Kids Theater

In over her head this junior higher will not quit. Can she find a way to finish the production? Aimi Wilby is loyal to a fault when it comes to her friends, new and old. The administrators overload her. Her mentor abandons the project and leaves this eighth grader to ‘figure things out.' Even the lawyers try to shut her down. But, she will not let her cast members and her newest friend down. Aimi discovers that not all witches wear pointy hats and ride brooms. Her new friend asks Aimi to do the unthinkable, to go where she has never gone before. Aimi’s devotion is tested beyond what she...

An eighth grader dares to direct the school play. Can she handle her cast of peers? Aimi Wilby loves theater and writing. With the spring play coming up, the budding author is thrilled to be assigned as an assistant director. Diligent Aimi can’t believe it when her teacher abruptly quits, and she is chosen to write and direct the entire production. Aimi refuses to be deterred even when she loses her mentor, her cast members fight, the school administrators prove apathetic, and parents are constantly overbearing. However, what the intrepid teenager fears most is that she will disappoint ...

10 minute plays for kids of all ages #2 is an additional collection of original, royalty-free, plays excellent for any audience. These scripts will work for intermediate drama students, to high school acting classes, and even multi-aged youth groups. Each play is versatile and can be staged as a reader’s theatre, a short parent recital, or even adapted into full stage productions. Most roles are gender flexible and range from 5 to 13 players, with the option to add more if needed. All plays are age-appropriate without concern about subjects or language. Kids as young as 5yrs have watched ...

Join Sally the School Bus and her merry bunch of friends on an exciting adventure to the magical world of theater! In "Sally the School Bus Goes to the Theater," young readers will hop aboard with Sally and her enthusiastic passengers as they embark on their very first field trip to the dazzling theater. As the wheels roll and the engine hums, anticipation fills the air. It's a journey brimming with giggles, wonder, and wide-eyed excitement! When they arrive at the theater, with nerves tingling and curiosity piqued, the children experience the enchantment of live performances for the very ...

In 2004, in a small, windowless theater in then-desolate Williamsburg, Brooklyn, an eccentric family of broke art-school survivors staged an experimental, four-hour adaptation of William Faulkner’s novel As I Lay Dying inside an enormous wooden coffin that could barely fit the cast, much less an audience. The production’s cast and crew—including its sweetly monomaniacal director—poured their hearts and paychecks into a messy spectacle doomed to fail by any conventional measure. It ran for only eight performances.

Ava Lee has lost everything there is to lose: Her parents. Her best friend. Her home. Even her face. She doesn't need a mirror to know what she looks like - she can see her reflection in the eyes of everyone around her. But when Ava meets a fellow survivor named Piper, she begins to feel like maybe she doesn't have to face the nightmare alone. Sarcastic and blunt, Piper isn't afraid to push Ava out of her comfort zone. Piper introduces Ava to Asad, a boy who loves theater just as much as she does, and slowly, Ava tries to create a life again. Yet Piper is fighting her own battle.

Introduce your kids to the timeless magic of Shakespeare's writing. Here, we introduce Shakespeare and explain what he did and then tell the story of three of his most important plays in ways that kids can relate to. We stay focused on the narrative, avoiding themes unsuitable for children. The Tempest, A Midsummer Night's Dream, and Macbeth are all sold in a concise way emphasizing the magic of Shakespeare's storytelling. This is the perfect way to enable you kids to access Shakespeare and build a passion for theater, language, creativity, and the literary arts.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.