• Pinch, there it is; googly eyes on the train, and yes, we are on our 37th career this year

  • Jul 2 2024
  • Length: 20 mins
  • Podcast

Pinch, there it is; googly eyes on the train, and yes, we are on our 37th career this year

  • Summary

  • Dogs are Smarter Than People/Write Better Now

    Last week, we talked about pinch points both on the podcast and on the blog, and honestly? Nobody seemed super into it, but we’re finishing up this week. This post is going to be a bit more about the first part of act two of a three-act story, focusing on the time from the first pinch point to the midpoint.

    Pause for a plea: Look, I know plot structure isn’t sexy the way character development or drama and obstacles and conflict are, but it’s super important. It makes a difference in your book wooing readers and in it wooing agents.

    K.M. Weiland has a really lovely graphic that we’ve included in the podcast notes about where to put those pinch points.

    Weiland is a bit of a goddess about structure and what she says about this first pinch point is this:

    1. It comes about 37% of the way into the story.
    2. It tells us that the bad guy has some power.
    3. It can be a whole big scene or just the tiniest of moments
    4. It sets up “the next 1/8th of the story, in which the character will slowly begin to grow into a new awareness of his story’s many truths–and specifically the truth about the nature of the conflict in which he is engaged.”

    Right after this big and important pinch point, the hero of your story aka your protagonist moves into the section of the book that comes before the book’s halfway point or midpoint. Weiland calls this space from 37% to 50% a realization place and scenes for your character growth. The protagonist understand what’s going on a bit more. She starts to react with that knowledge informing her reactions and then her actions. Cool, right?

    She writes, “In itself, the First Pinch Point does not reveal the true nature of the conflict to the protagonist. Rather, it foreshadows it by providing a peek at facts the protagonist has barely grasped as yet.”

    She uses the movie ALIEN a lot to explain this. At the first pinch point, the crew realizes that the alien creature isn’t what they were thinking it was. Their choices start to be informed by that until the midpoint, which Weiland calls the MOMENT OF TRUTH.

    At the midpoint in ALIEN that alien smashes its way out of one of the crew’s chest.

    The truth of what they are dealing has exploded in the ship and on the screen (and on your novel’s page).

    “It’s instructive when watching movies to observe the protagonist’s facial expressions prior to the Moment of Truth and then afterward. Before the Midpoint, he’ll often look baffled as he struggles to keep up with the conflict. Then the light dawns in his eyes at the Midpoint, and from that moment on, there’s a look of knowing determination on his face,” she writes.

    Larry Brooks defines pinch points as “An example, or reminder, of the nature and implications of the antagonist force, that is not filtered by the hero’s experience.”

    DOG TIP FOR LIFE

    Sometimes in life, your defining moments don’t come at the midpoint. - Mr. Murphy

    So, what he’s saying is don’t think that there are certain points and ages in your life where you have to get things done. Life is not a book and it doesn’t need to be a three-act structure.

    PLACE TO SUBMIT

    These are via Authors’ Publish.

    Bannister Press: Other – the 2024 fantasy short story anthology

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