia of astounding dimensions - a major presentation and exploration of the incredible brilliance and diversity of musical art across a turbulent century. Far more than simply a series of lectures, the program comprises a huge and many-sided resource for discovering the endless riches of 20th-century concert music across the globe.
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Disappointment
- De MAdison en 03-11-18
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The Story of Classical Music
- De: Darren Henley
- Narrado por: Marin Alsop
- Duración: 4 h y 34 m
- Versión completa
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The lives and music of the great composers of classical music unfold in this entertaining account, introduced by the conductor and musical personality Marin Alsop. In 1200 years, classical music grew from the chanting of medieval monks through the symphonies of Beethoven and the grand operas of Wagner to the huge orchestral sound-world of the 21st century, with its electronics and its film music.
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Interesting, informative, easy
- De Boulderite en 12-31-05
De: Darren Henley
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The Indispensable Composers
- A Personal Guide
- De: Anthony Tommasini
- Narrado por: Mark Bramhall
- Duración: 20 h y 24 m
- Versión completa
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In The Indispensable Composers, Tommasini offers his own personal guide to the canon - and what greatness really means in classical music. What does it mean to be canonical now? Who gets to say? And do we have enough perspective on the 20th century to even begin assessing it? To make his case, Tommasini draws on elements of biography, the anxiety of influence, the composer's relationships with colleagues, and shifting attitudes toward a composer's work over time.
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A little disappointed.
- De Sher from Provo en 10-19-19
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The Modern Scholar: Understanding the Fundamentals of Classical Music
- De: Professor Richard Freedman
- Narrado por: Richard Freedman
- Duración: 7 h y 3 m
- Grabación Original
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This course is not designed as a chronological survey of musical history and its many stylistic periods or moments, nor an exploration of the lives and output of individual composers. Instead, these lectures focus on the development of listening skills. Through this course you will develop new levels of aural awareness that will allow you to better appreciate the richness, complexity, and excitement at the heart of all great concert music.
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Somewhat dull...
- De DrandomTubas en 03-22-11
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For the Love of Music
- A Conductor's Guide to the Art of Listening
- De: John Mauceri
- Narrado por: John Mauceri
- Duración: 6 h y 8 m
- Versión completa
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With a lifetime of experience, profound knowledge and understanding, and heartwarming appreciation, an internationally celebrated conductor and teacher answers the questions: Why should I listen to classical music? How can I get the most from the listening experience? Unpretentious, graceful, instructive, this is a book for the aficionado, the novice, and anyone looking to have the love of music fired within them.
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Divine Time with a Maestro
- De Meg en 12-18-19
De: John Mauceri
Lo que los oyentes dicen sobre Classical Music 101
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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- Charles
- 07-25-04
Only for true beginners
First of all, to address the main question you probably have: no, there is no music in this work. It's all Mr. Plotkin talking. And I can't say he is particularly good at it, but that's perhaps not an objective observation. His speaking might not bother everyone. At any rate, he doesn't just talk about music, he talks about how to listen to it, some of the performers, some of the pieces of music and their composers, etc., and he speaks like you expect most professors to speak: as if everyone is a complete dummy. But then, to be fair, it is called Classical Music "101", so perhaps I was expecting too much. If you know anything at all about classical music, I do not recommend this item. I suppose there's nothing wrong with it if you are truly new to it though.
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- Troy
- 04-14-14
Invaluable Insight
As with Plotkin's Opera 101 (which I reviewed earlier), this book is an invaluable insight into this subject matter. As with Opera 101, it's clear from the beginning that Plotkin loves classical music, and his objective is to help you to love it too. His book is designed as a launch pad for discovery, not a textbook of facts. Plotkin is an accredited and acknowledged expert in the field, and while it's expected for his audience to keep up with him, he does his best to bring his expertise to a level where general audiences can do just that. Again, as with Opera 101, the author assumes that the audience has had some exposure to the music and wants to catapult beyond the beginner level to a realm of true appreciation. This book covers history, anecdotal tales, musical theory, analysis, and even an overview of the various instruments in the orchestra. For the true novice, there is a section that outlines the expectations of attending a concert performance.
Many other reviews I've seen lamented that the music itself wasn't a part of this audiobook, and while that's a hindrance, such a thing would likely have been a licensing nightmare as many of the performances are not in the public domain. He does outline, however, exactly which performances he's referencing, and suggests that if you can't find them at a library (or perhaps online these days), then other recordings will suffice in most cases.
If there is a true negative to be found in this book, it's the author's own performance. He reads as though he's not reading his own work, and the recording is semi-professional at best. What I mean by that is that every time he takes a breath or smacks his lips, you hear it. There's no post-production to cover up that distraction. Even so, the breadth of his knowledge that's offered here more than makes up for it in my humble opinion, and he does it without talking down to you. If you engage the material, there's no reason this book shouldn't open up a new level of appreciation.
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- jodie
- 01-03-13
Educational but where's the music?
What made the experience of listening to Classical Music 101 the most enjoyable?
At first the narrators tone seemed boring, but as I relaxed and continued to listen the information was interesting bringing me to the era, the quality, the tonality of the times, picking up bits and pieces, replaying parts I didn't get the first time despite the monotone lecture scenario. Yes, I imagine myself in a lecture classroom however I am able to move around and do activities of daily living that don't require much concentration.
