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  • Summary

  • Interviews with Scholars of Music about their New Books
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Episodes
  • Edward Anthony Avery-Natale, "Ethics, Politics, and Anarcho-Punk Identifications: Punk and Anarchy in Philadelphia" (Lexington, 2016)

    Edward Anthony Avery-Natale, "Ethics, Politics, and Anarcho-Punk Identifications: Punk and Anarchy in Philadelphia" (Lexington, 2016)
    Jun 10 2022
    Edward Anthony Avery-Natale's book Ethics, Politics, and Anarcho-Punk Identifications: Punk and Anarchy in Philadelphia (Lexington, 2016) explores the ways in which those who identify as punks and anarchists living in the Philadelphia area construct their identifications narratively through the use of ethics. The book shows that contemporary subcultural and political identifications are complicated by the multiplicity of identifications that postmodern subjects must work from. Throughout the book, it is shown that narrators strive to maintain the coherence of their identifications through narrative reconciliations of contradictions and conflicts. The identity label "anarcho-punk" is of particular salience here, as the hyphenation of the two terms, itself a central component of the book's analysis, forefronts the multiple nature of the identification on the whole. This makes anarcho-punk a particularly interesting identity to study because there we can see clearly the complicated nature of identities in the contemporary age most clearly. Ethics, Politics, and Anarcho-Punk Identifications includes chapters focusing on the entry into subculture, fashion, punk, politics, anarchy, race and racism, gender and sexuality, and more coupled with in-depth theoretical analysis. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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  • Sunhee Koo, "Sound of the Border: Music and Identity of Korean Minority Nationality in China" (U Hawaii Press, 2021)

    Sunhee Koo, "Sound of the Border: Music and Identity of Korean Minority Nationality in China" (U Hawaii Press, 2021)
    Nov 24 2021
    When faced with some of the complex identity questions which often arise in borderlands, Koreans in China – known as Chosonjok in Korean, Chaoxianzu in Chinese – have long seemed adept at navigating the shifting demands of being both Chinese and Korean. Sunhee Koo’s new book, Sound of the Border: Music and Identity of Korean Minority Nationality in China (U Hawaii Press, 2021), makes a strong case for Chaoxianzu music being a clear index of this, reflecting as it does the layered cultural worlds of this community living in Yanbian prefecture where China, North and South Korea, and the wider world collide. Offering an in-depth account of the shifting styles, genres and themes present in Chaoxianzu musical output across the decades, Koo examines the form and content of Korean folksongs and traditional instrumentation, Chinese- and North Korean-inflected socialist propaganda tunes, and more recent commercialised blends of essentialised ‘ethnic’ music and South Korean pop. Woven into the book’s close musical analysis are rich reflections on the often-tumultuous social and political contexts navigated by Chaoxianzu musicians and their publics over time, all of which reveals that from these intersecting cultural worlds has emerged not so much a musical chimera as a varied and distinctive musical tradition in its own right. Ed Pulford is a Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and indigeneity in northeast Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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  • David Pearson, "Rebel Music in the Triumphant Empire: Punk Rock in the 1990s United States" (Oxford UP, 2020)

    David Pearson, "Rebel Music in the Triumphant Empire: Punk Rock in the 1990s United States" (Oxford UP, 2020)
    Oct 26 2021
    In Rebel Music in the Triumphant Empire (Oxford University Press, 2020), musicologist David Pearson explores the changing landscape of punk in the United States in the 1990s. Pearson examines how the 1990s underground punk renaissance transformed the punk scene into a site of radical opposition to the American empire. Nazi skinheads were ejected from the punk scene; apathetic attitudes were challenged; women, Latino, and LGBTQ participants asserted their identities and perspectives within punk; the scene debated the virtues of maintaining DIY purity versus venturing into the musical mainstream; and punks participated in protest movements from animal rights to stopping the execution of Mumia Abu-Jamal to shutting down the 1999 WTO meeting. Punk lyrics offered strident critiques of American empire, from its exploitation of the Third World to its warped social relations. Numerous subgenres of punk proliferated to deliver this critique, such as the blazing hardcore punk of bands like Los Crudos, propagandistic crust-punk/dis-core, grindcore, and power violence with tempos over 800 beats per minute, and So-Cal punk with its combination of melody and hardcore. Musical analysis of each of these styles and the expressive efficacy of numerous bands reveals that punk is not merely simplistic three-chord rock music, but a genre that is constantly revolutionizing itself in which nuances of guitar riffs, vocal timbres, drum beats, and song structures are deeply meaningful to its audience, as corroborated by the robust discourse in punk zines. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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