All Systems Red (Dramatized Adaptation)

The Murderbot Diaries, Book 1

De: Martha Wells

Narrado por: Alejandro Ruiz, Bradley Foster Smith, Holly Adams, Michael John Casey, Zeke Alton, Rayner Gabriel, Natalie Van Sistine, David Cui Cui, Khaya Fraites, Aure Nash, Megan Dorminy

A murderous android discovers itself in All Systems Red, a tense science fiction adventure by Martha Wells that interrogates the roots of consciousness through Artificial Intelligence.

"As a heartless killing machine, I was a complete failure."

In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety.

But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern.

On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid—a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is.

But when a neighboring mission goes dark, it's up to the scientists and their Murderbot to get to the truth.

Performed by David Cui Cui, Khaya Fraites, Zeke Alton, Alejandro Ruiz, Aure Nash, Bradley Foster Smith, Holly Adams, Megan Dorminy, Natalie Van Sistine, Michael John Casey, Rayner Gabriel, Shanta Parasuraman, Tanja Milojevic and Wyn Delano.

©2017 Martha Wells (P)2023 Graphic Audio LLC

Mismatch of story & casts

The story is excellent, I love the dramatized effects (the clings and clangs). and the narrators are established performers, but this production is a mismatch.

First, this version is too fast. The original audiobook is 3 hours 17 minutes, and the dramatized version is 2 hours 30 minutes (the last few minutes in this version is a sample of another book). Just because the story is fast-paced, it doesn't mean the reading needs to be rapid. The book sounds to me like the narrators want to finish reading the book quickly and finish it. A more leisurely narration helps the readers to enjoy the story and the special effects. The people can talk fast, but the narration needs to be stable and clear.

Second, the narrator for Murderbot reads everything in a monotone - the story narration, the actions, the inter-thoughts, and the dialogues - everything sounds more or less the same. This technique could be good for non-fiction, but what's the point of dramatizing a book if the narration is flat?

Third, the voices of some characters sound out of character. For example, the voice of Dr. Mensha, who is an established middle-aged woman and a fearless leader, sounds too young. Yes, in real life, someone in her shoes could technically sound like that, but in an audiobook, we, the readers, want the character to sound like what we expect him/her/them to be unless there is a good reason for otherwise. Also, I (and my friend, who has only read the books and not listened to the audio versions) think Murderbot's voice should be lower. I do like the casts for Ratthi and Gurathin - they fit the personalities.

If you are new to the story and intrigued by the story, please listen to the original version narrated by Kevin R. Free. If you are a fan and curious, try this at your own risk. (I know about the risk, but I still can't resist.)

If you are looking for outstanding dramatized audiobooks, check out: "Good Omens - A Full Cast Production" by Neil Gaiman & Terry Pratchett, and narrated by the main actors in the TV show; "The Graveyard Book: Full-Cast Production" by Neil Gaiman; or "The Sandman" by Neil Gaiman, all three books, which are straight-out full cast books, not dramatized version of audiobooks, but the best dramatized audiobook ever.

Love the story, not the performance

I love The Murderbot Diaries, and have read them several times so I decided to try the audio versions for my work commute. The audio version of Network Effect was pretty good so I decided to get the whole series. Unfortunately All Systems Red is poorly cast and poorly performed. The reader for SecUnit is light, chipper, and going way too fast. SecUnit is anxious and depressed and it expresses that in sarcasm and dry humor. To convey that you need a slower pacing and emphasis for emotional weight. Also, the reader for SecUnit mispronounced a few words - was there no director? Was the director not paying attention? And Dr. Mensah is described as having very dark skin and being calm and mature but the reader for her sounds like a 20-something white woman. I returned the audio and Audible returned my credit so I have no complaints there. I'll listen to samples before I buy next time. Maybe the series will be re-done after the Apple+ show.

Maybe the printed version was better???

For it’s award pedigree this dramatized version makes the material seem to be the writing of a novice. Should I give the book a read ??

Disappointing

I am a fan of the written novel and of the original audio production, but not of this version. The production quality of this dramatization is good, except for the pacing. I usually speed up playback of audiobooks a bit. This listen is the first time I've had to slow the playback, and dramatically at that. Otherwise, Murderbot's sarcastic humor is lost and it comes across as just weird. Murderbot's character comes across as cheerful in this production, and that's all kinds of wrong.

The other character voices present a fresh take on these characters, and I enjoyed them. However, Murderbot's dry sarcasm is the entire point of the novela, and I miss it. This is not a response to the voice of David Cui Cui, which is fine, but in this instance he did not nail the essence of Murderbot.

My 4th Copy!

This is my 4th copy of this book. I own a hardcover, a digital book, a regular audiobook, and now this full audio drama version. And I do not regret a single one. The story is epic and I relate to Murderbot so much! The performances and sound effects were a great enhancement to the way everything played out too! Now I just need the movie!

Book is great, this performance not so much

Narrator rushed through the entire book, almost a sing-song. Very disappointed. I would have never bothered with any sequel if this version had been my intro to Martha Wells

fun, but go with the audio book rather than this

Huge fan of the book series in print and audio. I snatched this up to have a new way to enjoy Murderbot. This story definitely benefits from a full cast! My complaints are all about the editing/production choices. 1. The edits cram audio information too close together to be easily parsed. The original audio book is much easier to understand in this regard.
2. Murderbot essentially needs three consistent voices or voice effects from its narrator: one to voice the dialogue, one to narrate the thoughts, and one to give voice to feed messages. Instead, this production chose to put effects on in-flight communications (but only on Murderbot's voice, even though there were other people on the flight talking - wth?). It was too little and too inconsistent to work for helping me to understand when Murderbot was talking out loud versus not. The original audio book's performance is able to subtly convey these voices. I had been hoping for a more obvious performance here that did not at all deliver.
3. I had hoped for sound effects that were more immersive, but they seem sort of added on timidly in the background.
I'd say pick this up if you enjoy the story already and therefore don't need to scramble to understand it. If you're new to Murderbot, go with the audio book narrated by Kevin R. Free. Their performance is great, and more easily understood. I really missed their performance of Pin Lee in particular.

Just, ok.

I have listened to the original audiobook version, several times. I was excited for this new version. If you’ve never listened to the original version, this enhanced version is a good introduction to the Murderbot series. However, I did not find it an improvement over the original.

voice problem

seriously, who chose a young woman to play an old woman? the background noises didn't overwhelm the narrative. I enjoyed except for the one voice

Not sure about this interpretation

I was really looking forward to this when I first saw it. I'm a big fan of Murderbot, and I love to see how different creative groups interpret the source material. in other words, I am that person who will watch and probably enjoy every variation of a book/movie/play that i like.
For this production, I'm not sure how successful this interpretation was. the added sound effects provided a surprisingly interesting environment. I didn't notice the music at all, but then I never notice the music in movies. the voice actors did a fine job, though I had difficulty telling characters apart in group scenes. unfortunately, some of the characters sounded very wrong. one who is a very serious and down to earth political leader sounded flippant and immature. the inflections were off (way off) for most of the production. towards the end, it was sounding better and finally hitting the emotional marks. these are production and directoral issues and not the fault of the actors.
this was my first Graphics Audio purchase, and it could very well be my last.