America doesn't really make things. Even in its financial system, the highest rewards go to those who speculate, making bets on things that other people have created but creating nothing real or tangible in itself. Jessa and Nico discuss the difficulty in reversing the trend toward service and virtual production as well as the effects that working in the spectral rather than material realms has on a human.

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Indiana is married to a brutish man who bullies and abuses her. She is followed around by her cousin Ralph, who loves her but remains a loyal friend to the man who stomps her on the face and kills her dog. Then there is Raymon, the scoundrel, who loves Indiana but is also sleeping with her maid Noun. It's a love pentagon, and somehow no one is having a very good time. George Sand's Indiana is a story about how women have adapted to and managed their lack of rights or ability to leave terrible husbands, but it's also a comedy about the impossibility of love under patriarchy.

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Greg Grandin, author of the new book America, América, said in an interview this week, “You don't beat fascists by calling fascists, fascists. You beat fascists by offering an alternative and a broad vision of social democracy.” But that vision is stalled or mired in nostalgia. Nico and Jessa consider how people on the left from Chris Murphy to Gustavo Petro seem stuck in a 20th century leftism instead of envisioning 21st century solutions.

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