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In this season we are reviewing the most popular arias of all times. Who doesn't know this hyper famous aria from Il Barbiere di Siviglia by Maestro Rossini?

By far, one of the most popular melodies ever written for the baritone voice. Always a huge success for these male voices.

In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.

This a recording in the outdoors, subject to all technical challenges that this poses. So we beg your understanding for undesired noises in the background.

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In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Il Barbiere di Siviglia by Maestro Rossini?

By far, one of the most attractive and playful melodies ever written for the Mezzosoprano voice. And sopranos have made it part of their repertoire as well.

In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.

This was a live session recording with public. subject to all technical challenges that this posed. So we beg your understanding should you find anything derailing a little.

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You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging

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This final episode on the series with the subject of Maria Callas is in a format of 10 Q&A.

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This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms.

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In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Le Nozze di Figaro by Maestro W.A. Mozart?

By far, one of the most beautiful melodies ever written for the bass voice. There is no bass who doesn't have it in his repertoire.

In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.

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https://t.me/OperaWeLoveSinging

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In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from La Boheme by Maestro Puccini?

By far, one of the most beautiful melodies ever written for the soprano voice. There is no soprano who doesn't have it in her repertoire.

In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.

This was a live session recording that premiered on Youtube, subject to all technical challenges that this poses. So, we beg your understanding should any trouble may arise.

Support the show

You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging

Send us a text

This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms.

Support the show

You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging

Send us a text

In this season we are reviewing the most popular arias of all times. Who doesn't know this song by Mexican composer Maria Grever?

Tenors and Sopranos of all nationalities very often make it part of their recitals.

In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.

Support the show

You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging