
Act One
An Autobiography
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Narrado por:
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Jim Meskimen
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De:
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Moss Hart
Acerca de esta escucha
Moss Hart's Act One, which Lincoln Center Theater presented in 2014 as a play written and directed by James Lapine, is one of the greatest American memoirs - a glorious memorial to a bygone age filled with all the wonder, drama, and heartbreak that surrounded Broadway in the early 20th century. Hart's story inspired a generation of theatergoers, dramatists, and readers everywhere as he eloquently chronicled his impoverished childhood and his long, determined struggle to reach the opening night of his first Broadway hit. Act One is the quintessential American success story.
©1959 Catharine Carlisle Hart and Joseph M. Hyman, trustees (P)2015 Blackstone Audio, Inc.Los oyentes también disfrutaron...
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Historia
Veteran con artist Roy spots an obvious easy mark when he meets Betty, a wealthy widow, online. In no time at all, he's moved into Betty's lovely cottage and is preparing to accompany her on a romantic trip to Europe. Betty's grandson disapproves of their blossoming relationship, but Roy is sure this scheme will be a success. He knows what he's doing. As this remarkable feat of storytelling weaves together Roy's and Betty's futures, it also unwinds their pasts.
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Hope the movie is better than the book?
- De S. Smith en 10-17-19
De: Nicholas Searle
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Now, Voyager
- Femmes Fatales
- De: Olive Higgins Prouty
- Narrado por: Coleen Marlo
- Duración: 7 h y 52 m
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Boston blueblood Charlotte Vale has led an unhappy, sheltered life. Lonely, dowdy, repressed, and pushing 40, Charlotte finds salvation at a sanitarium, where she undergoes an emotional and physical transformation. After her extreme makeover, the new Charlotte tests her mettle by embarking on a cruise and finds herself in a torrid love affair with a married man which ends at the conclusion of the voyage. But only then can the real journey begin, as Charlotte is forced to navigate a new life for herself.
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The Inspiration for The Movie Classic
- De Susie en 12-17-12
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Piccadilly Jim
- De: P. G. Wodehouse
- Narrado por: Frederick Davidson
- Duración: 8 h y 14 m
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He was a gossip columnist’s dream. Piccadilly Jim’s life was a collage of broken promises and drunken brawls. And his straight-laced Victorian aunt was not amused. So, she decided to reform him. Unfortunately, her reform project started at a time when Jim had fallen in love and had already decided to reform himself. Thus, life became complicated. Jim pretends to be himself - a beautiful display of Wodehousean logic; hilarious indeed!
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Glad to Finally Have Frederick Davidson’s Version
- De John en 11-09-22
De: P. G. Wodehouse
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Amsterdam
- De: Ian McEwan
- Narrado por: Steven Crossley
- Duración: 4 h y 42 m
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The best-selling author of Atonement and Enduring Love, Ian McEwan is known as one of contemporary fiction’s most acclaimed writers. This Booker Prize-winning novel by McEwan finds two men connecting at the funeral of their ex-lover. Distressed by how she was slowly destroyed by an illness, the two make a pact to save each other from enduring such a fate.
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Make something, and die.
- De Darwin8u en 02-07-17
De: Ian McEwan
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Pietr the Latvian
- Inspector Maigret, Book 1
- De: Georges Simenon, David Bellos - translator
- Narrado por: Gareth Armstrong
- Duración: 3 h y 57 m
- Versión completa
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The first audiobook which appeared in Georges Simenon's famous Maigret series, in a gripping new translation by David Bellos.Inevitably Maigret was a hostile presence in the Majestic. He constituted a kind of foreign body that the hotel's atmosphere could not assimilate. Not that he looked like a cartoon policeman. He didn't have a moustache and he didn't wear heavy boots. His clothes were well cut and made of fairly light worsted. He shaved every day and looked after his hands. But his frame was proletarian. He was a big, bony man.
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Long live Maigret
- De Adeliese Baumann en 11-19-14
De: Georges Simenon, y otros
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Amerika
- The Missing Person: A New Translation by Mark Harman Based on the Restored Text
- De: Franz Kafka
- Narrado por: George Guidall
- Duración: 9 h y 37 m
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A Brilliant new translation of the great writer's least Kafkaesque novel, based on a German-language text that was produced by a team of international scholars and that is more faithful to Kafka's original manuscript than anything we have had before. With the same expert balance of precision and nuance that marked his translation of Kafka's The Castle, the award-winning translator Mark Harman now restores the humor and particularity of language to Amerika.
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ha ha ha this is terrific
- De tom en 01-29-14
De: Franz Kafka
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Cold Hand in Mine
- De: Robert Aickman
- Narrado por: Reece Shearsmith
- Duración: 8 h y 49 m
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Cold Hand in Mine stands as one of Aickman's best collections and contains eight stories that show off his powers as a 'strange story' writer to the full. The listener is introduced to a variety of characters, from a man who spends the night in a Hospice to a German aristocrat and a woman who sees an image of her own soul. There is also a nod to the conventional vampire story ("Pages from a Young Girl's Journal") but all the stories remain unconventional and inconclusive, which perhaps makes them all the more startling and intriguing.
