How did we end up with a Kyriale in the Graduale Romanum, with its 18 Masses, group of Credos, and ad libitum section? Find out the specifics, as well as the general trends and conditions that brought about this organization in the liturgy.

Find out more about Dr. Andrew Kirkman and his work here: https://www.birmingham.ac.uk/staff/profiles/music/kirkman-andrew

Find our more about the summer courses at the Catholic Institute of Sacred Music here: https://catholicinstituteofsacredmusic.org/summer-courses/

Find out more about the Fons et Culmen Sacred Liturgy Summit here: https://liturgysummit.org

We're back with season 7 and we've got an inspiring story of building up people, a parish and school, and fostering vocations through a sacred music education program and some elbow grease.

Listeners can learn more about the program profiled in this episode, and access LaCour's free-use lesson plans and resources by visiting http://epiphanysacredmusic.org, or by visiting their YouTube Channel: @epiphanysacredmusic.

Find out more about the Fons et Culmen Sacred Liturgy Summit here: http://liturgysummit.org/

Find out more about the Catholic Institute of Sacred Music here: http://catholicinstituteofsacredmusic.org/

The 18th century orchestral mass repertoire comes with all sorts of questions for the liturgical musician. Is this repertoire properly called "Viennese"? Does this music really fit, in style and length, with the sacred liturgy? What does the Church have to say about this style of music? Are there any of these Masses that I can do with my choir? Dr. Erick Arenas of the San Francisco Conservatory of Music joins us to answer these questions, and to talk about the wonderful oeuvre of Johann Michael Haydn, the younger brother of the more famous Haydn.

To learn more about Dr. Arenas, click here: https://sfcm.edu/study/faculty/erick-arenas

To learn more about the Catholic Institute of Sacred Music, please visit: http://catholicinstituteofsacredmusic.org/

For Bishop Earl Fernandes of Columbus, Ohio, sacred music and the Eucharistic revival are inextricably linked. When he was consecrated bishop at age 49 in 2022, he was the U.S.'s youngest bishop, and his experience with sacred music as a young person involved a mix of typical U.S. parish music, but also special liturgical and musical experiences sought out by his parents, and this has shaped in him a deep understanding of the importance of sacred music. Join us as we discuss the role he sees for sacred music in reviving faith in the presence of Christ in the Most Holy Eucharist.

What do we know about music in the earliest liturgies celebrated in Ireland? Did sacred music and the liturgy develop as a distinguishable "Celtic rite" in Ireland? What impact did the Church in Ireland, and specifically the monastic impact of Ireland, have on the European continent? We discuss these and other questions with Dr. Ann Buckley, a visiting research fellow in the Medieval History Research Centre of Trinity College Dublin.

To learn more about Dr. Buckley and her work, please visit: https://www.tcd.ie/medieval-history/expertise/ann-buckley.php

To see an edition of the sequence for St. Patrick, edited by Dr. Buckley, click here: https://sacredmusicpodcast.com/wp-content/uploads/2024/06/PATRICK_MS-78_Responsory.and_.prosa_.pdf

To learn more about the Catholic Institute of Sacred Music, visit: http://catholicinstituteofsacredmusic.org/

Having worked in Catholic classical education for decades, Mark Langley knows the place of music in Catholic education, and has built schools in which every student is enabled to learn and sing chant and polyphonic works from the Church's sacred music treasury. Join us for a discussion about where music figures into the educational structure, and some problems in the modern conception of the nature of music that prevent Catholic education from giving music its proper due.

Learn more about Mr. Langley and his work here: https://olwclassical.org/faculty/

Learn more about the Catholic Institute of Sacred Music here: http://catholicinstituteofsacredmusic.org/

Join us for a discussion with the Archbishop of San Francisco, Salvatore J. Cordileone, about principles every Catholic should learn so that they can think with the mind of the Church about sacred music. We discuss the purpose and nature of sacred music, how it sounds, what effect it has on us, and how it expresses time, culture, and emotions.

To learn more about the Catholic Institute of Sacred Music, please visit: http://catholicinstituteofsacredmusic.org/

Charles Cole joins us with clips from the recent release of the London Oratory Schola's album, Sacred Treasures of Venice. We discuss the crucial role played by Venetian music in the history of sacred choral music, and the particularly fertile atmosphere at St. Mark's Basilica in Venice at the end of the 16th century.

Learn more about the London Oratory Schola here: https://www.londonoratoryschola.com/

Purchase the new album here: https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA68427

Learn more about the Catholic Institute of Sacred Music here: http://catholicinstituteofsacredmusic.org/