In this conversation we talk about the earliest representations of memory in classical, latin, literature (the original 'art of memory') then move, via St Augustine, to Proust and his madeleine. Russell describes how the representaion of memory, the 'flash back', appeared in the first years of film-making but identifies the real innovations in Casablanca (1942) and Citizen Kane (1941). We move on to what made Fellini and Bergan masters in the use of memory before coming up to date with last year's excellent 'All of Us Strangers' . We end with an extended discussion of the ethics of memory in film, in particular the way the Holocaust has been depicted, and give the views of Goddard and Deleuze an airing.

Participants:

Russell J Kilbourn is Professor in the Dept of English and Film Studies at Wilfrid Laurier University, Ontario, Canada. http://rjakilbourn.com/

Ken Barrett is an artist, writer and former neuropsychiatristhttp://www.kenbarrettstudio.co.uk/

Some of the films discussed:

Curtiz - Casablanca: https://www.imdb.com/title/tt0034583/videogallery/

Wells - Citzen Kane: https://www.imdb.com/title/tt0033467/?ref_=nv_sr_srsg_0_tt_5_nm_3_in_0_q_citizen%2520

Bergman - Wild Strawberries: https://www.imdb.com/title/tt0050986/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_wild%2520strawberies

Fellini - 8 1/2: https://www.imdb.com/title/tt0056801/

Haigh - 'All of Us Strangers': https://www.imdb.com/title/tt21192142/?ref_=fn_al_tt_1

Opening and closing music: Prelude to Brainland the opera by Stephen Brown

Brainland the opera website: www.brainlandtheopera.co.uk

Sketch by KB.

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