Would you recommend Classical Music 101 to your friends? Why or why not?
It's a beginners lecture audio book without the music which is part of the classwork referred to throughout the chapters. I recommend including at least a pdf which lists all of the pieces referenced by chapter in order to get the full context of the material. Unless you're familiar with the pieces, which I am not, the audio version of this book requires a lot of extra time by having to stop the audio in order to write the referenced musical pieces after which you'll have to search for them on YouTube, spotify, or as recommended in your local library in order to get the full scope of the lesson.
Which scene was your favorite?
I haven't finished listening to it yet. I had to stop to search for a listing of the music referenced and then felt compelled to see the comments.
Did you have an extreme reaction to this book? Did it make you laugh or cry?
There is no music or references in the form of a pdf attached.
Any additional comments?
I suggest at least an easy reference pdf with a list of all of the music in the order it is mentioned in the audio book.
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- Christi
- 11-19-04
Very, very thorough
There's a fine line between assuming nothing about a listener's prior knowledge of a subject and treating them like a dummy. Fred Plotkin stayed on the high side of that line, in my opinion. "...allowing the strings to be tightened or loosened. This is called tuning." Yes, I knew that, but Plotkin is assuming nothing about my prior exposure to music, musical instruments or the business end of the industry.
Fred Plotkin's love of music shines through every word of the book, I'll give him that. This is the first time I've ever found a description of a musical instrument in need of a PG rating. ;) His is not necessarily the voice of a professional reader, but he adds a fair about of expression to a heavily academic discussion.
No, the book is not a thrill a minute, but it isn't intended to be. Almost too dry for a popular audience, but not quite dry enough for a textbook. Definitely an education in classical music for the uninitiated, though.
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- Kenneth Johnson
- 10-24-07
Musical lecture
I listened to this book about three years ago, at least until my car was broken into and the device stolen! I am sure the thief got a surprise if he was able to figure out how to turn it on.
I share the disappointment with the other listeners about the lack of music on the book. However, this is a book which needs to be "read" very slowly with several trips to the musical library in order to listen to particular pieces recommended by the author. Most of the music is familiar but the discipline of listening to the same piece more than once,looking for one thing or another, can be very enriching.
I recommend this book highly but it cannot be used as a typical Audible book listened to on the go without access to a stereo system in order to actually play the music referred to as you go along.
This book is really a musical lecture and should be viewed in that light.
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- Michael
- 02-09-12
Get the music to listen to.
What disappointed you about Classical Music 101?
Fred Plotkin knows his stuff, but a little tedious to listen to.
What could Fred Plotkin have done to make this a more enjoyable book for you?
Added some of the recordings of music into the production. Not all of it, but a sample. I had trouble finding some recordings and although I agree 100% with Fred, it makes this book into a course of classical music appreciation rather than a book to listen to on the commute to and from work.
How did the narrator detract from the book?
Fred is a nice guy. Knowledgeable, interesting but a little 'nerdy'. Not the most entertaining reader.
You didn’t love this book... but did it have any redeeming qualities?
Gave me an insight into the development and history of classical music. I think I appreciate all music more now.
Any additional comments?
Not for the faint hearted. A good book, but perhaps better as a reference manuel.
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- TG
- 11-23-15
<br />review
there was no music.!!!!!!!!! !!!! !!! ! ! ! ! ! ! ! !! !
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- Jim
- 02-22-12
Cant take it any more
Fred Plotkin is probably a very knowledgeable music lover. I say probably because I wasn't physically able to listen to his book for more than 4 chapters. He narrates the book himself and he is AWFUL. It sounds like he has a cold. I wanted to like this book. I made a very concerted effort to stop being a weak listener, and just get over whatever was bothering me, but I just couldn't.
There is an adjustment period at the begining of any audiobook, to get used to the narrator. I assume that Mr. Plotkin would just require of me a longer adjustment period. I don't have the patience to go on. I lived and died with every gulp of saliva and mispronounced "n".
Also, there is no actual music in the recordings. This seems like such an easy principle: If you convert a book about an auditory experience to an audiobook, then you should include the subject matter!
A failure on multiple levels!
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- Ram
- 09-13-04
Disappointing!!
This book was very disappointing. There is not a note of music in this audio selection. In the beginning of the audiobook, Plotkin promises to treat his audience different and he certainly does.
If you are (a beginner) looking for a place to explain the different pieces and formations of a symphony along with a lucid explanation of different instrument with some quality aural examples, this is NOT the book.
If you are looking for someone to narrate a descritpion of all the instruments in an orchestra (with not a musical note to exeplify any instrument), spit out different chronological timelines of composers (not that the timeline is not invaluable), explain the difference between the words virtuoso and diva and the author's take on the excessive usage of the latter, buy this book....and may be it wont be as disappointing for you then.
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- Christina
- 11-15-04
can't bear to listen to this narrator
Apparently I didn't read the customer reviews for this book. One of them clearly states that there is nary a note of music in it. This is my first real disappointment in the audio titles I've chosen from Audible.com.
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