European Jewish History

Eleven-year-old Nico Krispis has never told a lie. When the Nazis invade his home in Salonika, Greece, the trustworthy boy is discovered by a German officer, who offers him a chance to save his family. All Nico has to do is persuade his fellow Jewish residents to board trains heading “north,” where new jobs and safety await. Unaware that this is all a cruel ruse, the innocent boy reassures passengers on the station platform every day.

In the late 19th and early 20th centuries, two million Jewish immigrants poured into America, leaving places like Warsaw or the Russian shtetls to pass through Ellis Island and start over in the New World. Though some moved on to Philadelphia, Chicago, and other points west, many of these new citizens settled in New York City, especially in Manhattan's teeming tenements....

A journalist and author of The Influence of Soros examines the history of Jewish people in America and explores their ever-evolving relationship to the nation’s culture and identity—and each other. What does it mean to be a Bad Jew? Many Jews use the term “Bad Jew” as a weapon against other members of the community or even against themselves. You can be called a Bad Jew if you don’t keep kosher; if you only go to temple on Yom Kippur; if you don’t attend or send your children to Hebrew school; if you enjoy Christmas music; if your partner isn’t Jewish; if you don’t call your mother often enough. The list is endless.

Is it possible to conceive of the American diet without bagels? Or Star Trek without Mr. Spock? Are the creatures in Maurice Sendak's Where the Wild Things Are based on Holocaust survivors? And how has Yiddish influenced Hollywood? These and other questions are explored in this stunning and rich anthology of the interplay of Yiddish and American culture, edited by award-winning authors and scholars Ilan Stavans and Josh Lambert. It starts with the arrival of Ashkenazi immigrants to NYC's Lower East Side and follows Yiddish as it moves into Hollywood.

The Gutmanns, as they were known, rose from a small Bohemian hamlet to become one of Germany's most powerful banking families. They also amassed a magnificent, world-class art collection that included works by Degas, Renoir, Botticelli, Guardi, and many, many others. But the Nazi regime snatched from them everything they had worked to build: their remarkable art, their immense wealth, their prominent social standing, and their very lives.

Nearly three million Jews came to America from Eastern Europe between 1880 and the outbreak of World War I. Filled with the hope of life in a new land, most were young, single, uneducated, and unskilled. Many were children or teens. They were, in a sense, unfinished citizens of either the old or the new world.

In 1941, Marie Jalowicz Simon, a 19-year-old Berliner, made an extraordinary decision. All around her, Jews were being rounded up for deportation, forced labor, and extermination. Marie took off her yellow star, turned her back on the Jewish community, and vanished into the city. In the years that followed, Marie lived under an assumed identity, forced to accept shelter wherever she found it.