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Aickman is unique
- De Stark en 08-19-23
De: Robert Aickman
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Clara Callan
- De: Richard B. Wright
- Narrado por: Anne Twomey, Joanna P. Adler
- Duración: 8 h y 43 m
- Versión resumida
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Two sisters, small-town Ontario, 1934. Canadian author Richard Wright tells their story, from the ordinary to the extraoridinary with an eye for the commonplace and poignant sense of the larger undercurrents that change people's lives.
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charming intimate refreshing
- De L en 09-10-04
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The Turmoil
- De: Booth Tarkington
- Narrado por: Harry Shaw
- Duración: 9 h y 44 m
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Bigger, newer, faster. Demolish and rebuild, then demolish and rebuild again. Smoke, soot, and noise are the badges of prosperity, and growth is for growth's sake.
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Fast and heartwarming
- De dfjord en 08-06-24
De: Booth Tarkington
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Mildred Pierce
- De: James M. Cain
- Narrado por: Christine Williams
- Duración: 10 h
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Mildred Pierce had gorgeous legs, a way with a skillet, and a bone-deep core of toughness and determination. She used those attributes to survive a divorce in 1940s America with two children and to claw her way out of poverty, becoming a successful businesswoman. But Mildred also had two weaknesses: a yen for shiftless men and an unreasoning devotion to her monstrous daughter.
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Mildred -- you pierce my heart
- De P. Giorgio en 03-11-11
De: James M. Cain
Lo que los oyentes dicen sobre Act One
Con calificación alta para:
Reseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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- Lynn
- 07-04-20
A permanent favorite !
There are few books I consider favorites this will be one of them. Great telling of an incredible career from the ambitious beginning to first success. I felt like it was someone recounting events to me personally in a most sincere and inspiring dialogue. You could feel the joy with Moss Hart’s first success and understand what to took to achieve it.
This was a book club selection, wise domination. Five stars are not enough.
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- Ellen Ruffin
- 05-15-20
Are you a theatre person?
If you are, then this is the book for you. If you're NOT a theatre person but love an amazing tale about a climb out of poverty, this is the book for you, too.
I will admit I am old enough to remember many of the people mentioned in this book. It is a first hand account of a different time. I had read about this book, and I had heard people talk about it, but I had never read it, and Audible had it!
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- DWGroucho
- 10-16-23
Fantastic!
Beautifully written - it feels like a play or a movie! Learned more about the theatre on this book than on my whole life prior to reading! Bravo!
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- Slimer
- 12-16-22
One of my favorite books
I learned about the the unbelievable process of creating a show …these theatre people are so driven and they face so many obstacles. Moss Hart tells a great story and the reader is enjoyable. I read this book years ago and it just gets better.
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- Marissa Holland
- 08-14-20
Loved it.
After reading this I am now convinced that I was there with Hart as all the great events of his life unfolded.
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- Pgparks
- 08-25-24
A Love Letter to the Theater
I just finished one of my TBRs - Moss Hart's “Act One” is an engaging memoir that captured the spirit and struggles of the American theater in the early 20th century. Published in 1959, the book charts Hart’s rise from challenging beginnings in the Bronx to becoming a celebrated Broadway playwright. The book focuses on Hart's early life, his passion for the theater, and details the trials and tribulations of his first major success “Once in a Lifetime.”
Hart paints a nostalgic picture of his early years, filled with dreams of escaping his circumstances and making it big on Broadway. He was definitely a man of perseverance, as he faces numerous rejections and setbacks but never loses sight of his goal.
One of the most interesting aspects of “Act One” is Hart's reminiscences of his relationship with his mentor, George S. Kaufman. Kaufman, and Hart met and began collaboration on the play “Once in a Lifetime”. This relationship changed Hart's life, leading to his first Broadway success. The partnership of Kaufman & Hart led to eight projects in the following decade, arguably among both men’s best work including, “You Can’t Take it With You” and (my personal favorite) “The Man Who Came to Dinner”.
“Act One” is more than just a memoir; it's a love letter to the theater. But the memoir will resonate with anyone who has ever had a dream and worked against all odds to achieve it.
I think this book is a must-read for theater lovers and anyone interested in the art of storytelling.
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- Melanie Ripley
- 11-07-24
Still a great theater book
I read this book in high school, and now several decades later, I listened to the audiobook version. If you enjoy learning about theater legends, this book holds up well and gives insights into how hard it is to write a Broadway hit. One caveat: Hart's autobiography only goes up to the success of his first play. Unfortunately, he died before he could write "Act Two."
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- Hayworth
- 09-07-19
A classic
One of the finest theatre autobiographies ever written. Beautifully read - with the exception of Bow Bells, which is pronounced Boe Bells, not Bough Bells. Don't producers ever check these things? Oh well. it's still a great book.
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- Michael B.
- 12-25-22
Pretty Grim at first
Didnt think I would make it all the way through,with setback and defeat riding high.
The ending however brought it all together.
i have no idea what Moss Hart sounded like, but send high praise to Mr. Meskimen for his performance.
It sounded as if I were listening to the author himself.
I worked 40 years as a Thearical Wardrbe Attendant (Dresser) in Chicago and appreciate the day to day hard- working aspect of being backstage realized by this reading.
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- Richard M.
- 05-08-23
Very entertaining and engaging
I understand that there’s been some criticism of the accuracy of this book and I do find a few of its events. I’ve been on the fantastic side, but overall it was very entertaining and an interesting glimpse into the theater world at that time.
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