This week, we’re joined by Sean Mulligan – music supervisor, sync guru, and all-round wizard of getting tunes into films and TV. He’s worked on over 50 films, placed music in major productions, and somehow hasn’t lost his mind dealing with licensing headaches.

We get into the business of sync: how to actually get your music in a film, what music supervisors wish artists and labels understood, and why sending your latest track with the subject 'this would be great for sync' might not be the best idea you've ever had. Sean breaks down what works, his favourite projects, and the dos and don’ts of pitching. So take a listen, stop wasting everyone’s time and start landing placements.

This week, we’re joined by Lisa Wright – journalist, podcast host, and all-round hero. She’s interviewed Paul McCartney, covered Fontaines D.C. and Self Esteem for DIY Magazine & The Observer and more.

We dive into PR, talking about when it’s time to bring in a publicist, what influencers bring to the table, and the state of pop music in the TikTok era. Lisa gives us the lowdown on what works, what doesn’t, and the common mistakes people make when pitching.

We’re joined by Martha Cleary, a seasoned artist manager, strategist and founder of Glow, who’s helped shape the journeys of artists with Grammy-nominated album campaigns in her locker already.

We get into real pros and cons of going independent versus signing with a label, breaking down what actually moves the needle in a campaign - money, timing, or strategy? Martha shares insights on what works (and what doesn’t), the biggest mistakes artists make when running their own campaigns, and the key decisions that can make or break a release. This episode is packed with advice you won’t want to miss.