Showing titles in Essays

Perceptive, funny, and nostalgic, E. B. White's stroll around Manhattan remains the quintessential love letter to the city, written by one of America's foremost literary figures. The New York Times named Here Is New York one of the 10 best books ever written about the metropolis, and The New Yorker called it "the wittiest essay, and one of the most perceptive, ever done on the city".

This personal, philosophical narrative surveys the panorama of our world past and present. Dillard poses questions of natural evil, God, and individual existence. Can one individual really matter? If so, how? Compassionate, enthralling, and always surprising, For the Time Being is the latest work by one of our most original writers - her breadth of knowledge matched by keenness of observation- at her best.

A companion volume to Illuminations, the first collection of Walter Benjamin’s writings, Reflections presents a further sampling of his wide-ranging work. Here Benjamin evolves a theory of language as the medium of all creation, discusses theater and surrealism, reminisces about Berlin in the 1920s, recalls conversations with Bertolt Brecht, and provides travelogues of various cities, including Moscow under Stalin.

Audiolibro producido con sonido 3D. El mismo esta diseñado para ser escuchado con auriculares. Las puertas de la percepción es un ensayo escrito por Aldous Huxley, publicado en 1954. En este trabajo, Huxley detalla sus experiencias al consumir la sustancia psicodélica mescalina. A lo largo del ensayo, reflexiona sobre la naturaleza de la realidad, la conciencia y la percepción. Profundiza en cómo ciertas sustancias pueden alterar nuestra percepción del mundo, lo que le lleva a ponderar los límites entre el ser interno y la realidad externa.

"An excellent book by a genius”, said Kurt Vonnegut, Jr., of this now-classic exploration of the 1960s from the founder of New Journalism and author of such influential works as The Electric Kool-Aid Acid Test and The Bonfire of the Vanities. Tom Wolfe explores the style and culture of the 1960s in this dynamic collection of essays - originally stand-alone pieces, many of which were published in Esquire magazine - written in his unique, free-flowing style.

Tracing 25 centuries of human history, from the fourth century BC to the present day, Manguel dedicates each of his chapters to a single character - ranging from our best-known thinkers, scientists, and artists to seemingly minor figures of whom we know little more than one inspired utterance - in whom he identifies a particular way of asking the question "why?"

In 1572, Montaigne - nobleman, humanist, and thoroughly Renaissance man - retired to the seclusion of his estate in the Dordogne and started to write. From his pen poured a stream of "essays" - attempts to capture the observations that came to him on an idiosyncratic range of subjects, from ancient customs, cannibals, and books to thumbs, war-horses, and the wearing of clothes. He made the study of himself the starting point for investigations into how to live, and wrote with a startlingly modern candor about love, grief, friendship, sex, and death.

Fabulously entertaining and filled with the intriguing trivia of life, Irons in the Fire is another impeccably crafted collection of seven essays by John McPhee. His peerless writing, punctuated with a sharp sense of humor and fascinating detail, has earned him legions of fans across the country.

In addition to her celebrated career as a novelist, Hilary Mantel contributed for years to newspapers and journals, unspooling stories from her own life and illuminating the world as she found it. “Ink is a generative fluid,” she explains. “If you don’t mean your words to breed consequences, don’t write at all.” A Memoir of My Former Self collects the finest of this writing over four decades.

Throughout her life, Elissa Washuta has been surrounded by cheap facsimiles of Native spiritual tools and occult trends, "starter witch kits" of sage, rose quartz, and tarot cards packaged together in paper and plastic. Following a decade of abuse, addiction, PTSD, and heavy-duty drug treatment for a misdiagnosis of bipolar disorder, she felt drawn to the real spirits and powers her dispossessed and discarded ancestors knew, while she undertook necessary work to find love and meaning.

Offering brutal, difficult-to-swallow tales from the underground, this audiobook exposes the author's inner workings in a way none of his others have, resulting in a straight-out, heartfelt confession.

New York Times best-selling author and star of 2 Dope Queens Phoebe Robinson is back with a new, hilarious, and timely essay collection on gender, race, dating, and the Dumpster fire that is our world. Written in her trademark unfiltered and witty style, Robinson's latest collection is a call to arms. Outfitted with on-point pop culture references, these essays tackle a wide range of topics: giving feminism a tough-love talk on intersectionality, telling society's beauty standards to kick rocks, and calling foul on our culture's obsession with work.

Known for his meaty seriocomic novels–expansive works that are simultaneously lowbrow and highbrow–Tom Robbins has also published over the years a number of short pieces, predominantly nonfiction. His travel articles, essays, and tributes to actors, musicians, sex kittens, and thinkers have appeared in publications ranging from Esquire to Harper’s, from Playboy to the New York Times, High Times, and Life.

A wide range of women—actors, athletes, academics, CEOs, writers, small-business owners, birth workers, physicians, and activists—share their experiences of becoming mothers in this multifaceted, moving, and revealing collection.

Anthologized here for the first time, A HITCH IN TIME is a choice selection of Christopher Hitchens’s finest reviews, diary entries and essays—along with a smattering of ferocious letters. Familiar bêtes noires—Kennedy, Nixon, Kissinger, Clinton—rub shoulders with lesser-known preoccupations: P.G. Wodehouse, Princess Margaret and, magisterially, Isaiah Berlin. A HITCH IN TIME is a banquet of entertaining stories ranging from his thoughts on Salman Rushdie to being spanked by Margaret Thatcher in The House of Lords and the night he took his son to the Oscars.

As an undergraduate, Michele Filgate started writing an essay about being abused by her stepfather. It took her more than a decade to realize that she was actually trying to write about how this affected her relationship with her mother. When it was finally published, the essay went viral, shared on social media by Anne Lamott, Rebecca Solnit, and many others. This gave Filgate an idea, and the resulting anthology offers a candid look at our relationships with our mothers.

Mit den Erinnerungen eines Europäers hat Stefan Zweig seine persönliche, zugleich eine der besten Analysen der Jahrzehnte zwischen dem ausgehenden 19. Jahrhundert und dem 2. Weltkrieg verfasst.

Un libro valiente, sutil y agudo sobre los milagros, la relación entre la ciencia y la fe, la redención o el destino final del hombre. Dios en el banquillo es una de las más conocidas colecciones de ensayos de Lewis, entre los que destacan El mito se hizo realidad, El gran milagro, ¿Sacerdotisas en la Iglesia? y, por supuesto Dios en el banquillo.

In his short life, the Guyanese intellectual Walter Rodney emerged as one of the leading thinkers and activists of the anticolonial revolution, leading movements in North America, South America, the African continent, and the Caribbean. In each locale, Rodney found himself a lightning rod for working class Black Power. His deportation catalyzed 20th century Jamaica's most significant rebellion, the 1968 Rodney riots, and his scholarship trained a generation how to think politics at an international scale.

Few, if any, historians have brought such insight, wisdom, and empathy to public discourse as Jill Lepore. Arriving at The New Yorker in 2005, Lepore, with her panoptical range and razor-sharp style, brought a transporting freshness and a literary vivacity to everything from profiles of long-dead writers to urgent constitutional analysis to an unsparing scrutiny of the woeful affairs of the nation itself. The astonishing essays collected in The Deadline offer a prismatic portrait of Americans’ techno-utopianism, frantic fractiousness, and unprecedented—but armed—aimlessness.