Victorian Ghost Stories Anthology

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your reading and listening pleasure.

Featuring work by M. R. James, Edith Nesbit, Oscar Wilde, Gertrude Atherton and many more, this enhanced audio collection of eight enduring stories - some well-known, others less familiar - transport you to a candlelit fireside to hear tales of lonely coastlines, deadly rivers, dark, creaking corridors, horrific, everlasting love and unknown entities lurking in black velvet shadows.

A selection of 17 classic stories of horror and the supernatural by some of the greatest writers in the genre. This compilation includes a mix of well-known classics by authors such as Charles Dickens and M. R. James, alongside several unjustly overlooked gems by less familiar names who were hugely popular and prolific in their day.

Few ghost stories are as chilling as the ones written by Victorian writers. Featuring work by H.G. Wells, Edith Wharton, F.G. Loring and Florence Marryat, this second volume of eight enduring stories, some well-known, others less familiar, transport you to a cosy fireside to hear tales of disembodied voices, haunted objects and unknown entities lurking in the shadows cast by candlelight.

Featuring work by Charles Dickens, Mary Elizabeth Braddon, Clara Venn and Hume Nisbet, this collection of nine enduring stories - some well-known, others less familiar - evoke the many spirits of Christmas. Featuring misty journeys to distant loved ones, Christmas Eve manifestations and lonely, frost-filled vigils.

Thirteen classic stories of horror and the supernatural by some of the greatest writers in the genre. This compilation includes a mix of well-known classics by authors such as Edith Nesbit, J. Sheridan Le Fanu and M. R. James, alongside several tales by less familiar names who were hugely popular and prolific in their day.

Arthur Conan Doyle was the greatest genre writer Britain has ever produced. Throughout a long writing career, he drew on his own medical background, his travels, and his increasing interest in spiritualism and the occult to produce a spectacular array of Gothic tales. Many of Doyle's writings are recognized as the very greatest tales of terror. They range from hauntings in the polar wasteland to evil surgeons and malevolent jungle landscapes. This collection brings together over 30 of Conan Doyle's best Gothic tales

Like her previous books, this book will be the result of the author's passionate interest in the realities of everyday life, and the conditions in which most people lived, so often left out of history books. This period of mid-Victorian London encompasses a huge range of subjects.

This collection of tales transports the listener to a time when staircases creaked in old manor houses, and a candle could be blown out by a gust of wind—or by a passing ghost. Penned by some of the greatest Victorian novelists and masters of the ghost story genre, each comes to life in this vivid rendition.

'The Water Ghost of Harrowby Hall' is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known.

Few horror stories are as chilling as the ones written by Victorian writers. This collection of eight enduring stories, some well-known, others less familiar, carry you to all corners of the world where terrors lurk. Featuring work by H.P. Lovecraft, Charlotte Perkins Gilman, Edgar Allan Poe and Vernon Lee, experience the skin-crawling undead, a pestilence that leaves no one unaffected, imagined horrors that emerge from disturbed minds and others that require no imagination at all....

Weigall remembers talking with Wyatt about the soul and afterlife. Wyatt states, 'If I had my way, I should stay inside my bones until the coffin had gone into its niche, that I might obviate for my poor old comrade the tragic impersonality of death.' The characters wonder about death and the destination of the human soul when it occurs. Weigall does not believe that the marshy bog, the Strid, has taken his friend, but when he sees a hand raised above the surface of the water, he knows it must be him and he desperately and quickly saves him.

Lost in the snow on a bleak, wide moor in Northern England, a newlywed husband begins to despair he will ever see his wife again. He finds refuge with a pair of mysterious strangers, who direct him to a remote crossroads where the night mail coach is due to pass by. Amelia Ann Blanford Edwards (1831-1892) was a prolific journalist, traveler, and Egyptologist, as well as a hugely popular English novelist of the Victorian era.

Ghost stories date back centuries, but those written in the Victorian era have a unique atmosphere and dark beauty. Michael Sims, whose previous Victorian collections Dracula’s Guest (vampires) and The Dead Witness (detectives) have been widely praised, has gathered twelve of the best stories about humanity’s oldest supernatural obsession. The Phantom Coach includes tales by a surprising and often legendary cast, including Charles Dickens, Margaret Oliphant, Henry James, Rudyard Kipling, and Arthur Conan Doyle, as well as lost gems by forgotten masters such as Mary E. Wilkins Freeman and W. F. Harvey. Amelia B. Edwards’s chilling story gives the collection its title, while Ambrose Bierce ("The Moonlit Road"), Elizabeth Gaskell ("The Old Nurse’s Story"), and W. W. Jacobs ("The Monkey’s Paw") will turn you white as a sheet. With a skillful introduction to the genre and notes on each story by Sims, The Phantom Coach is a spectacular collection of ghostly Victorian thrills.

Make sure your doors are locked, then draw up a chair next to the fire. Here are three atmospheric Victorian ghost stories that will bring a winter's chill to your bones. Adapted and read by much-loved and widely respected British actress Philippa Urquhart. Contents: "The Phantom Coach", by Amelia B Edwards; "The Cold Embrace", by Mary Elizabeth Braddon; and "The Ghost Child", by Bernard Capes.

The Victorian era is remembered for many things, but one of the fondest is the wide and varied array of short ghostly, suspenseful tales...often enjoyed around the fireside at Christmastime. In this new anthology, Billie Fulford-Brown performs four of the very best, all written by incredibly talented but oft-times overlooked or forgotten female authors.

Discover these horror stories of the Victorian era, with Gothic tales from J. S. Lee Fanu. This definitive audio version is narrated by Jilly Bond and brings the classic horrors of old to a new audience. Ghostly Tales by J. S. Le Fanu is brought to audio for the first time. Dim the lights and listen to these unsettling tales of Victorian horror. Fanu is described as a "master of the genre" by subsequent distinguished authors such as E. F. Bleiler. Fanu's unique approach helped to usher in a new, more psychological era of dread.

John makes up his mind to marry May Forster, the prettiest young woman in the village. After John asks her to marry him several times, May finally agrees. John says that his love for May is so great that he would come back from the dead if that was what she wanted him to do. Two days before his wedding, John leaves to visit his seriously ill godfather. May begs him not to go because she has a feeling that something bad will happen. John reassures her that nothing will prevent him from arriving at his wedding on time.

In the story, a young, scientifically minded college professor finds an old bronze whistle while exploring the ruins of a Knights Templars' preceptory. That night, he blows on the whistle and a vision comes to him of a dark expanse with a lonely figure in its midst. The sound also appears to call up a gust of wind, but the sensible professor dismisses it as a coincidence. More strange incidents follow, however, to shake his disbelief in the supernatural.