Frankenstein's monster is a kaiju?! In one of the weirder entries in Toho's monster canon (localized as Frankenstein Conquers the World), the modern Prometheus is a regenerative caveman-like being born from the atomic bomb who grows to colossal size. Also, an adorable subterranean puppy comes from below to fight him. We talk about the very first collaboration between Toho and American producers, and the resulting conflict among Ishirō Honda's desire to honor the classic Frankenstein story, Toho's desire to make another giant monster movie, and America's desire to have a random octopus for some reason.

Cover art by: Walter Trush aka TrushToons

Instagram: @trushtoons | Twitter: @TrushWalter

Part of⁠⁠⁠⁠ ⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠⁠

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Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠skreeonkpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠

Theme song:⁠⁠⁠⁠ ⁠⁠⁠⁠⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠⁠⁠⁠⁠⁠⁠⁠⁠

Sources include:

A Critical History and Filmography of Toho's Godzilla Series by David Kalat

Ishirō Honda: A Life in Film, from Godzilla to Kurosawa by by Steve Ryfle and Ed Godziszewski

Japan's Favorite Mon-Star: The Unauthorized Biography of "The Big G" by Steve Ryfle

Wikizilla

Hop into your time machine and pilot your Mecha, because Godzilla expert Jayce joins us for King Ghidorah's entrance into the Heisei era! This fantastical sci-fi romp is a response to America's blockbusters like Back to the Future and a celebration of Showa era monster fights, but it's also surprisingly wrapped up in Japanese/American economic relations (yes, we're talking about the economy again.) We also get into the complicated time travel that explores Godzilla's origins, Kawakita's special effects, the loveable and Terminator-esque M-11 Android, and of course, the time Godzilla cried.

Follow Jayce on Twitter: @jblacksomething

Absolutely KILLER episode cover art by: Doug!

Part of⁠⁠⁠ ⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠

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Email: ⁠⁠⁠⁠⁠⁠⁠⁠skreeonkpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠

Theme song:⁠⁠⁠ ⁠⁠⁠⁠⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠⁠⁠⁠⁠⁠⁠⁠

Sources include:

Vantage Points interview with Kazuki Ōmori

The Godzilla Comic on Wikizilla

A Critical History and Filmography of Toho's Godzilla Series by David Kalat

Godzilla FAQ: All That's Left to Know About the King of the Monsters by Brian Solomon

Wikizilla

Godzilla goes to spaaaace! In a movie that's way more alien invasion space opera than kaiju, the hilariously-dressed Xiliens from Planet X introduce us to Monster Zero (aka Ghidorah) and get Earth wrapped in a convoluted plot involving trapping sleepy Godzilla and Rodan in bubbles. We talk the first American-Japanese co-production for Toho -- which includes a major role for Rebel Without a Cause's Nick Adams and a complex English/Japanese language shoot -- along with space lady clones, a backslide in character dynamics, and of course, Godzilla's famous little dance and its surprisingly important ramifications.

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Help us nominate The Mixed Reviews for a Film & TV Podcast Award! Go to ⁠podcastawards.com⁠.

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⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Part of⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠skreeonkpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Theme song:⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Sources include:

Ishirō Honda: A Life in Film, from Godzilla to Kurosawa by Steve Ryfle and Ed Godziszewski

A Critical History and Filmography of Toho's Godzilla Series by David Kalat

Godzilla FAQ: All That's Left to Know About the King of the Monsters by Brian Solomon

Wikizilla