Last week we spoke about the music of the sequels to The Crow (1994). We also spoke about the new crow film (The Crow (2024)), but we kind of cut it a little short because we didn't talk about the music of the new film. We do that this week before we dive headlong into the original soundtrack of the very first film in The Crow franchise.

Not sure I can find a way to fit "The Crow" into this little blurb about our new episode on The Crow. So please enjoy this episode where we talk about the music from the 1994 film The Crow

Another episode where we're taking direct inspiration from something that we mentioned in an early show, we've decided to do two whole bloody episodes on the music of The Crow film franchise.

In episode one we talk about the music from the very poor sequels to the original film: City of Angels and Salvation. Surprisingly, even though the movies themselves are fairly terrible, the soundtracks are actually really good! So we dedicate a bit of time to those two.

We also talk about the place of The Crow in the wider pop cultural landscape, wondering whether it really was as popular as we seem to remember it was (subcultures are weird) before we talk about the brand new reboot The Crow. Which is... well, it's certainly not the worst of The Crow films, but that's not a high bar to clear...

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Usually, we like to space things out. You may have noticed that over the years, we'll do a metal album one week, then perhaps change it up with electro or something else. So, for us to do two post-hardcore/noise rock(ish) records so close together is a bit unheard of. But hey, what's the point of having a set of rules if you don't break them occasionally?

We've been doing this show for a ridiculously long time. Too long, some might say. In those six and a half years (give or take a few months), we've managed to rack up a decent amount of subscribers. For some of our longest-standing subscribers, we give them the opportunity to pick a record for us to cover. This week, Todd Khul chose Face of Collapse by the Dazzling Killmen.

We welcomed this choice, especially since it's a band Chris has also wanted to tackle for a while. So this week, we're diving deep into their short discography and offering some insights into their equally short career.

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Sound is a pound is always good fun. You'd be amazed what you can pick up for a quid in a charity shop. It's been about 18 months since our last one of these and frankly, we'd forgotten what albums we'd "gifted" each other at the end of the last episode. So Mark decided to pick two that he'd bought for Chris: Planet Claire by The B-52's (a strange compilation what was not released by the band's label, Warner Brothers) and Highly Evolved by The Vines.

There's some surprises in this episode. There's also somethings that won't be surprising at all to long time fans. We'll leave you to figure out which is which...

John Congleton is a great producer, and as it turns out, also a great musician. The Paper Chase were, for many years, his only musical project and even as his star began to rise as a producer, he was still churning out unsettling, chromatic, occasionally catchy, often nasty music. Often described as a combination of avant-garde jazz, indie and punk, the band tick all of those boxes and much more.

This week we're talking about their second album, Hide the Kitchen Knives which helpfully/frustratingly is only available on YouTube. An album so twisted that it actually gave Mark nightmares. We also talk about the band's discography at large and chat about why some albums never seem to make it to streaming platforms.

Long terms fans of the show will know that we've spent altogether far too much time talking about Britpop. And the bad news is that it looks like it's ABOUT BECOME ALL ANYONE TALKS ABOUT when Oasis announce their reunion. We recorded this episode before those rumours started to creep out. Funny how these things happen.

Anyway, Mark fell into a Suede hole (sounds quite comfy, when you put it like that) after our episode on Baader Meinhof/Luke Haines and this lead to two realisations: 1) there's no way we could call Suede (or this song, really) unsung, and 2) we don't think they have an album solid enough to carry a full episode.

This song though? It's a banger. Pure class. And we really wanted to talk about it. So we bent the rules a little.

A quick note of correct: we haven't done a Mojo covermount before. It was Uncut, but the audience for both magazines was/is broadly the same...

Or so Mojo would have you believe. We'll be honest: the bag of covermounts is full of questionable CDs, so it was actually something of a surprise to land on something interesting. This Mojo covermount is, ostensibly, a history of electronic music. It goes all the way back to the 60s and includes in the mid 00s, when this CD was released. A strangely fascinating find, given that it was only released on the front of a magazine.

From disco to house, ambient to jazz, this thing has a real selection of music that incorporates keyboards and synthesizers. It was fun to spend time with it, and we hope it brings something interesting into your life too.

A few months ago we covered Tanz, Grozny Tanz by Yacøpsæ and if you listened to that episode, we mentioned how we'd reached out to the band for some info. They didn't get back to us in time, but band member Stoffel was keen to hear the podcast, so we sent him a link to it.

Luckily he was a fan, but there was a few points he wanted to clear up. After arranging a short Q&A with the input of our subscribers, we managed to pull together this wee episode based on his responses. The result is a fun, insightful episode on Yacøpsæ directly from the mouth of the band. Enjoy. We'll be back next week with some a lovely covermount!