Thursday Next Novels

In Jasper Fforde's Great Britain, circa 1985, time travel is routine, cloning is a reality (dodos are the resurrected pet of choice), and literature is taken very, very seriously. England is a virtual police state where an aunt can get lost (literally) in a Wordsworth poem and forging Byronic verse is a punishable offense. All this is business as usual for Thursday Next, renowned Special Operative in literary detection.

There is another 1985, somewhere in the could-have-been, where the Crimean war still rages, dodos are regenerated in home-cloning kits and everyone is deeply disappointed by the ending of 'Jane Eyre'.

The inventive, exuberant, and totally original literary fun that began with The Eyre Affair continues with New York Times best-selling author Jasper Fforde’s magnificent second adventure starring the resourceful, fearless literary sleuth Thursday Next. When Landen, the love of her life, is eradicated by the corrupt multinational Goliath Corporation, Thursday must moonlight as a Prose Resource Operative of Jurisfiction - the police force inside the BookWorld.

Thursday Next, literary detective and newlywed, is back to embark on an adventure that begins, quite literally on her own doorstep. It seems that Landen, her husband of four weeks, actually drowned in an accident when he was two years old. Someone, somewhere, sometime, is responsible. The sinister Goliath Corporation wants its operative Jack Schitt out of the poem in which Thursday trapped him, and it will do almost anything to achieve this - but bribing the ChronoGuard? Is that possible?

Leaving Swindon behind her to hide out in the Well of Lost Plots (the place where all fiction is created), Thursday Next, Literary Detective and soon-to-be one parent family, ponders her next move from within an unpublished book of dubious merit entitled 'Caversham Heights'. Landen, her husband, is still eradicated, Aornis Hades is meddling with Thursday's memory, and Miss Havisham - when not sewing up plot-holes in 'Mill on the Floss' - is trying to break the land-speed record on the A409.

After two rollicking adventures through Western literature, resourceful literary detective Thursday Next definitely needs some downtime. And what better place for a respite than in the hidden depths of the Well of Lost Plots, where all unpublished books reside? But peace and quiet remain elusive for Thursday, who soon discovers that the Well is a veritable linguistic free-for-all, where grammasites run rampant, plot devices are hawked on the black market, and lousy books—like the one she has taken up residence in—are scrapped for salvage.

After spending her time chasing a stray Minotaur into pulp Westerns, filling in for Joan of Arc, and raising her infant son, Friday, Thursday needs a break in the real world. But her return to Swindon is far from relaxing. Rogue fictioneer Yorrick Kaine and the evil multinational Goliath Corporation are trying to rule the world, and a deadly assassin called the Windowmaker is tracking Thursday's every move.

Thursday Next, Head of JurisFiction and ex-SpecOps agent, returns to her native Swindon accompanied by a child of two, a pair of dodos and Hamlet, who is on a fact-finding mission in the real world. Thursday has been despatched to capture escaped Fictioneer Yorrick Kaine but even so, now seems as good a time as any to retrieve her husband Landen from his state of eradication at the hands of the Chronoguard. It’s not going to be easy.

Fourteen years after her last adventure, Thursday Next, literary detective, finds herself in an unusual situation her job policing the fictional characters of the BookWorld has been downgraded since her previous escapades are now themselves in print. However, a pressing threat may call her back into action: first Sherlock Holmes and then Miss Marple are found dead, stopping their series in their tracks.

It's been 14 years since Thursday pegged out at the 1988 SuperHoop, and Friday is now a difficult 16-year-old. However, Thursday's got bigger problems. Sherlock Holmes is killed, and his series is stopped in its tracks. And before this can be corrected, Miss Marple dies suddenly in a car accident, bringing her series to a close as well. When Thursday receives a death threat clearly intended for her written self, she realizes what's going on: there is a serial killer on the loose in the Bookworld.

It is a time of unrest in the BookWorld. Only the diplomatic skills of ace literary detective Thursday Next can avert a devastating genre war. But a week before the peace talks, Thursday vanishes. Has she simply returned home to the RealWorld or is this something more sinister? All is not yet lost. Living at the quiet end of speculative fiction is the written Thursday Next, eager to prove herself worthy of her illustrious namesake.

Deftly blending such genres as mystery, science fiction, and classic literature, Jasper Fforde’s gleefully irreverent New York Times best-selling Thursday Next novels defy categorization. In this sixth installment, the threat of all-out Genre war looms over BookWorld. But with the real Thursday Next retired in the real world, the Council of Genres has no other choice than to tap the fictional Thursday to save the day. Her mission as emissary is to prevent the brewing war—but her task is made more difficult by a hidden foe manipulating events.

The BookWorld's leading enforcement officer Thursday Next is four months into an enforced semi-retirement following an assassination attempt. She returns home to Swindon for what you'd expect to be a time of recuperation. If only life were that simple.

Jasper Fforde's delightfully zany Thursday Next series shows no signs of slowing down with its seventh entry, The Woman Who Died a Lot. Despite being semihappily semi-retired from SpecOps, Thursday accepts the head librarian position at the Swindon library. But soon threats from a supreme Deity, a mnemonomorph, and the nefarious Goliath corporation press Thursday back into active duty.

Dark Reading Matter is the 8th and final novel in the New York Times bestselling Thursday Next series, following 2012’s The Woman Who Died a Lot.